Thomas Hardy
No Buyers
A Load of brushes and baskets and cradles and chairs Labours along the street in the rain: With it a man, a woman, a pony with whiteybrown hairs. The man foots in front of
Fragment
At last I entered a long dark gallery, Catacomb-lined; and ranged at the side Were the bodies of men from far and wide Who, motion past, were nevertheless not dead. “The sense of waiting
Her Late Husband (King's-Hintock, 182-.)
“No not where I shall make my own; But dig his grave just by The woman’s with the initialed stone – As near as he can lie – After whose death he seemed to
The Contretemps
A forward rush by the lamp in the gloom, And we clasped, and almost kissed; But she was not the woman whom I had promised to meet in the thawing brume On that harbour-bridge;
The Lost Pyx: A Mediaeval Legend
Some say the spot is banned; that the pillar Cross-and-Hand Attests to a deed of hell; But of else than of bale is the mystic tale That ancient Vale-folk tell. Ere Cernel’s Abbey ceased
Lausanne, In Gibbon's Old Garden: 11-12 p. m
(The 110th anniversary of the completion of the “Decline and Fall” at the same hour and place) A spirit seems to pass, Formal in pose, but grave and grand withal: He contemplates a volume
Waiting Both
A star looks down at me, And says: “Here I and you Stand each in our degree: What do you mean to do,- Mean to do?” I say: “For all I know, Wait, and
Domicilium
It faces west, and round the back and sides High beeches, bending, hang a veil of boughs, And sweep against the roof. Wild honeysucks Climb on the walls, and seem to sprout a wish
The Selfsame Song
A bird sings the selfsame song, With never a fault in its flow, That we listened to here those long Long years ago. A pleasing marvel is how A strain of such rapturous rote
The Seasons of Her Year
I Winter is white on turf and tree, And birds are fled; But summer songsters pipe to me, And petals spread, For what I dreamt of secretly His lips have said! II O ’tis
After Schiller
Knight, a true sister-love This heart retains; Ask me no other love, That way lie pains! Calm must I view thee come, Calm see thee go; Tale-telling tears of thine I must not know
To Flowers From Italy in Winter
Sunned in the South, and here to-day; If all organic things Be sentient, Flowers, as some men say, What are your ponderings? How can you stay, nor vanish quite From this bleak spot of
At The Railway Station, Upways
‘There is not much that I can do, For I’ve no money that’s quite my own!’ Spoke up the pitying child A little boy with a violin At the station before the train came
Postponement
SNOW-BOUND in woodland, a mournful word, Dropt now and then from the bill of a bird, Reached me on wind-wafts; and thus I heard, Wearily waiting: “I planned her a nest in a leafless
Her Immortality
UPON a noon I pilgrimed through A pasture, mile by mile, Unto the place where I last saw My dead Love’s living smile. And sorrowing I lay me down Upon the heated sod: It
Mismet
He was leaning by a face, He was looking into eyes, And he knew a trysting-place, And he heard seductive sighs; But the face, And the eyes, And the place, And the sighs, Were
To Outer Nature
SHOW thee as I thought thee When I early sought thee, Omen-scouting, All undoubting Love alone had wrought thee Wrought thee for my pleasure, Planned thee as a measure For expounding And resounding Glad
The Masked Face
I found me in a great surging space, At either end a door, And I said: “What is this giddying place, With no firm-fixéd floor, That I knew not of before?” “It is Life,”
Thoughts Of Phena
at news of her death Not a line of her writing have I Not a thread of her hair, No mark of her late time as dame in her dwelling, whereby I may picture
My Spirit Will Not Haunt The Mound
My spirit will not haunt the mound Above my breast, But travel, memory-possessed, To where my tremulous being found Life largest, best. My phantom-footed shape will go When nightfall grays Hither and thither along
The Dead Drummer
I They throw in Drummer Hodge, to rest Uncoffined just as found: His landmark is a kopje-crest That breaks the veldt around; And foreign constellations west Each night above his mound. II Young Hodge
An Autumn Rain-Scene
There trudges one to a merry-making With sturdy swing, On whom the rain comes down. To fetch the saving medicament Is another bent, On whom the rain comes down. One slowly drives his herd
The Cave Of The Unborn
I rose at night and visited The Cave of the Unborn, And crowding shapes surrounded me For tidings of the life to be, Who long had prayed the silent Head To speed their advent
The Souls of the Slain
I The thick lids of Night closed upon me Alone at the Bill Of the Isle by the Race {1} – Many-caverned, bald, wrinkled of face – And with darkness and silence the spirit
In a Wood
