Philip Levine

The End Of Your Life

First light. This misted field is the world, that man slipping the greased bolt Back and forth, that man tunneled with blood the dark smudges of whose eyes Call for sleep, calls for quiet,

Smoke

Can you imagine the air filled with smoke? It was. The city was vanishing before noon Or was it earlier than that? I can’t say because The light came from nowhere and went nowhere.

The Rat Of Faith

A blue jay poses on a stake Meant to support an apple tree Newly planted. A strong wind On this clear cold morning Barely ruffles his tail feathers. When he turns his attention Toward

Fist

Iron growing in the dark, It dreams all night long And will not work. A flower That hates God, a child Tearing at itself, this one Closes on nothing. Friday, late, Detroit Transmission. If

Call It Music

Some days I catch a rhythm, almost a song In my own breath. I’m alone here In Brooklyn Heights, late morning, the sky Above the St. George Hotel clear, clear For New York, that

In A Light Time

The alder shudders in the April winds Off the moon. No one is awake and yet Sunlight streams across The hundred still beds Of the public wards For children. At ten Do we truly

Night Words

after Juan Ramon A child wakens in a cold apartment. The windows are frosted. Outside he hears Words rising from the streets, words he cannot Understand, and then the semis gear down For the

Night Thoughts Over A Sick Child

Numb, stiff, broken by no sleep, I keep night watch. Looking for Signs to quiet fear, I creep Closer to his bed and hear His breath come and go, holding My own as if

Green Thumb

Shake out my pockets! Harken to the call Of that calm voice that makes no sound at all! Take of me all you can; my average weight May make amends for this, my low

In The New Sun

Filaments of light Slant like windswept rain. The orange seller hawks Into the sky, a man with a hat Stops below my window And shakes his tassels. Awake In Tetuan, the room filling With

Where We Live Now

1 We live here because the houses Are clean, the lawns run Right to the street And the streets run away. No one walks here. No one wakens at night or dies. The cars

Everything

Lately the wind burns The last leaves and evening Comes too late to be Of use, lately I learned That the year has turned Its face to winter And nothing I say or do

Gangrene

Vous êtes sorti sain et sauf des basses Calomnies, vous avey conquis les coeurs. Zola, J’accuse One was kicked in the stomach Until he vomited, then made to put back Into his mouth what

The Simple Truth

I bought a dollar and a half’s worth of small red potatoes, Took them home, boiled them in their jackets And ate them for dinner with a little butter and salt. Then I walked

An Ending

Early March. The cold beach deserted. My kids Home in a bare house, bundled up And listening to rock music Pirated from England. My wife Waiting for me in a bar, alone For an

Milkweed

Remember how unimportant They seemed, growing loosely In the open fields we crossed On the way to school. We Would carve wooden swords And slash at the luscious trunks Until the white milk started

Told

The air lay soffly on the green fur Of the almond, it was April And I said, I begin again But my hands burned in the damp earth The light ran between my fingers

Something Has Fallen

Something has fallen wordlessly And holds still on the black driveway. You find it, like a jewel, Among the empty bottles and cans Where the dogs toppled the garbage. You pick it up, not

The Negatives

On March 1, 1958, four deserters from the French Army of North Africa, August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a Government pay station at Orleansville. Because of the subsequent Confession

The Return

All afternoon my father drove the country roads Between Detroit and Lansing. What he was looking for I never learned, no doubt because he never knew himself, Though he would grab any unfamiliar side

Holding On

Green fingers Holding the hillside, Mustard whipping in The sea winds, one blood-bright Poppy breathing in And out. The odor Of Spanish earth comes Up to me, yellowed With my own piss. 40 miles

Making Light Of It

I call out a secret name, the name Of the angel who guards my sleep, And light grows in the east, a new light Like no other, as soft as the petals Of the

The Grave Of The Kitchen Mouse

The stone says “Coors” The gay carpet says “Camels” Spears of dried grass The little sticks the children gathered The leaves the wind gathered The cat did not kill him The dog did not,

I Won, You Lost

The last of day gathers In the yellow parlor And drifts like fine dust Across the face of The gilt-framed mirror I ofien prayed to. An old man’s room Without him, a room I

