Romance Moderne


Tracks of rain and light linger in
The spongy greens of a nature whose
Flickering mountain-bulging nearer,
Ebbing back into the sun
Hollowing itself away to hold a lake,-
Or brown stream rising and falling at the roadside, turning about,
Churning itself white, drawing
Green in over it,-plunging glassy funnels
Fall –
And-the other world –
The windshield a blunt barrier:
Talk to me. Sh! they would hear us.
-the backs of their heads facing us –
The stream continues its motion of
A hound running over rough ground.

Trees vanish-reappear-vanish:
Detached dance of gnomes-as a talk
Dodging remarks, glows and fades.
-The unseen power of words –
And now that a few of the moves
Are clear the first desire is
To fling oneself out at the side into
The other dance, to other music.

Peer Gynt. Rip Van Winkle. Diana.

/> If I were young I would try a new alignment –
Alight nimbly from the car, Good-bye!-
Childhood companions linked two and two
Criss-cross: four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
Happy toad. All toads are happy
And belong in gardens. A toad to Diana!

Lean forward. Punch the steerman
Behind the ear. Twirl the wheel!
Over the edge! Screams! Crash!
The end. I sit above my head –
A little removed-or
A thin wash of rain on the roadway
-I am never afraid when he is driving,-
Interposes new direction,
Rides us sidewise, unforseen
Into the ditch! All threads cut!
Death! Black. The end. The very end-

I would sit separate weighing a
Small

red handful: the dirt of these parts,
Sliding mists sheeting the alders
Against the touch of fingers creeping
To mine. All stuff of the blind emotions.
But-stirred, the eye seizes
For the first time-The eye awake!-
Anything, a dirt bank with green stars
Of scrawny weed flattened upon it under
A weight of air-For the first time!-
Or a yawning depth: Big!
Swim around in it, through it-
All directions and find
Vitreous seawater stuff –
God how I love you!-or, as I say,
A plunge into the ditch. The End. I sit
Examining my red handful. Balancing
-this-in and out-agh.

Love you? It’s
A fire in the blood, willy-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
In the morning. You are slow.
Men are not friends where it concerns
A woman? Fighters. Playfellows.
White round thighs! Youth! Sighs-!
It’s the fillip of novelty. It’s –

Mountains. Elephants humping along
Against the sky-indifferent to
Light withdrawing its tattered shreds,
Worn out with embraces. It’s
The fillip of novelty. It’s a fire in the blood.

Oh get a flannel shirt], white flannel
Or pongee. You’d look so well!
I married you because I liked your nose.
I wanted you! I wanted you
In spite of all they’d say –

Rain and light, mountain and rain,
Rain and river. Will you love me always?
-A car overturned and two crushed bodies
Under it.-Always! Always!
And the white moon already up.
White. Clean. All the colors.
A good head, backed by the eye-awake!
Backed by the emotions-blind –
River and mountain, light and rain-or
Rain, rock, light, trees-divided:
Rain-light counter rocks-trees or
Trees counter rain-light-rocks or –

Myriads of counter processions
Crossing and recrossing, regaining
The advantage, buying here, selling there
-You are sold cheap everywhere in town!-
Lingering, touching fingers, withdrawing
Gathering forces into blares, hummocks,
Peaks and rivers-rivers meeting rock
-I wish that you were lying there dead
And I sitting here beside you.-
It’s the grey moon-over and over.
It’s the clay of these parts.


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Romance Moderne