So is it not with me as with that muse, Stirred by a painted beauty to his verse, Who heaven it self for ornament doth use And every fair with his fair doth rehearse,
No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to
As an unperfect actor on the stage Who with his fear is put beside his part, Or some fierce thing replete with too much rage, Whose strength’s abundance weakens his own heart, So I,
Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride
Like as the waves make towards the pebbl’d shore, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity, once
Against my love shall be, as I am now, With Time’s injurious hand crush’d and o’er-worn; When hours have drain’d his blood and fill’d his brow With lines and wrinkles; when his youthful morn
What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis,
Mine eye hath played the painter and hath stelled Thy beauty’s form in table of my heart; My body is the frame wherein ’tis held, And perspective it is best painter’s art. For through
Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime
ON a day alack the day! Love, whose month is ever May, Spied a blossom passing fair Playing in the wanton air: Through the velvet leaves the wind All unseen ‘gan passage find; That
In faith, I do not love thee with mine eyes, For they in thee a thousand errors note; But ’tis my heart that loves what they despise, Who in despite of view is pleased
Let the bird of loudest lay, On the sole Arabian tree, Herald sad and trumpet be, To whose sound chaste wings obey. But thou, shrieking harbinger, Foul pre-currer of the fiend, Augur of the
How can my Muse want subject to invent While thou dost breathe, that pour’st into my verse Thine own sweet argument, too excellent For every vulgar paper to rehearse? O, give thyself the thanks,
That you were once unkind befriends me now, And for that sorrow, which I then did feel, Needs must I under my transgression bow, Unless my nerves were brass or hammered steel. For if
So is it not with me as with that Muse Stirr’d by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse Making
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