Rg Gregory

The bouncing spider

schnyder schnyder The bouncing spider Had a song Wound up inside her She’d had it taped On a silken spool This was the song She sang as a rule O little fly Come be

Symptom

begin at a chapter you have read before With new words and a new hand turning The pages where the print vibrates and the white Paper runs in a stream of many colours Stand

Jerusalem and redcurrants

my jerusalem My newfoundland Juicy as redcurrants With their sweet tang taste My desire My holy requirement Caught in a cleft of mountain Ever clambered towards My yearning My place of the blood-red fruit

The plane and the blackbird

a cold bright sun Two days to christmas A first-quarter moon At a good vantage-point A small white coffin Driven slowly uphill From the cemetery gate To the minimal grave Fifty people attending Unexpected

On why it is necessary to talk kindly to frogs

i met a frog in my garden today Lurking under a stone – it said There used to be a pond here I know i said i had to dig it up Pity said

Grandeur

loneliness is a state The lonely cannot reach It carries a grandeur That doesn’t fit into Bed-sitters or rejected Ideas – it’s the label stuck On the bottle after The tables have gone

Owls and pussy cats and seven-year – old boys

owls and pussy cats can make up their minds To sail out to sea and even get married But they don’t have parents or other such binds Whose one job in life is to

The feminine touch

she came on a fine cool morning The last of a course i was attending As we crowded the pavement Waiting to be let in – hello she said Put her arms around me

Thread

the sky is shattered Its debris Clutters the world’s streets Where the light came from Is a question Charred beyond recognition Heads hang out of walls Limbs unattached Rigid in their will to crawl

Reflections of caernarvon

i I shall die yearning A hand Reaching out to A face that isn’t there A face Seeking a hand A stone Leaving its mountain- Wall in a wind Anxious to be a bird

Joy-notes

when the time comes Yield To the forces outside you Images simply Of your inner compulsions When the time comes Invite Your enemies inside you Inversions simply Of your face on the world When

From imperfect Eden

(1) And off to scott’s (the dockers’ restaurant) Burly men packed in round solid tables But what the helle (drowned in hellespont) This place for me was rich in its own fables I’ll be

Symbolically concerned

dodona oak (the tree of life) sheds leaves Nutritious-which feeds blood and mind today There’s not a jot (from which the present cleaves) Can be dispensed with – all life’s array From first to

In search of milk and paradise

heeley (sheffield) autumn 1988 Dodging the broken bottles Dog-shit the pavement spew I wheel my young son matthew Through the heeley streets Shop to shop this early Morning (short of milk) Unsettled day –

(filtered)

a nearby field provides the plants Sometimes with a wild profusion (organisation seems a long way off) It takes an eye used to ink or paint To confront such a rich confusion And draw

Personal request

for what my heart held clear And didn’t have the wit to show For what my path proposed And got lost in its diversions For what my beginnings dreamed And my ends cannot lay

Legs rivers and age

with landbound legs a wish For the easy flow of a river – not The clambering up crags to seek More favour from the sun (or long-haired moon) harped for Since those sparks of

Shocked

the cupboard was done up On the outside In the brightest of colours The house it was part of Was filled each day With its loud exclamations The sun looked in gladly One morning

Absinthe and stained glass

(i) Absinthe makes the hurt grow fonder The green fairy burbles what’s this ‘ere When vincent (sozzled) knifes his lug off All spirits then succumb to fear Depression takes the gloss off wonder And

Daft icarus

it began as a secret desire (an itch In the marrow too vague to get through To the bone) an idea that never could Make it as flesh – there wasn’t a part of

Snowdrop blaze

from late december onwards the day comes back But not till february do we see those glimpses That let us take deep darkness off the rack And shake it free of lethargy that cramps

At the sixty-ninth station

(after hiroshige – stations of oi) Here at the sixty-ninth station Of the gregokaido road I have a sense of completion That is not completed yet The long journey to this moment Has many

Sublimely

you may get fed up with me She says (seing herself slightly) Fearing old age in a woman Must render her blightly Old age’s eyes he thinks See only old-agely She lifted him from

The arrival of spring (cathe waller)

on the last day of winter i went to bed Harsh winds rainstorms beating my head Houses trees with a sucked-out look New year flaked from the old one’s hook Then overnight such a

Handyman

the two hands of me make inimical gestures That only long after betray the one tune Though they have the same taste in throats They go to their crime disgusted with kinship The right

