Rg Gregory
The bouncing spider
schnyder schnyder The bouncing spider Had a song Wound up inside her She’d had it taped On a silken spool This was the song She sang as a rule O little fly Come be
Symptom
begin at a chapter you have read before With new words and a new hand turning The pages where the print vibrates and the white Paper runs in a stream of many colours Stand
Jerusalem and redcurrants
my jerusalem My newfoundland Juicy as redcurrants With their sweet tang taste My desire My holy requirement Caught in a cleft of mountain Ever clambered towards My yearning My place of the blood-red fruit
The plane and the blackbird
a cold bright sun Two days to christmas A first-quarter moon At a good vantage-point A small white coffin Driven slowly uphill From the cemetery gate To the minimal grave Fifty people attending Unexpected
On why it is necessary to talk kindly to frogs
i met a frog in my garden today Lurking under a stone – it said There used to be a pond here I know i said i had to dig it up Pity said
Grandeur
loneliness is a state The lonely cannot reach It carries a grandeur That doesn’t fit into Bed-sitters or rejected Ideas – it’s the label stuck On the bottle after The tables have gone
Owls and pussy cats and seven-year – old boys
owls and pussy cats can make up their minds To sail out to sea and even get married But they don’t have parents or other such binds Whose one job in life is to
The feminine touch
she came on a fine cool morning The last of a course i was attending As we crowded the pavement Waiting to be let in – hello she said Put her arms around me
Thread
the sky is shattered Its debris Clutters the world’s streets Where the light came from Is a question Charred beyond recognition Heads hang out of walls Limbs unattached Rigid in their will to crawl
Reflections of caernarvon
i I shall die yearning A hand Reaching out to A face that isn’t there A face Seeking a hand A stone Leaving its mountain- Wall in a wind Anxious to be a bird
Joy-notes
when the time comes Yield To the forces outside you Images simply Of your inner compulsions When the time comes Invite Your enemies inside you Inversions simply Of your face on the world When
From imperfect Eden
(1) And off to scott’s (the dockers’ restaurant) Burly men packed in round solid tables But what the helle (drowned in hellespont) This place for me was rich in its own fables I’ll be
Symbolically concerned
dodona oak (the tree of life) sheds leaves Nutritious-which feeds blood and mind today There’s not a jot (from which the present cleaves) Can be dispensed with – all life’s array From first to
In search of milk and paradise
heeley (sheffield) autumn 1988 Dodging the broken bottles Dog-shit the pavement spew I wheel my young son matthew Through the heeley streets Shop to shop this early Morning (short of milk) Unsettled day –
(filtered)
a nearby field provides the plants Sometimes with a wild profusion (organisation seems a long way off) It takes an eye used to ink or paint To confront such a rich confusion And draw
Personal request
for what my heart held clear And didn’t have the wit to show For what my path proposed And got lost in its diversions For what my beginnings dreamed And my ends cannot lay
Legs rivers and age
with landbound legs a wish For the easy flow of a river – not The clambering up crags to seek More favour from the sun (or long-haired moon) harped for Since those sparks of
Shocked
the cupboard was done up On the outside In the brightest of colours The house it was part of Was filled each day With its loud exclamations The sun looked in gladly One morning
Absinthe and stained glass
(i) Absinthe makes the hurt grow fonder The green fairy burbles what’s this ‘ere When vincent (sozzled) knifes his lug off All spirits then succumb to fear Depression takes the gloss off wonder And
Daft icarus
it began as a secret desire (an itch In the marrow too vague to get through To the bone) an idea that never could Make it as flesh – there wasn’t a part of
Snowdrop blaze
from late december onwards the day comes back But not till february do we see those glimpses That let us take deep darkness off the rack And shake it free of lethargy that cramps
At the sixty-ninth station
(after hiroshige – stations of oi) Here at the sixty-ninth station Of the gregokaido road I have a sense of completion That is not completed yet The long journey to this moment Has many
Sublimely
you may get fed up with me She says (seing herself slightly) Fearing old age in a woman Must render her blightly Old age’s eyes he thinks See only old-agely She lifted him from
The arrival of spring (cathe waller)
on the last day of winter i went to bed Harsh winds rainstorms beating my head Houses trees with a sucked-out look New year flaked from the old one’s hook Then overnight such a
Handyman
the two hands of me make inimical gestures That only long after betray the one tune Though they have the same taste in throats They go to their crime disgusted with kinship The right