Making It Work

3-foot blue cannisters of nitro Along a conveyor belt, slow fish Speaking the language of silence. On the roof, I in my respirator Patching the asbestos gas lines As big around as the thick

My Fathers, The Baltic

Along the strand stones, Busted shells, wood scraps, Bottle tops, dimpled And stainless beer cans. Something began here A century ago, A nameless disaster, Perhaps a voyage To the lost continent Where I was

The Rains

The river rises And the rains keep coming. My Papa says It can’t flood for The water can run Away as fast as It comes down. I believe Him because he’s Papa And because

Clouds

1 Dawn. First light tearing At the rough tongues of the zinnias, At the leaves of the just born. Today it will rain. On the road Black cars are abandoned, but the clouds Ride

Animals Are Passing From Our Lives

It’s wonderful how I jog On four honed-down ivory toes My massive buttocks slipping Like oiled parts with each light step. I’m to market. I can smell The sour, grooved block, I can smell

Black Stone On Top Of Nothing

Still sober, César Vallejo comes home and finds a black ribbon Around the apartment building covering the front door. He puts down his cane, removes his greasy fedora, and begins To untangle the mess.

Mad Day In March

Beaten like an old hound Whimpering by the stove, I complicate the pain That smarts with promised love. The oilstove falls, the rain, Forecast, licks at my wound; Ice forms, clips the green shoot,

On The Murder Of Lieutenant Jose Del Castillo By The Falangist Bravo Martinez, July 12, 1936

When the Lieutenant of the Guardia de Asalto Heard the automatic go off, he turned And took the second shot just above The sternum, the third tore away The right shoulder of his uniform,

Late Light

Rain filled the streets Once a year, rising almost To door and window sills, Battering walls and roofs Until it cleaned away the mess We’d made. My father told Me this, he told me

Late Moon

2 a. m. December, and still no mon Rising from the river. My mother Home from the beer garden Stands before the open closet Her hands still burning. She smooths the fur collar, The

A Theory Of Prosody

When Nellie, my old pussy Cat, was still in her prime, She would sit behind me As I wrote, and when the line Got too long she’d reach One sudden black foreleg down And

What Work Is

We stand in the rain in a long line Waiting at Ford Highland Park. For work. You know what work is if you’re Old enough to read this you know what Work is, although

The Turning

Unknown faces in the street And winter coming on. I Stand in the last moments of The city, no more a child, Only a man, one who has Looked upon his own nakedness Without

Premonition At Twilight

The magpie in the Joshua tree Has come to rest. Darkness collects, And what I cannot hear or see, Broken limbs, the curious bird, Become in darkness darkness too. I had been going when

Montjuich

“Hill of Jews,” says one, Named for a cemetery Long gone.”Hill of Jove,” Says another, and maybe Jove stalked here Once or rests now Where so many lie Who felt God swell The earth

Belle Isle, 1949

We stripped in the first warm spring night And ran down into the Detroit River To baptize ourselves in the brine Of car parts, dead fish, stolen bicycles, Melted snow. I remember going under

You Can Have It

My brother comes home from work And climbs the stairs to our room. I can hear the bed groan and his shoes drop One by one. You can have it, he says. The moonlight

Clouds Above The Sea

My father and mother, two tiny figures, Side by side, facing the clouds that move In from the Atlantic. August, ’33. The whole weight of the rain to come, the weight Of all that

On The Meeting Of García Lorca And Hart Crane

Brooklyn, 1929. Of course Crane’s Been drinking and has no idea who This curious Andalusian is, unable Even to speak the language of poetry. The young man who brought them Together knows both Spanish

The Helmet

All the way On the road to Gary He could see Where the sky shone Just out of reach And smell the rich Smell of work As strong as money, But when he got

The House

This poem has a door, a locked door, And curtains drawn against the day, But at night the lights come on, one In each room, and the neighbors swear They hear music and the

Passing Out

The doctor fingers my bruise. “Magnificent,” he says, “black At the edges and purple Cored.” Seated, he spies for clues, Gingerly probing the slack Flesh, while I, standing, fazed, pull For air, losing the

Another Song

Words go on travelling from voice To voice while the phones are still And the wires hum in the cold. Now And then dark winter birds settle Slowly on the crossbars, where huddled They