Bird of fire – a caution

the dream of the white bird flying Offers a freedom as tasty as nectar How our lips purse to the goddess’s pap At the want of such swoops through the air To be rid

It was once called

it comes like a convict Squeezing through bars And is gone before The promptest siren It suddenly turns In the ear or rides The eye of a thought Before dissolving I have it in

Snail and spiral

i take my property with me says the snail Slow-moving (yes) but packed with sublime thought The house upon its back some kind of grail Vulnerable to brute boot – and wisdom bought By

Peach-power

peaches exude this thrall – Reminders of those luscious Whereabouts that lips Best find their precious sips To cry let this be all They lull so well endowed With dreams of wanting flesh Who

Hawthorns and the like

as the landscape falls away The hawthorn in its gnarly fashion Is content to stand alone Berries (the very tint of passion) That birds are wont to feed upon Bloodstain the shortened day A

Speedboats

when One summer Everything opened out And nobody close by Was quick enough With needle and gut To stitch the blue sky away From all that fresh flesh How we splashed about In the

Understanding lemons

lemons don’t let you admire yourself too much They stick from their tree like awkward thoughts Demanding a truth be told even if the tongue Would prefer a far more sickly explanation Lemons are

Doughnut denial

(an ascetic poem for karen’s birthday) Fancy having a birthday on a thursday When you do the buying of the doughnuts And others lick their sticky fingers Thinking good old karen letting Us share

Bluefish

the bluefish was surprised I was there to greet it This world it said is mine It feeds on blueness For the first time in my life I felt i’d found my truth Bluefish

Stylised tulips

stylised tulips – this is what the card says And they have that nineteen-twenties’ feel Of those bright young things a decade before us Who had a way of walking with their legs Bent

Girl (three) and the black horse

i want to hold the horse’s string Cried the girl (three) stamping her foot Told by adults she was much too young The black horse stood staring at the wall It worries us you

Ducks and wisdom

[from a motif by Jean Dunand (1877-1942)] Seven lacqueur ducks on a silver pond Their rippling held in a moveless frieze Nothing now can help them swim beyond The stoned edges (invent a new-age

Two crocodiles gossip by the banks of the thames at abingdon

two old lazy crocodiles are basking by the water They get round to talk about the macdonalds’ daughter Gemini gemini Have you ever set eyes on young stephanie Jiminy jiminy Who lives here in

Bad for ears

the song wasn’t up to the task Of getting through the double-glazing Into the ears pressed on the outside pane The rest of their bodies had faded away but The ears were straining still

(i) the inkman

whirligig twister Dancer prancer St vitus’s quester Chancer romancer The inkman cometh From that nether world Where dream and coincidence Are darkly furled Accident rubbed him Into puzzling light He is what he isn’t

The watchers

against their beliefs a blue spot came slowly Out of the green Nobody expected such a thing to occur On a thursday The watchers switched over from their electronic Eye to their notes The

Your tiger

(in china it is symbolic Of darkness and the new moon) In your night’s hollow The tiger stalks Black grasses have licked It into nothingness Hooked by moon I hover on your hollow’s lip

Transformations

(service resettlement courses at studio fronceri – west wales) And the swords came in their varying degrees Of shininess and sharpness – some never Having lost their pristine feel – others with blunt Tips

Sea horn

within the shell swim all the sea’s fish Our ears too are compendiums of sound The big bang exploded – such a long wish Waves and warps towards the present ground Shell to ear

Southampton water

song of sea-leaves in an orchestra of foam Branches of violins sprayed across the mind What is magnetic in a wave breaking white Drawing the chords of evening to a single sound I would

Safe-home

don’t be so lazy maisie maisie Don’t be so lazy please I know it’s snowing And a hard wind’s blowing But nobody knows At the rate we’re going What time we’ll get home tonight

Happiness

for kelly Happiness is the stuff of birthdays And the coming of sweet things When they are not expected Happiness is when the moment Catches the sunlight and a giggle Comes out of darkness

The wounded angel

(from a painting by hugo simberg) Those who bear the wounded angel Are they honoured or destroyed Far beyond their comprehension Are the warfares of the void Angels have a sheen to lift them

Art school

each sunset is unique So others tell us Fools – with flowers Of envy pushing Through their teeth I think differently A feeble skill that Can’t repeat itself I’ll have the sun in For

