Preface

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1. ORIGINAL PREFACE I feel no small reluctance in venturing to give to the public a Work of the character of that indicated by the title-page to the Present volume; for, difficult as it must always be to render satisfactorily Into one’s own tongue the writings of the bards of other lands, The responsibility assumed by the translator […]...
2. A monument in words And so I had a glaring revelation, I couldn’t find the poet in the man although I read his life composed by writers true disposed To tell it with veracity. They built a monument in words And deeds, a shrine of writers’ reeds inlaid with refined And proper quotes. Those motes were hardly real; I […]...
3. THE SINGING SCHOOL The Poetry School, The Poetry Book Society, The Poetry Business: So much poetry about you’d think I’d want to shout, “Hurray, hurray, Every day’s Poetry Day!” but I don’t and you don’t either- You know its flim-flam on the ether, grants for Jack-the-lads Of both sexes, poets who’ve never been seen in a little magazine […]...
4. Epistle to Neruda Superb, Like a seasoned lion, Neruda buys bread in the shop. He asks for it to be wrapped in paper And solemly puts it under his arm: “Let someone at least think That at some time I bought a book…” Waving his hand in farewell, Like a Roman rather dreamily royal, In the air scented […]...
5. THE DEATH OF ART “Reading well is one of the great pleasures that solitude can afford you.” -critic Harold Bloom, who first called slam poetry “the death of art.” I am not a poet. I want to be rich and buy things for my family. Besides, I am sort of popular and can honestly say I’ve had a great […]...
6. Occupational Hazard He has slept with accountants and brokers, With a cowgirl (well, someone from Healds). He has slept with non-smokers and smokers In commercial and cultural fields. He has slept with book-keepers, book-binders, Slept with auditors, florists, PAs Child psychologists, even child minders, With directors of firms and of plays. He has slept with the stupid […]...
7. HUDDERSFIELD – THE SECOND POETRY CAPITAL OF ENGLAND It brings to mind Swift leaving a fortune to Dublin ВЂ˜For the founding of a lunatic asylum – no place needs it more’. The breathing beauty of the moors and cheap accommodation Drew me but the total barbarity of the town stopped me from Writing a single line: from the hideous facade of its railway […]...
8. The Poet The riches of the poet are equal to his poetry His power is his left hand It is idle weak and precious His poverty is his wealth, a wealth which may destroy him like Midas Because it is that laziness which is a form of impatience And this he may be destroyed by the gold […]...
9. PREFACE TO THE SECOND EDITION I have taken advantage of the publication of a Second Edition Of my translation of the Poems of Goethe (originally published in 1853), to add to the Collection a version of the much admired classical Poem of Hermann and Dorothea, which was previously omitted by me In consequence of its length. Its universal popularity, however, […]...
10. Poetry And Religion Religions are poems. They concert Our daylight and dreaming mind, our Emotions, instinct, breath and native gesture Into the only whole thinking: poetry. Nothing’s said till it’s dreamed out in words And nothing’s true that figures in words only. A poem, compared with an arrayed religion, May be like a soldier’s one short marriage night […]...
11. The End of the World Here, at the end of the world, The flowers bleed As if they were hearts, The hearts ooze a darkness Like india ink, & poets dip their pens in & they write. “Here, at the end of the world,” They write, Not knowing what it means. “Here, where the sky nurses on black milk, Where […]...
12. An Invitation Holding with shaking hands a letter from some Official – high up he says in the Ministry, I note that I am invited to Birmingham, There pedagogues to address for a decent fee. ‘We like to meet,’ he goes on, ‘men eminent In the field of letters each year,’ and that’s well put, Though I […]...
13. Preface to Hunting of the Snark PREFACE If – and the thing is wildly possible – the charge of writing Nonsense were ever brought against the author of this brief but Instructive poem, it would be based, I feel convinced, on the line ”Then the bowsprit got mixed with the rudder sometimes” In view of this painful possibility, I will not […]...