Bird of fire – a caution
the dream of the white bird flying Offers a freedom as tasty as nectar How our lips purse to the goddess’s pap At the want of such swoops through the air To be rid
It was once called
it comes like a convict Squeezing through bars And is gone before The promptest siren It suddenly turns In the ear or rides The eye of a thought Before dissolving I have it in
Snail and spiral
i take my property with me says the snail Slow-moving (yes) but packed with sublime thought The house upon its back some kind of grail Vulnerable to brute boot – and wisdom bought By
Peach-power
peaches exude this thrall – Reminders of those luscious Whereabouts that lips Best find their precious sips To cry let this be all They lull so well endowed With dreams of wanting flesh Who
Hawthorns and the like
as the landscape falls away The hawthorn in its gnarly fashion Is content to stand alone Berries (the very tint of passion) That birds are wont to feed upon Bloodstain the shortened day A
Speedboats
when One summer Everything opened out And nobody close by Was quick enough With needle and gut To stitch the blue sky away From all that fresh flesh How we splashed about In the
Understanding lemons
lemons don’t let you admire yourself too much They stick from their tree like awkward thoughts Demanding a truth be told even if the tongue Would prefer a far more sickly explanation Lemons are
Doughnut denial
(an ascetic poem for karen’s birthday) Fancy having a birthday on a thursday When you do the buying of the doughnuts And others lick their sticky fingers Thinking good old karen letting Us share
Bluefish
the bluefish was surprised I was there to greet it This world it said is mine It feeds on blueness For the first time in my life I felt i’d found my truth Bluefish
Stylised tulips
stylised tulips – this is what the card says And they have that nineteen-twenties’ feel Of those bright young things a decade before us Who had a way of walking with their legs Bent
Girl (three) and the black horse
i want to hold the horse’s string Cried the girl (three) stamping her foot Told by adults she was much too young The black horse stood staring at the wall It worries us you
Ducks and wisdom
[from a motif by Jean Dunand (1877-1942)] Seven lacqueur ducks on a silver pond Their rippling held in a moveless frieze Nothing now can help them swim beyond The stoned edges (invent a new-age
Two crocodiles gossip by the banks of the thames at abingdon
two old lazy crocodiles are basking by the water They get round to talk about the macdonalds’ daughter Gemini gemini Have you ever set eyes on young stephanie Jiminy jiminy Who lives here in
Bad for ears
the song wasn’t up to the task Of getting through the double-glazing Into the ears pressed on the outside pane The rest of their bodies had faded away but The ears were straining still
(i) the inkman
whirligig twister Dancer prancer St vitus’s quester Chancer romancer The inkman cometh From that nether world Where dream and coincidence Are darkly furled Accident rubbed him Into puzzling light He is what he isn’t
The watchers
against their beliefs a blue spot came slowly Out of the green Nobody expected such a thing to occur On a thursday The watchers switched over from their electronic Eye to their notes The
Your tiger
(in china it is symbolic Of darkness and the new moon) In your night’s hollow The tiger stalks Black grasses have licked It into nothingness Hooked by moon I hover on your hollow’s lip
Transformations
(service resettlement courses at studio fronceri – west wales) And the swords came in their varying degrees Of shininess and sharpness – some never Having lost their pristine feel – others with blunt Tips
Sea horn
within the shell swim all the sea’s fish Our ears too are compendiums of sound The big bang exploded – such a long wish Waves and warps towards the present ground Shell to ear
Southampton water
song of sea-leaves in an orchestra of foam Branches of violins sprayed across the mind What is magnetic in a wave breaking white Drawing the chords of evening to a single sound I would
Safe-home
don’t be so lazy maisie maisie Don’t be so lazy please I know it’s snowing And a hard wind’s blowing But nobody knows At the rate we’re going What time we’ll get home tonight
Happiness
for kelly Happiness is the stuff of birthdays And the coming of sweet things When they are not expected Happiness is when the moment Catches the sunlight and a giggle Comes out of darkness
The wounded angel
(from a painting by hugo simberg) Those who bear the wounded angel Are they honoured or destroyed Far beyond their comprehension Are the warfares of the void Angels have a sheen to lift them
Art school
each sunset is unique So others tell us Fools – with flowers Of envy pushing Through their teeth I think differently A feeble skill that Can’t repeat itself I’ll have the sun in For
For the naming of tara december 4th 2005
