Sonnet 5: Those hours, that with gentle work did frame

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1. Sonnet V: Those Hours, That With Gentle Work Did Frame Those hours, that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same And that unfair which fairly doth excel; For never-resting time leads summer on To hideous winter, and confounds him there; Sap checked with frost, and lusty leaves quite gone, Beauty o’er-snowed […]...
2. Sonnet V Those hours, that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same And that unfair which fairly doth excel: For never-resting time leads summer on To hideous winter and confounds him there; Sap cheque’d with frost and lusty leaves quite gone, Beauty o’ersnow’d […]...
3. Sonnet LIII What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen’s cheek all art of beauty set, And you in Grecian tires […]...
4. Sonnet 53: What is your substance, whereof are you made What is your substance, whereof are you made, That millions of strange shadows on you tend? Since everyone hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen’s cheek all art of beauty set, And you in Grecian tires are […]...
5. Sonnet LXVII Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before the bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head; […]...
6. Sonnet 68: Thus is his cheek the map of days outworn Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away To live a second life on second head; […]...
7. Sonnet XXXVI Let me confess that we two must be twain, Although our undivided loves are one: So shall those blots that do with me remain Without thy help by me be borne alone. In our two loves there is but one respect, Though in our lives a separable spite, Which though it alter not love’s sole […]...
8. Sonnet 36: Let me confess that we two must be twain Let me confess that we two must be twain, Although our undivided loves are one; So shall those blots that do with me remain, Without thy help, by me be borne alone. In our two loves there is but one respect, Though in our lives a separable spite, Which, though it alter not love’s sole […]...
9. Sonnet 83: I never saw that you did painting need I never saw that you did painting need, And therefore to your fair no painting set; I found, or thought I found, you did exceed That barren tender of a poet’s debt; And therefore have I slept in your report, That you yourself being extant well might show How far a modern quill doth come […]...
10. Sonnet LXXXIII I never saw that you did painting need And therefore to your fair no painting set; I found, or thought I found, you did exceed The barren tender of a poet’s debt; And therefore have I slept in your report, That you yourself being extant well might show How far a modern quill doth come […]...
11. Sonnet XXVIII: You That With Allegory's Curious Frame You that with allegory’s curious frame, Of others’ children changelings use to make, With me those pains for God’s sake do not take: I list not dig so deep for brazen fame. When I say “Stella,” I do mean the same Princess of Beauty, for whose only sake The reins of Love I love, though […]...
12. On the Soft and Gentle Motions of Eudora DIvine Thalia strike th’Harmonious Lute, But with a Stroke so Gentle as may sute The silent gliding of the Howers, Or yet the calmer growth of Flowers; Th’ascending or the falling Dew, Which none can see, though all find true. For thus alone, Can be shewn, How downie, how smooth, Eudora doth Move, How Silken […]...
13. Hours Continuing Long HOURS continuing long, sore and heavy-hearted, Hours of the dusk, when I withdraw to a lonesome and unfrequented spot, seating myself, leaning my face in my hands; Hours sleepless, deep in the night, when I go forth, speeding swiftly the country roads, or through the city streets, or pacing miles and miles, stifling plaintive cries; […]...
14. Sonnet XXXVII As a decrepit father takes delight To see his active child do deeds of youth, So I, made lame by fortune’s dearest spite, Take all my comfort of thy worth and truth. For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more, Entitled in thy parts do crowned […]...
15. Sonnet 37: As a decrepit father takes delight As a decrepit father takes delight To see his active child do deeds of youth, So I, made lame by Fortune’s dearest spite, Take all my comfort of thy worth and truth. For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more, Entitled in thy parts, do crownèd […]...
16. Sonnet LV SO oft as I her beauty doe behold, And therewith doe her cruelty compare: I maruaile of what substance was the mould The which her made attonce so cruell faire. Not earth; for her high thoghts more heauenly are, Not water; for her loue doth burne like fyre: Not ayre; for she is not so […]...
17. Sonnet 6: Then let not winter's ragged hand deface Then let not winter’s ragged hand deface In thee thy summer ere thou be distilled. Make sweet some vial; treasure thou some place With beauty’s treasure ere it be self-killed. That use is not forbidden usury Which happies those that pay the willing loan; That’s for thyself to breed another thee, Or ten times happier, […]...
18. Astrophel and Stella VII: WhenNature Made her Chief Work When Nature made her chief work, Stella’s eyes, In colour black why wrapt she beams so bright? Would she in beamy black, like painter wise, Frame daintiest lustre, mix’d of shades and light? Or did she else that sober hue devise, In object best to knit and strength our sight; Lest, if no veil these […]...
19. Sonnet 54: O, how much more doth beauty beauteous seem O, how much more doth beauty beauteous seem By that sweet ornament which truth doth give! The rose looks fair, but fairer we it deem For that sweet odour which doth in it live. The canker blooms have full as deep a dye As the perfumèd tincture of the roses, Hang on such thorns, and […]...
20. Sonnet XXII My glass shall not persuade me I am old, So long as youth and thou are of one date; But when in thee time’s furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee Is but the seemly raiment of my heart, Which in thy breast […]...
21. Sonnet 22: My glass shall not persuade me I am old My glass shall not persuade me I am old So long as youth and thou are of one date; But when in thee Time’s furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee Is but the seemly raiment of my heart, Which in thy breast […]...