For the naming of tara december 4th 2005

for the naming of tara This bowl of joy That her fruits of earth She’ll well employ For the naming of tara This bunch of flowers That she bloom brightly Through her natural powers

He and the hilltown

when they look into his mind they find a hill town Somewhat surprised they go off to their learned books Outside (architecturally) he’d seems a little wind-blown Not special – a common sort of

Adventure

just as the dusk comes hooting Down through the shivering black leaves Of the swinging trees we (the brave ones Swaggering like marshalls through a lynch-mob) Crash-bang our way to the door Of the

Age-old debate

when the old man said I know everything The young girl replied What is everything When the old man said Wisdom is mine The young girl replied What is wisdom When the old man

Portland views

wherever there’s a tear in the fabric Around weymouth – portland appears From abbotsbury hill it’s just a long Thin line humped at one end Closer (from chesil beach) a head-on Massive lump of

Malvern abbey

the day was as grey as the abbey The light that filtered through the glass Had no disturbing shine about it No one inside was grasping to collect it The organ had its notes

Bee-attitudes

in the shadow Of the flower Is the sting The bee driven by need Uses its painful gift To keep its sense of beauty In proportion It does its job with A thoughtless dedication

The seed of endymion

or how most great achievements stem from accidental discoveries Two beauties are a joy for ever Ejaculated keats Lusting in ecstasy towards Well-breasted fanny brawne No no my dearest john Sighed fanny Facing the

A reader's de profundis

in my reading of the moment i have learned The figure next to christ in da vinci’s last supper (a painting i have actually seen in a milan church Fragilely restored) is a woman

Starling

a starling sat on the roof (i don’t know how young) Croaking in an old man’s voice Cross with the dapper world After five minutes or so It flew away – its grouse over

Woman

you have gone away from yourself You walk in a dead way Your loins have lost their sweets Your breasts deny touch Your face exudes cold pain Everything you were Now you are not

Stable society

the horses have bolted The one door’s been locked The flood can’t get out The greasy bilge swills Up the walls to the roof Hercules is hopeless The manger is mangy Fresh myths and

To the seaside

to the seaside To the seaside To the change and peace of mind To the easy la- Zy holiday The leave-it-all-behind To the seaside To the sunshine To the body-littered sands To the deckchairs

That precise moment

however foul the times or difficult the ways are Through those personal morasses this change of age Won’t let a single being (rich or poor) be free from Come spring the trees get on

After the parties

let’s all go to the party friends Where left over bottles and stale fag-ends Are proudly on offer from the last time round And our hosts believe by a ritual sound Fine spirits will

Owl power

they say in the local sanctuary Owls are the stupidest creatures All this wisdom business is The mythological media at work But the shortest nosing into books Tells you even the mythic world Is

The ordinary again

(1) the ordinary You are not interested in me A receiver of food and a giver of shit My brain knuckled under I have rendered the skills of my Limbs to generations of caesars

Welsh experience

called out by the sun This easter saturday morning I’m sitting on a bank In pistyllgwyn (house of the sacred spring) Against a tall oak (close to a daffodil-clump) Overlooking the road Between brechfa

Two spanish poems

(a) orihuela-time The sun in orihuela calms the dust And people glide about the streets at ease (problems left indoors to cool themselves) Time has grown fat and no one cares To pin each

Netley 47

army hospital Rheumatic fever Bed-tied many weeks Too embarrassed to ask for bedpan The rigmarole of screens and knowing attention – for my pains Severe constipation And bleeding piles Am led away to be

The moon

when the body of a woman dissolves Within are the three feared faces The man who dares to trace them comes To grief – but nothing personal is meant Waves and particles transvest –

Prudence is a rich ugly old maid courted by incapacity (blake proverb)

prudence my love Each time you invite me to tea I wonder do i have the appetite For what i Hope you are requiring of me Prudence my love Are you really trying to

We say

we say blame the teachers Don’t we send our young to school To be taught the simple rules For decent public-spirited behaviour Do we pay such crushing rates To have our children turned to

Avalanche

all is still on this starless night The mountain waits Quiescent as a cat Smoothing crag and chasm To a white fur Then against the black sky Puffs of snow Flutter from a jutting

Gentlemen lift the sea

on a deformed request in a train lavatory Gentlemen lift the sea Be all of you the modern Muscular mountains Who with a scoop of biceptual crags Swoop down for an armful of ocean