M. Degas Teaches Art & Science At Durfee Intermediate School Detroit, 1942

He made a line on the blackboard, One bold stroke from right to left Diagonally downward and stood back To ask, looking as always at no one In particular, “What have I done?” From

Picture Postcard From The Other World

Since I don’t know who will be reading This or even if it will be read, I must Invent someone on the other end Of eternity, a distant cousin laboring Under the same faint

Gin

The first time I drank gin I thought it must be hair tonic. My brother swiped the bottle From a guy whose father owned A drug store that sold booze In those ancient, honorable

The Dead

A good man is seized by the police And spirited away. Months later Someone brags that he shot him once Through the back of the head With a Walther 7.65, and his life Ended

Holy Day

Los Angeles hums A little tune Trucks down The coast road For Monday Market Packed with small faces Blinking in the dark. My mother dreams By the open window. On the drainboard The gray

I Sing The Body Electric

People sit numbly at the counter Waiting for breakfast or service. Today it’s Hartford, Connecticut More than twenty-five years after The last death of Wallace Stevens. I have come in out of the cold

The Red Shirt

“…his poems that no one reads anymore become dust, wind, nothing, Like the insolent colored shirt he bought to die in.” -Vargas Llosa If I gave 5 birds Each 4 eyes I would be

For The Country

THE DREAM This has nothing to do with war Or the end of the world. She Dreams there are gray starlings On the winter lawn and the buds Of next year’s oranges alongside This

Any Night

Look, the eucalyptus, the Atlas pine, The yellowing ash, all the trees Are gone, and I was older than All of them. I am older than the moon, Than the stars that fill my

The Water's Chant

Seven years ago I went into The High Sierras stunned by the desire To die. For hours I stared into a clear Mountain stream that fell down Over speckled rocks, and then I Closed

Wisteria

The first purple wisteria I recall from boyhood hung On a wire outside the windows Of the breakfast room next door At the home of Steve Pisaris. I loved his tall, skinny daughter, Or

The Drunkard

from St. Ambrose He fears the tiger standing in his way. The tiger takes its time, it smiles and growls. Like moons, the two blank eyes tug at his bowels. “God help me now,”

Once

Hungry and cold, I stood in a doorway On Delancey Street in 1946 As the rain came down. The worst part is this Is not from a bad movie. I’d read Dos Passos’ USA

Voyages

Pond snipe, bleached pine, rue weed, wart I walk by sedge and brown river rot To where the old lake boats went daily out. All the ships are gone, the gray wharf fallen In

Last Words

If the shoe fell from the other foot Who would hear? If the door Opened onto a pure darkness And it was no dream? If your life Ended the way a book ends With

Ode For Mrs. William Settle

In Lake Forest, a suburb of Chicago, A woman sits at her desk to write Me a letter. She holds a photograph Of me up to the light, one taken 17 years ago in

Berenda Slough

Earth and water without form, Change, or pause: as if the third Day had not come, this calm norm Of chaos denies the Word. One sees only a surface Pocked with rushes, the starved

The Whole Soul

Is it long as a noodle Or fat as an egg? Is it Lumpy like a potato or Ringed like an oak or an Onion and like the onion The same as you go

Detroit Grease Shop Poem

Four bright steel crosses, Universal joints, plucked Out of the burlap sack “the heart of the drive train,” The book says. Stars On Lemon’s wooden palm, Stars that must be capped, Rolled, and anointed,

Then

A solitary apartment house, the last one Before the boulevard ends and a dusty road Winds its slow way out of town. On the third floor Through the dusty windows Karen beholds The elegant

At Bessemer

19 years old and going nowhere, I got a ride to Bessemer and walked The night road toward Birmingham Passing dark groups of men cursing The end of a week like every week. Out

Noon

I bend to the ground To catch Something whispered, Urgent, drifting Across the ditches. The heaviness of Flies stuttering In orbit, dirt Ripening, the sweat Of eggs. There are Small streams The width ofa

Father

The long lines of diesels Groan toward evening Carrying off the breath Of the living. The face of your house Is black, It is your face, black And fire bombed In the first street

Songs

Dawn coming in over the fields Of darkness takes me by surprise And I look up from my solitary road Pleased not to be alone, the birds Now choiring from the orange groves Huddling

