Conrad Aiken
More towers must yet be built-more towers destroyed- Great rocks hoisted in air; And he must seek his bread in high pale sunlight With gulls about him, and clouds just over his eyes. .
No, I shall not say why it is that I love you- Why do you ask me, save for vanity? Surely you would not have me, like a mirror, Say ‘yes,-your hair curls darkly
As evening falls, And the yellow lights leap one by one Along high walls; And along black streets that glisten as if with rain, The muted city seems Like one in a restless sleep,
This is the house. On one side there is darkness, On one side there is light. Into the darkness you may lift your lanterns- O, any number-it will still be night. And here are
I. (Bread and Music) Music I heard with you was more than music, And bread I broke with you was more than bread; Now that I am without you, all is desolate; All that
Now, when the moon slid under the cloud And the cold clear dark of starlight fell, He heard in his blood the well-known bell Tolling slowly in heaves of sound, Slowly beating, slowly beating,
1 Senlin sat before us and we heard him. He smoked his pipe before us and we saw him. Was he small, with reddish hair, Did he light his pipe with a meditative stare
All lovely things will have an ending, All lovely things will fade and die, And youth, that’s now so bravely spending, Will beg a penny by and by. Fine ladies soon are all forgotten,
Of what she said to me that night-no matter. The strange thing came next day. My brain was full of music-something she played me-; I couldn’t remember it all, but phrases of it Wreathed
You read-what is it, then that you are reading? What music moves so silently in your mind? Your bright hand turns the page. I watch you from my window, unsuspected: You move in an
1 I am a house, says Senlin, locked and darkened, Sealed from the sun with wall and door and blind. Summon me loudly, and you’ll hear slow footsteps Ring far and faint in the
We sit together and talk, or smoke in silence. You say (but use no words) ‘this night is passing As other nights when we are dead will pass. . .’ Perhaps I misconstrue you:
Up high black walls, up sombre terraces, Clinging like luminous birds to the sides of cliffs, The yellow lights went climbing towards the sky. From high black walls, gleaming vaguely with rain, Each yellow
Beloved, let us once more praise the rain. Let us discover some new alphabet, For this, the often praised; and be ourselves, The rain, the chickweed, and the burdock leaf, The green-white privet flower,
When she came out, that white little Russian dancer, With her bright hair, and her eyes, so young, so young, He suddenly lost his leader, and all the players, And only heard an immortal