for the naming of tara This bowl of joy That her fruits of earth She’ll well employ For the naming of tara This bunch of flowers That she bloom brightly Through her natural powers
He and the hilltown
when they look into his mind they find a hill town Somewhat surprised they go off to their learned books Outside (architecturally) he’d seems a little wind-blown Not special – a common sort of
Adventure
just as the dusk comes hooting Down through the shivering black leaves Of the swinging trees we (the brave ones Swaggering like marshalls through a lynch-mob) Crash-bang our way to the door Of the
Age-old debate
when the old man said I know everything The young girl replied What is everything When the old man said Wisdom is mine The young girl replied What is wisdom When the old man
Portland views
wherever there’s a tear in the fabric Around weymouth – portland appears From abbotsbury hill it’s just a long Thin line humped at one end Closer (from chesil beach) a head-on Massive lump of
Malvern abbey
the day was as grey as the abbey The light that filtered through the glass Had no disturbing shine about it No one inside was grasping to collect it The organ had its notes
Bee-attitudes
in the shadow Of the flower Is the sting The bee driven by need Uses its painful gift To keep its sense of beauty In proportion It does its job with A thoughtless dedication
The seed of endymion
or how most great achievements stem from accidental discoveries Two beauties are a joy for ever Ejaculated keats Lusting in ecstasy towards Well-breasted fanny brawne No no my dearest john Sighed fanny Facing the
A reader's de profundis
in my reading of the moment i have learned The figure next to christ in da vinci’s last supper (a painting i have actually seen in a milan church Fragilely restored) is a woman
Starling
a starling sat on the roof (i don’t know how young) Croaking in an old man’s voice Cross with the dapper world After five minutes or so It flew away – its grouse over
Woman
you have gone away from yourself You walk in a dead way Your loins have lost their sweets Your breasts deny touch Your face exudes cold pain Everything you were Now you are not
Stable society
the horses have bolted The one door’s been locked The flood can’t get out The greasy bilge swills Up the walls to the roof Hercules is hopeless The manger is mangy Fresh myths and
To the seaside
to the seaside To the seaside To the change and peace of mind To the easy la- Zy holiday The leave-it-all-behind To the seaside To the sunshine To the body-littered sands To the deckchairs
That precise moment
however foul the times or difficult the ways are Through those personal morasses this change of age Won’t let a single being (rich or poor) be free from Come spring the trees get on
After the parties
let’s all go to the party friends Where left over bottles and stale fag-ends Are proudly on offer from the last time round And our hosts believe by a ritual sound Fine spirits will
Owl power
they say in the local sanctuary Owls are the stupidest creatures All this wisdom business is The mythological media at work But the shortest nosing into books Tells you even the mythic world Is
The ordinary again
(1) the ordinary You are not interested in me A receiver of food and a giver of shit My brain knuckled under I have rendered the skills of my Limbs to generations of caesars
Welsh experience
called out by the sun This easter saturday morning I’m sitting on a bank In pistyllgwyn (house of the sacred spring) Against a tall oak (close to a daffodil-clump) Overlooking the road Between brechfa
Two spanish poems
(a) orihuela-time The sun in orihuela calms the dust And people glide about the streets at ease (problems left indoors to cool themselves) Time has grown fat and no one cares To pin each
Netley 47
army hospital Rheumatic fever Bed-tied many weeks Too embarrassed to ask for bedpan The rigmarole of screens and knowing attention – for my pains Severe constipation And bleeding piles Am led away to be
The moon
when the body of a woman dissolves Within are the three feared faces The man who dares to trace them comes To grief – but nothing personal is meant Waves and particles transvest –
Prudence is a rich ugly old maid courted by incapacity (blake proverb)
prudence my love Each time you invite me to tea I wonder do i have the appetite For what i Hope you are requiring of me Prudence my love Are you really trying to
We say
we say blame the teachers Don’t we send our young to school To be taught the simple rules For decent public-spirited behaviour Do we pay such crushing rates To have our children turned to
Avalanche
all is still on this starless night The mountain waits Quiescent as a cat Smoothing crag and chasm To a white fur Then against the black sky Puffs of snow Flutter from a jutting
Gentlemen lift the sea
on a deformed request in a train lavatory Gentlemen lift the sea Be all of you the modern Muscular mountains Who with a scoop of biceptual crags Swoop down for an armful of ocean
However grown up