Magpiety

You pull over to the shoulder of the two-lane Road and sit for a moment wondering where you were going In such a hurry. The valley is burned out, the oaks Dream day and

In A Vacant House

Someone was calling someone; Now they’ve stopped. Beyond the glass The rose vines quiver as in A light wind, but there is none: I hear nothing. The moments pass, Or seem to pass, and

Salts And Oils

In Havana in 1948 I ate fried dog Believing it was Peking duck. Later, In Tampa I bunked with an insane sailor Who kept a.38 Smith and Wesson in his shorts. In the same

Coming Close

Take this quiet woman, she has been Standing before a polishing wheel For over three hours, and she lacks Twenty minutes before she can take A lunch break. Is she a woman? Consider the

The Mercy

The ship that took my mother to Ellis Island Eighty-three years ago was named “The Mercy.” She remembers trying to eat a banana Without first peeling it and seeing her first orange In the

Bitterness

Here in February, the fine Dark branches of the almond Begin to sprout tiny clusters Of leaves, sticky to the touch. Not far off, about the length Of my morning shadow, the grass Is

How Much Earth

Torn into light, you woke wriggling On a woman’s palm. Halved, quartered, Shredded to the wind, you were the life That thrilled along the underbelly Of a stone. Stilled in the frozen pond You

Small Game

In borrowed boots which don’t fit And an old olive greatcoat, I hunt the corn-fed rabbit, Game fowl, squirrel, starved bobcat, Anything small. I bring down Young deer wandered from the doe’s Gaze, and

They Feed They Lion

Out of burlap sacks, out of bearing butter, Out of black bean and wet slate bread, Out of the acids of rage, the candor of tar, Out of creosote, gasoline, drive shafts, wooden dollies,

Sierra Kid

“I’ve been where it hurts.” the Kid He becomes Sierra Kid I passed Slimgullion, Morgan Mine, Camp Seco, and the rotting Lode. Dark walls of sugar pine, And where I left the road I

Among Children

I walk among the rows of bowed heads The children are sleeping through fourth grade So as to be ready for what is ahead, The monumental boredom of junior high And the rush forward

Heaven

If you were twenty-seven And had done time for beating Our ex-wife and had No dreams you remembered In the morning, you might Lie on your bed and listen To a mad canary sing

Red Dust

This harpie with dry red curls Talked openly of her husband, His impotence, his death, the death Of her lover, the birth and death Of her own beauty. She stared Into the mirror next

The New World

A man roams the streets with a basket Of freestone peaches hollering, “Peaches, Peaches, yellow freestone peaches for sale.” My grandfather in his prime could outshout The Tigers of Wrath or the factory whistles

An Abandoned Factory, Detroit

The gates are chained, the barbed-wire fencing stands, An iron authority against the snow, And this grey monument to common sense Resists the weather. Fears of idle hands, Of protest, men in league, and

House Of Silence

The winter sun, golden and tired, Settles on the irregular army Of bottles. Outside the trucks Jostle toward the open road, Outside it’s Saturday afternoon, And young women in black pass by Arm in

The Distant Winter

from an officer’s diary during the last war I The sour daylight cracks through my sleep-caked lids. “Stephan! Stephan!” The rattling orderly Comes on a trot, the cold tray in his hands: Toast whitening

A Sleepless Night

April, and the last of the plum blossoms Scatters on the black grass Before dawn. The sycamore, the lime, The struck pine inhale The first pale hints of sky. An iron day, I think,

The Present

The day comes slowly in the railyard Behind the ice factory. It broods on One cinder after another until each Glows like lead or the eye of a dog Possessed of no inner fire,

Those Were The Days

The sun came up before breakfast, Perfectly round and yellow, and we Dressed in the soft light and shook out Our long blond curls and waited For Maid to brush them flat and place

A Woman Waking

She wakens early remembering Her father rising in the dark Lighting the stove with a match Scraped on the floor. Then measuring Water for coffee, and later the smell Coming through. She would hear

Waking In March

Last night, again, I dreamed My children were back at home, Small boys huddled in their separate beds, And I went from one to the other Listening to their breathing regular, Almost soundless until