However grown up

six…six…why only yesterday It seems that fist shot out That one eye winked…and yet Now that this day’s arrived It really is as if six years Have blinked – and you’ve sprung Through a

The red man says hello

the red man says hello The green tree says i’m here All grown-ups are sleeping Only the children hear Decorations are delighted Presents hug the floor The room in its festive hat Hides behind

Song and dance

do you think an old heart can’t sing Do you think an old heart can’t dance With a love that belongs to spring – Nor i – till i took this glance In a

The river at whitebrook

the winding wye Curls into my senses Feliniously There’s no such word But no such river Merely exists Where this river slivers Between the dream And the time i camped by it Has left

The eyes that haunt me

there are eyes that refuse to exist In the fresh air – they are invented By the lies of paint or make their mark In a memory that had a truth To feed on

The rest home

professor piebald (the oldest man in the home) was meek At the same time ribald He clothed his matter (so to speak) In latin and (was it) greek It caused no great offence To

Advice to a young sylv-i-an dragon on going to school

when you step out of the wood and go first time to school You have to be so specially careful if you’re really a dragon To put the most innocent expression on your face

Ulster

fancy shooting a man dead for an old label But think If there weren’t any old labels Nobody would ever be shot dead And all those poor people Whose livelihood depends on making guns

Against the ladling of doom

crisis has a fact to get straight It needn’t be the end of the world Beginnings too are coated with death Because we’ve had enough of the old’s Dirty jokes doesn’t mean there’s no

The singing dog

when the dog began to sing The people ran amok A man shinned up a flagpole A woman chewed her sock Children danced the drainpipe A policeman robbed a bank The mayor and all

Sam swill

sam swill Took a pill Went blue Ate stew Had pains No brains Sucked a date Too late Swallowed stone All alone Too proud To cry aloud Scoffed cake Great ache At work Went

When the new year

when the new year Came out of nowhere And peeped into rooms It was so flattered to find All the tv’s drinking its health Praising its innocent appearance It responded with its warm Dark

Cherries and birds

cherries are so vulnerable Blinking their way from green To polished red in trees Guileless to stave off birds A murmur does its rounds And when the bright day comes And ripeness throws its

The room

you know how it is with the room The door is frequently locked As i pass a white sigh Is pushed out from under As i bend to retrieve it The wood quivers with

Night-piece

what’s that i’m awake A bang like a door or a foot Knocking a chair who’s there Tense i lie in my bed my face Stretching out on the black air My ears strain……a

Christmas the delinquent

i got nothing last year And i expect nothing this So i’ve got to find If i’m to be rewarded So all good people You’d better learn to give From the goodness of your

Silence of reading

i like the silence of reading Flat on my stomach on the woollen floor My legs waving upwards like the fronds of ferns And in my mind Gigantic screaming monsters Or the mystery ship

Jack – beyond the digits

so here we are at last at the ten-boy Never to be the single-figure-aged-again boy And all the trailing clouds that cling to the not-big child Can be blown away – you’re up in

Eight roundels

(roundel: variation of the rondeau Consisting of three stanzas of three Lines each, linked together with but Two rhymes and a refrain at the end Of the first and third group) 1. The blind

Two thursdays

when the doctor came on a monday He looked at my mother and said There’s something seriously wrong here – She’s had a stroke – she’s almost dead It must have happened on thursday

Bone-fable

one morning the bone was there Set in the centre of waste ground Against the early morning sun The frost along its concave rim Sparkled – raised a hundredfold The price a passing dog

Confessions of a fool

(i) I believed in flower-power (the triumph of the meek) The thought that what a wind could bend was not to be Derided for its weakness but known to draw its calm From a

New age

(i) How new the world is Trying to find Nerve in an old rind (ii) The bread is crumbled For birds to swallow Rolled into droppings Flowers from the hair Of noseless statues Tyrants

Equanimity

october stops the pretence That somehow summer Should still be loitering around It walks through the garden Hanging the spiders up Between fences and flowers It throws rather more dew On the ground than

The shakes

now pay attention (said the teacher) And look up here The children looked up This is william shakespeare Four centuries up On a pedestal Was shakespeare’s head He was what we call A great

Damsel flies

certain creatures it seems are never seen Straight on – they occupy the corner of the eye Once sensed (a second look) they’re gone The damsel even more so than the dragon-fly She’s a
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