14. TO THE KIND READER No one talks more than a Poet; Fain he’d have the people know it. Praise or blame he ever loves; None in prose confess an error, Yet we do so, void of terror, In the Muses’ silent groves. What I err’d in, what corrected, What I suffer’d, what effected, To this wreath as flow’rs belong; […]...
15. Poetry I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however, with a perfect contempt for it, one discovers in it after all, a place for the genuine. Hands that can grasp, eyes that can dilate, hair that can rise if it must, these things are important not because […]...
16. My Masters Of Poetry I’ve been accused, But much more often I have not; Oh, I have been so much amused By those who’ve put me on the spot, And measured me by rules above Those I observe with equal love. An artisan of verse am I, Of simple sense and humble tone; My Thesaurus is handy […]...
17. April 19 We have too much exhibitionism And not enough voyeurism In poetry we have plenty of bass And not enough treble, more amber Beer than the frat boys can drink but Less red wine than meets the lip In this beaker of the best Bordeaux, Too much thesis, too little antithesis And way too much New […]...
18. The Proud Poet (For Shaemas O Sheel) One winter night a Devil came and sat upon my bed, His eyes were full of laughter for his heart was full of crime. “Why don’t you take up fancy work, or embroidery?” he said, “For a needle is as manly a tool as a pen that makes a rhyme!” “You […]...
19. WANTS POEMS AND HAS NEVER REJECTED ANYONE Eamer o’ Keefe with your tinge of brogue And Irish warmth, Daisy and Debjani With your karma and cool verse, I salute you. ( III ) “Ecoutez la voix du vent” – listen to the wind’s voice As Milosz commands “All your griefs, My sad ones, are in vain” but offering In recompense soaring sonatas […]...
20. The Naming Of Cats The Naming of Cats is a difficult matter, It isn’t just one of your holiday games; You may think at first I’m as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES. First of all, there’s the name that the family use daily, Such as Peter, Augustus, Alonzo or […]...
21. An Exhortation Chameleons feed on light and air: Poets’ food is love and fame: If in this wide world of care Poets could but find the same With as little toil as they, Would they ever change their hue As the light chameleons do, Suiting it to every ray Twenty times a day? Poets are on this […]...
22. The Poet in the Nursery The youngest poet down the shelves was fumbling In a dim library, just behind the chair From which the ancient poet was mum-mumbling A song about some Lovers at a Fair, Pulling his long white beard and gently grumbling That rhymes were beastly things and never there. And as I groped, the whole time I […]...
23. Ars Poetica? I have always aspired to a more spacious form That would be free from the claims of poetry or prose And would let us understand each other without exposing The author or reader to sublime agonies. In the very essence of poetry there is something indecent: A thing is brought forth which we didn’t know […]...
24. On A Portrait Of Wordsworth WORDSWORTH upon Helvellyn! Let the cloud Ebb audibly along the mountain-wind, Then break against the rock, and show behind The lowland valleys floating up to crowd The sense with beauty. He with forehead bowed And humble-lidded eyes, as one inclined Before the sovran thought of his own mind, And very meek with inspirations proud, Takes […]...
25. Apollo Musagete, Poetry, And The Leader Of The Muses Nothing is given which is not taken. Little or nothing is taken which is not freely desired, freely, truly and fully. “You would not seek me if you had not found me”: this is true of all that is supremely desired and admired… “An enigma is an animal,” said the hurried, harried schoolboy: And a […]...
26. ON FIRST READING JOHN GOODBY'S 'IRISH POETRY SINCE 1950&#039 Barbarous insult to Yeats’ memory and Claudel’s Allen, thank God you are dead, you who breathed the air of Apollinaire, Ghost of Reverdy bear witness to the mendacity of his clamour, Hart Crane, rise from the estuary of the great river you drowned in, John Clare, rise from your country churchyard grave, Gray, from your […]...
27. Old Poets (For Robert Cortez Holliday) If I should live in a forest And sleep underneath a tree, No grove of impudent saplings Would make a home for me. I’d go where the old oaks gather, Serene and good and strong, And they would not sigh and tremble And vex me with a song. The pleasantest sort […]...
