Denise Levertov

Web

Intricate and untraceable Weaving and interweaving, Dark strand with light: Designed, beyond All spiderly contrivance, To link, not to entrap: Elation, grief, joy, contrition, entwined; Shaking, changing, Forever Forming, Transforming: All praise, All praise

To the Snake

Green Snake, when I hung you round my neck And stroked your cold, pulsing throat As you hissed to me, glinting Arrowy gold scales, and I felt The weight of you on my shoulders,

The Great Black Heron

Since I stroll in the woods more often Than on this frequented path, it’s usually Trees I observe; but among fellow humans What I like best is to see an old woman Fishing alone

An Embroidery

Rose Red’s hair is brown as fur And shines in firelight as she prepares Supper of honey and apples, curds and whey, For the bear, and leaves it ready On the hearth-stone. Rose White’s

The Thread

Something is very gently, Invisibly, silently, Pulling at me-a thread Or net of threads Finer than cobweb and as Elastic. I haven’t tried The strength of it. No barbed hook Pierced and tore me.

Looking, Walking, Being

“The World is not something to Look at, it is something to be in.” Mark Rudman I look and look. Looking’s a way of being: one becomes, Sometimes, a pair of eyes walking. Walking

Triple Feature

Innocent decision: to enjoy. And the pathos Of hopefulness, of his solicitude: he in mended serape, She having plaited carefully Magenta ribbons into her hair, The baby a round half-hidden shape Slung in her

The Breathing

An absolute Patience. Trees stand Up to their knees in Fog. The fog Slowly flows Uphill. White Cobwebs, the grass Leaning where deer Have looked for apples. The woods From brook to where The

What Were They Like?

Did the people of Viet Nam Use lanterns of stone? Did they hold ceremonies To reverence the opening of buds? Were they inclined to quiet laughter? Did they use bone and ivory, Jade and

St. Peter and the Angel

Delivered out of raw continual pain, Smell of darkness, groans of those others To whom he was chained Unchained, and led Past the sleepers, Door after door silently opening Out! And along a long

The Métier of Blossoming

Fully occupied with growing that’s The amaryllis. Growing especially At night: it would take Only a bit more patience than I’ve got To sit keeping watch with it till daylight; The naked eye could

The Garden Wall

Bricks of the wall, So much older than the house – Taken I think from a farm pulled down When the street was built – Narrow bricks of another century. Modestly, though laid with

Living

The fire in leaf and grass So green it seems Each summer the last summer. The wind blowing, the leaves Shivering in the sun, Each day the last day. A red salamander So cold

The Dog of Art

That dog with daisies for eyes Who flashes forth Flame of his very self at every bark Is the Dog of Art. Worked in wool, his blind eyes Look inward to caverns and jewels

Settling

I was welcomed here-clear gold Of late summer, of opening autumn, The dawn eagle sunning himself on the highest tree, The mountain revealing herself unclouded, her snow Tinted apricot as she looked west, Tolerant,

The Mutes

Those groans men use Passing a woman on the street Or on the steps of the subway To tell her she is a female And their flesh knows it, Are they a sort of

September 1961

This is the year the old ones, The old great ones Leave us alone on the road. The road leads to the sea. We have the words in our pockets, Obscure directions. The old

On the Mystery of the Incarnation

It’s when we face for a moment The worst our kind can do, and shudder to know The taint in our own selves, that awe Cracks the mind’s shell and enters the heart: Not

Ikon: The Harrowing of Hell

Down through the tomb’s inward arch He has shouldered out into Limbo To gather them, dazed, from dreamless slumber: The merciful dead, the prophets, The innocents just His own age and those Unnumbered others

Zeroing In

“I am a landscape,” he said, “a landscape and a person walking in that landscape. There are daunting cliffs there, And plains glad in their way Of brown monotony. But especially There are sinkholes,

Illustrious Ancestors

The Rav Of Northern White Russia declined, In his youth, to learn the Language of birds, because The extraneous did not interest him; nevertheless When he grew old it was found He understood them

Sojourns in the Parallel World

We live our lives of human passions, Cruelties, dreams, concepts, Crimes and the exercise of virtue In and beside a world devoid Of our preoccupations, free From apprehension though affected, Certainly, by our actions.

On a Theme by Thomas Merton

“Adam, where are you?” God’s hands Palpate darkness, the void That is Adam’s inattention, His confused attention to everything, Impassioned by multiplicity, his despair. Multiplicity, his despair; God’s hands Enacting blindness. Like a child

From the Roof

This wild night, gathering the washing as if it were flowers animal vines twisting over the line and Slapping my face lightly, soundless merriment In the gesticulations of shirtsleeves, I recall out of my

Hymn To Eros

O Eros, silently smiling one, hear me. Let the shadow of thy wings Brush me. Let thy presence Enfold me, as if darkness Were swandown. Let me see that darkness Lamp in hand, This

Losing Track

Long after you have swung back Away from me I think you are still with me: You come in close to the shore On the tide And nudge me awake the way A boat