22. My Gentle Harp My gentle Harp, once more I waken The sweetness of thy slumbering strain; In tears our last farewell was taken, And now in tears we meet again. No light of joy hath o’er thee broken, But, like those harps whose heavenly skill Of slavery, dark as thine, hath spoken, Thou hang’st upon the willows still. […]...
23. Sonnet CIV To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turn’d In process of the seasons have I seen, Three April perfumes in three […]...
24. Sonnet 104: To me, fair friend, you never can be old To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three […]...
25. Sonnet XXI So is it not with me as with that Muse Stirr’d by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse Making a couplement of proud compare, With sun and moon, with earth and sea’s rich gems, With April’s first-born flowers, and all […]...
26. Sonnet 21: So is it not with me as with that muse So is it not with me as with that muse, Stirred by a painted beauty to his verse, Who heaven it self for ornament doth use And every fair with his fair doth rehearse, Making a couplement of proud compare With sun and moon, with earth and sea’s rich gems, With April’s first-born flowers, and […]...
27. Sonnet LXXIX Whilst I alone did call upon thy aid, My verse alone had all thy gentle grace, But now my gracious numbers are decay’d And my sick Muse doth give another place. I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen, Yet what of thee thy poet doth invent He robs […]...
28. Sonnet 79: Whilst I alone did call upon thy aid Whilst I alone did call upon thy aid, My verse alone had all thy gentle grace, But now my gracious numbers are decayed, And my sick Muse doth give an other place. I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen, Yet what of thee thy poet doth invent He […]...
29. Sonnet XCV How sweet and lovely dost thou make the shame Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name! O, in what sweets dost thou thy sins enclose! That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise but in a kind […]...
30. Good Hours I had for my winter evening walk No one at all with whom to talk, But I had the cottages in a row Up to their shining eyes in snow. And I thought I had the folk within: I had the sound of a violin; I had a glimpse through curtain laces Of youthful forms […]...
31. Sonnet LXX That thou art blamed shall not be thy defect, For slander’s mark was ever yet the fair; The ornament of beauty is suspect, A crow that flies in heaven’s sweetest air. So thou be good, slander doth but approve Thy worth the greater, being woo’d of time; For canker vice the sweetest buds doth love, […]...
32. Sonnet CXXVII In the old age black was not counted fair, Or if it were, it bore not beauty’s name; But now is black beauty’s successive heir, And beauty slander’d with a bastard shame: For since each hand hath put on nature’s power, Fairing the foul with art’s false borrow’d face, Sweet beauty hath no name, no […]...
33. Sonnet 95: How sweet and lovely dost thou make the shame How sweet and lovely dost thou make the shame Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name! O, in what sweets dost thou thy sins enclose! That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise, but in a kind […]...
34. Sonnet 70: That thou art blamed shall not be thy defect That thou art blamed shall not be thy defect, For slander’s mark was ever yet the fair; The ornament of beauty is suspect, A crow that flies in heaven’s sweetest air. So thou be good, slander doth but approve Thy worth the greater being wooed of time, For canker vice the sweetest buds doth love, […]...
35. Sonnet 127: In the old age black was not counted fair In the old age black was not counted fair, Or if it were, it bore not beauty’s name; But now is black beauty’s successive heir, And beauty slandered with a bastard shame. For since each hand hath put on nature’s power, Fairing the foul with art’s false borrowed face, Sweet beauty hath no name no […]...
36. Sonnet IV: Unthrifty Loveliness, Why Dost Thou Spend Unthrifty loveliness, why dost thou spend Upon thy self thy beauty’s legacy? Nature’s bequest gives nothing, but doth lend, And being frank she lends to those are free: Then, beauteous niggard, why dost thou abuse The bounteous largess given thee to give? Profitless usurer, why dost thou use So great a sum of sums, yet […]...
37. Sonnet IV Unthrifty loveliness, why dost thou spend Upon thyself thy beauty’s legacy? Nature’s bequest gives nothing but doth lend, And being frank she lends to those are free. Then, beauteous niggard, why dost thou abuse The bounteous largess given thee to give? Profitless usurer, why dost thou use So great a sum of sums, yet canst […]...
38. Sonnet 4: Unthrifty loveliness, why dost thou spend Unthrifty loveliness, why dost thou spend Upon thy self thy beauty’s legacy? Nature’s bequest gives nothing, but doth lend, And being frank she lends to those are free. Then, beauteous niggard why dost thou abuse, The bounteous largess given thee to give? Profitless usurer, why dost thou use So great a sum of sums yet […]...
39. Sonnets iv THY bosom is endeared with all hearts Which I, by lacking, have supposed dead: And there reigns Love, and all Love’s loving parts, And all those friends which I thought buried. How many a holy and obsequious tear Hath dear religious love stol’n from mine eye, As interest of the dead! which now appear But […]...
40. Sonnet LXXVII Thy glass will show thee how thy beauties wear, Thy dial how thy precious minutes waste; The vacant leaves thy mind’s imprint will bear, And of this book this learning mayst thou taste. The wrinkles which thy glass will truly show Of mouthed graves will give thee memory; Thou by thy dial’s shady stealth mayst […]...