28. JAMES SIMMONS R. I. P You were the one I wanted most to know So like yet unlike, like fire and snow, The casual voice, the sharp invective, The barbed wit, the lapsed Irish Protestant Who never gave a shit, crossed the palms Of the great and good with coins hot with contempt For the fakers and the tricksters whose […]...
29. To Hannah Spirit girl to whom ’twas given To revisit scenes of pain, From the hell I thought was Heaven You have lifted me again; Through the world that I inherit, Where I loved her ere she died, I am walking with the spirit Of a dead girl by my side. Through my old possessions only For […]...
30. At Wilfred Owen's Grave A week before the Armistice, you died. They did not keep your heart like Livingstone’s, Then plant your bones near Shakespeare’s. So you lie Between two privates, sacrificed like Christ To politics, your poetry unknown Except for that brief flurry’s: thirteen months With Gaukroger beside you in the trench, Dismembered, as you babbled, as the […]...
31. A Tale of the Miser and the Poet A WIT, transported with Inditing, Unpay’d, unprais’d, yet ever Writing; Who, for all Fights and Fav’rite Friends, Had Poems at his Fingers Ends; For new Events was still providing; Yet now desirous to be riding, He pack’d-up ev’ry Ode and Ditty And in Vacation left the City; So rapt with Figures, and Allusions, With secret […]...
32. What He Thought We were supposed to do a job in Italy And, full of our feeling for Ourselves (our sense of being Poets from America) we went From Rome to Fano, met The Mayor, mulled a couple Matters over. The Italian literati seemed Bewildered by the language of America: they asked us What does “flat drink” mean? […]...
33. Far Out Beyond the dark cartoons Are darker spaces where Small cloudy nests of stars Seem to float on air. These have no proper names: Men out alone at night Never look up at them For guidance or delight, For such evasive dust Can make so little clear: Much less is known than not, More far than […]...
34. To The Memory Of My Beloved, The Author, Mr William Shakespeare, And What He Hath Left Us To draw no envy, Shakespeare, on thy name Am I thus ample to thy book and fame; While I confess thy writings to be such As neither Man nor Muse can praise too much. ‘Tis true, and all men’s suffrage. But these ways Were not the paths I meant unto thy praise; For silliest ignorance […]...
35. My Favourite Fan Being a writer I receive Sweet screeds from folk of every land; Some are so weird you’d scarce believe, And some quite hard to understand: But as a conscientious man I type my thanks to all I can. So when I got a foreign scrawl That spider-webbed across the page, Said I: “This is the […]...
36. Big Hair Ithaca, October 1993: Jorie went on a lingerie Tear, wanting to look like a moll In a Chandler novel. Dinner, consisting of three parts gin And one part lime juice cordial, was a prelude to her hair. There are, she said, poems that can be written Only when the poet is clad in black underwear. […]...
37. Mingus At The Showplace I was miserable, of course, for I was seventeen And so I swung into action and wrote a poem And it was miserable, for that was how I thought Poetry worked: you digested experience shat Literature. It was 1960 at The Showplace, long since Defunct, on West 4th st., and I sat at the bar, […]...
38. FOR JAMES SIMMONS Sitting in outpatients With my own minor ills Dawn’s depression lifts To the lilt of amitryptilene, A double dose for a day’s journey To a distant ward. The word was out that Simmons Had died eighteen months after An aneurism at sixty seven. The meeting he proposed in his second letter Could never happen: a […]...
39. The Lady's Yes “Yes,” I answered you last night; “No,” this morning, Sir, I say. Colours seen by candlelight, Will not look the same by day. When the viols played their best, Lamps above, and laughs below – Love me sounded like a jest, Fit for Yes or fit for No. Call me false, or call me free […]...
40. APRIL TELL me, eyes, what ’tis ye’re seeking; For ye’re saying something sweet, Fit the ravish’d ear to greet, Eloquently, softly speaking. Yet I see now why ye’re roving; For behind those eyes so bright, To itself abandon’d quite, Lies a bosom, truthful, loving, One that it must fill with pleasure ‘Mongst so many, dull and […]...