The Sea's Wash In The Hollow Of The Heart

Turn from that road’s beguiling ease; return To your hunger’s turret. Enter, climb the stair Chill with disuse, where the croaking toad of time Regards from shimmering eyes your slow ascent And the drip,

Aware

When I found the door I found the vine leaves Speaking among themselves in abundant Whispers. My presence made them Hush their green breath, Embarrassed, the way Humans stand up, buttoning their jackets, Acting

Talking to Grief

Ah, Grief, I should not treat you Like a homeless dog Who comes to the back door For a crust, for a meatless bone. I should trust you. I should coax you Into the

Everything That Acts Is Actual

From the tawny light From the rainy nights From the imagination finding Itself and more than itself Alone and more than alone At the bottom of the well where the moon lives, Can you

Adam's Complaint

Some people, No matter what you give them, Still want the moon. The bread, The salt, White meat and dark, Still hungry. The marriage bed And the cradle, Still empty arms. You give them

People at Night

A night that cuts between you and you And you and you and you And me : jostles us apart, a man elbowing Through a crowd. We won’t Look for each other, either- Wander

Contraband

The tree of knowledge was the tree of reason. That’s why the taste of it Drove us from Eden. That fruit Was meant to be dried and milled to a fine powder For use

Wanting The Moon

Not the moon. A flower On the other side of the water. The water sweeps past in flood, Dragging a whole tree by the hair, A barn, a bridge. The flower Sings on the

An excerpt from "Mass for the Day of St. Thomas Didymus&quot

iiGloria Praise the wet snow Falling early. Praise the shadow My neighor’s chimney casts on the tile roof Even this gray October day that should, they say, Have been golden. Praise The invisible sun

In Mind

There’s in my mind a woman Of innocence, unadorned but Fair-featured and smelling of Apples or grass. She wears A utopian smock or shift, her hair Is light brown and smooth, and she Is

Pleasures

I like to find What’s not found At once, but lies Within something of another nature, In repose, distinct. Gull feathers of glass, hidden In white pulp: the bones of squid Which I pull

Seeing For A Moment

I thought I was growing wings- It was a cocoon. I thought, now is the time to step Into the fire- It was deep water. Eschatology is a word I learned As a child:

The Elves

Elves are no smaller Than men, and walk As men do, in this world, But with more grace than most, And are not immortal. Their beauty sets them aside From other men and from

The Ache Of Marriage

The ache of marriage: Thigh and tongue, beloved, Are heavy with it, It throbs in the teeth We look for communion And are turned away, beloved, Each and each It is leviathan and we

The Rainwalkers

An old man whose black face Shines golden-brown as wet pebbles Under the streetlamp, is walking two mongrel dogs of dis- Proportionate size, in the rain, In the relaxed early-evening avenue. The small sleek

The Well

At sixteen I believed the moonlight Could change me if it would. I moved my head On the pillow, even moved my bed As the moon slowly Crossed the open lattice. I wanted beauty,

Variation On A Theme By Rilke

A certain day became a presence to me; There it was, confronting me a sky, air, light: A being. And before it started to descend From the height of noon, it leaned over And

Intrusion

After I had cut off my hands And grown new ones Something my former hands had longed for Came and asked to be rocked. After my plucked out eyes Had withered, and new ones

The Secret

Two girls discover The secret of life In a sudden line of Poetry. I who don’t know the Secret wrote The line. They Told me (through a third person) They had found it But

A Tree Telling of Orpheus

White dawn. Stillness. When the rippling began I took it for sea-wind, coming to our valley with rumors of salt, of treeless horizons. But the white fog Didn’t stir; the leaves of my brothers

Celebration

Brilliant, this day – a young virtuoso of a day. Morning shadow cut by sharpest scissors, Deft hands. And every prodigy of green – Whether it’s ferns or lichens or needles Or impatient points

Psalm Concerning the Castle

Let me be at the place of the castle. Let the castle be within me. Let it rise foursquare from the moat’s ring. Let the moat’s waters reflect green plumage of ducks, let the

The Quest

High, hollowed in green Above the rocks of reason Lies the crater lake Whose ice the dreamer breaks To find a summer season. ‘He will plunge like a plummet down Far into hungry tides’

In California During the Gulf War

Among the blight-killed eucalypts, among Trees and bushes rusted by Christmas frosts, The yards and hillsides exhausted by five years of drought, Certain airy white blossoms punctually Reappeared, and dense clusters of pale pink,

To the Reader

As you read, a white bear leisurely Pees, dyeing the snow Saffron, And as you read, many gods Lie among lianas: eyes of obsidian Are watching the generations of leaves, And as you read

Wedding-Ring

My wedding-ring lies in a basket As if at the bottom of a well. Nothing will come to fish it back up And onto my finger again. It lies Among keys to abandoned houses,

Stepping Westward

What is green in me Darkens, muscadine. If woman is inconstant, Good, I am faithful to Ebb and flow, I fall In season and now Is a time of ripening. If her part Is

The Avowal

As swimmers dare To lie face to the sky And water bears them, As hawks rest upon air And air sustains them, So would I learn to attain Freefall, and float Into Creator Spirit’s