six…six…why only yesterday It seems that fist shot out That one eye winked…and yet Now that this day’s arrived It really is as if six years Have blinked – and you’ve sprung Through a
The red man says hello
the red man says hello The green tree says i’m here All grown-ups are sleeping Only the children hear Decorations are delighted Presents hug the floor The room in its festive hat Hides behind
Song and dance
do you think an old heart can’t sing Do you think an old heart can’t dance With a love that belongs to spring – Nor i – till i took this glance In a
The river at whitebrook
the winding wye Curls into my senses Feliniously There’s no such word But no such river Merely exists Where this river slivers Between the dream And the time i camped by it Has left
The eyes that haunt me
there are eyes that refuse to exist In the fresh air – they are invented By the lies of paint or make their mark In a memory that had a truth To feed on
The rest home
professor piebald (the oldest man in the home) was meek At the same time ribald He clothed his matter (so to speak) In latin and (was it) greek It caused no great offence To
Advice to a young sylv-i-an dragon on going to school
when you step out of the wood and go first time to school You have to be so specially careful if you’re really a dragon To put the most innocent expression on your face
Ulster
fancy shooting a man dead for an old label But think If there weren’t any old labels Nobody would ever be shot dead And all those poor people Whose livelihood depends on making guns
Against the ladling of doom
crisis has a fact to get straight It needn’t be the end of the world Beginnings too are coated with death Because we’ve had enough of the old’s Dirty jokes doesn’t mean there’s no
The singing dog
when the dog began to sing The people ran amok A man shinned up a flagpole A woman chewed her sock Children danced the drainpipe A policeman robbed a bank The mayor and all
Sam swill
sam swill Took a pill Went blue Ate stew Had pains No brains Sucked a date Too late Swallowed stone All alone Too proud To cry aloud Scoffed cake Great ache At work Went
When the new year
when the new year Came out of nowhere And peeped into rooms It was so flattered to find All the tv’s drinking its health Praising its innocent appearance It responded with its warm Dark
Cherries and birds
cherries are so vulnerable Blinking their way from green To polished red in trees Guileless to stave off birds A murmur does its rounds And when the bright day comes And ripeness throws its
The room
you know how it is with the room The door is frequently locked As i pass a white sigh Is pushed out from under As i bend to retrieve it The wood quivers with
Night-piece
what’s that i’m awake A bang like a door or a foot Knocking a chair who’s there Tense i lie in my bed my face Stretching out on the black air My ears strain……a
Christmas the delinquent
i got nothing last year And i expect nothing this So i’ve got to find If i’m to be rewarded So all good people You’d better learn to give From the goodness of your
Silence of reading
i like the silence of reading Flat on my stomach on the woollen floor My legs waving upwards like the fronds of ferns And in my mind Gigantic screaming monsters Or the mystery ship
Jack – beyond the digits
so here we are at last at the ten-boy Never to be the single-figure-aged-again boy And all the trailing clouds that cling to the not-big child Can be blown away – you’re up in
Eight roundels
(roundel: variation of the rondeau Consisting of three stanzas of three Lines each, linked together with but Two rhymes and a refrain at the end Of the first and third group) 1. The blind
Two thursdays
when the doctor came on a monday He looked at my mother and said There’s something seriously wrong here – She’s had a stroke – she’s almost dead It must have happened on thursday
Bone-fable
one morning the bone was there Set in the centre of waste ground Against the early morning sun The frost along its concave rim Sparkled – raised a hundredfold The price a passing dog
Confessions of a fool
(i) I believed in flower-power (the triumph of the meek) The thought that what a wind could bend was not to be Derided for its weakness but known to draw its calm From a
New age
(i) How new the world is Trying to find Nerve in an old rind (ii) The bread is crumbled For birds to swallow Rolled into droppings Flowers from the hair Of noseless statues Tyrants
Equanimity
october stops the pretence That somehow summer Should still be loitering around It walks through the garden Hanging the spiders up Between fences and flowers It throws rather more dew On the ground than
The shakes
now pay attention (said the teacher) And look up here The children looked up This is william shakespeare Four centuries up On a pedestal Was shakespeare’s head He was what we call A great
Damsel flies
certain creatures it seems are never seen Straight on – they occupy the corner of the eye Once sensed (a second look) they’re gone The damsel even more so than the dragon-fly She’s a