Pale beech and pine-tree blue, Set in one clay, Bough to bough cannot you Bide out your day? When the rains skim and skip, Why mar sweet comradeship, Blighting with poison-drip Neighborly spray? Heart-halt
"I Need Not Go"
I need not go Through sleet and snow To where I know She waits for me; She will wait me there Till I find it fair, And have time to spare From company. When
Rome: The Vatican-Sala Delle Muse
I sat in the Muses’ Hall at the mid of the day, And it seemed to grow still, and the people to pass away, And the chiselled shapes to combine in a haze of
To An Orphan Child
A Whimsey AH, child, thou art but half thy darling mother’s; Hers couldst thou wholly be, My light in thee would outglow all in others; She would relive to me. But niggard Nature’s trick
I Said To Love
I said to Love, “It is not now as in old days When men adored thee and thy ways All else above; Named thee the Boy, the Bright, the One Who spread a heaven
Transformations
Portion of this yew Is a man my grandsire knew, Bosomed here at its foot: This branch may be his wife, A ruddy human life Now turned to a green shoot. These grasses must
The Phantom Horsewoman
Queer are the ways of a man I know: He comes and stands In a careworn craze, And looks at the sands And in the seaward haze With moveless hands And face and gaze,
The Dame of Athelhall
I “Soul! Shall I see thy face,” she said, “In one brief hour? And away with thee from a loveless bed To a far-off sun, to a vine-wrapt bower, And be thine own unseparated,
On an Invitation to the United States
I My ardours for emprize nigh lost Since Life has bared its bones to me, I shrink to seek a modern coast Whose riper times have yet to be; Where the new regions claim
De Profundis
I “Percussus sum sicut foenum, et aruit cor meum.” – Ps. ci Wintertime nighs; But my bereavement-pain It cannot bring again: Twice no one dies. Flower-petals flee; But, since it once hath been, No
The House Of Hospitalities
Here we broached the Christmas barrel, Pushed up the charred log-ends; Here we sang the Christmas carol, And called in friends. Time has tired me since we met here When the folk now dead
The Sleep-Worker
When wilt thou wake, O Mother, wake and see – As one who, held in trance, has laboured long By vacant rote and prepossession strong – The coils that thou hast wrought unwittingly; Wherein
Ditty
(E. L. G.) BENEATH a knap where flown Nestlings play, Within walls of weathered stone, Far away From the files of formal houses, By the bough the firstling browses, Lives a Sweet: no merchants
His Immortality
I I saw a dead man’s finer part Shining within each faithful heart Of those bereft. Then said I: “This must be His immortality.” II I looked there as the seasons wore, And still
Revulsion
THOUGH I waste watches framing words to fetter Some spirit to mine own in clasp and kiss, Out of the night there looms a sense ’twere better To fail obtaining whom one fails to
She, To Him IV
THIS love puts all humanity from me; I can but maledict her, pray her dead, For giving love and getting love of thee Feeding a heart that else mine own had fed! How much
The Church-Builder
The church flings forth a battled shade Over the moon-blanched sward: The church; my gift; whereto I paid My all in hand and hoard; Lavished my gains With stintless pains To glorify the Lord.
Song From Heine
I scanned her picture dreaming, Till each dear line and hue Was imaged, to my seeming, As if it lived anew. Her lips began to borrow Their former wondrous smile; Her fair eyes, faint
He Never Expected Much
Well, World, you have kept faith with me, Kept faith with me; Upon the whole you have proved to be Much as you said you were. Since as a child I used to lie
A Man (In Memory of H. of M.)
I In Casterbridge there stood a noble pile, Wrought with pilaster, bay, and balustrade In tactful times when shrewd Eliza swayed. – On burgher, squire, and clown It smiled the long street down for
Doom and She
I There dwells a mighty pair – Slow, statuesque, intense – Amid the vague Immense: None can their chronicle declare, Nor why they be, nor whence. ,h II Mother of all things made, Matchless
Heredity
I am the family face; Flesh perishes, I live on, Projecting trait and trace Through time to times anon, And leaping from place to place Over oblivion. The years-heired feature that can In curve
The Inconsistent
I say, “She was as good as fair,” When standing by her mound; “Such passing sweetness,” I declare, “No longer treads the ground.” I say, “What living Love can catch Her bloom and bonhomie,
The King's Experiment
It was a wet wan hour in spring, And Nature met King Doom beside a lane, Wherein Hodge trudged, all blithely ballading The Mother’s smiling reign. “Why warbles he that skies are fair And
The Sergeant's Song
WHEN Lawyers strive to heal a breach, And Parsons practise what they preach; Then Little Boney he’ll pounce down, And march his men on London town! Rollicum-rorum, tol-lol-lorum, Rollicum-rorum, tol-lol-lay! When Justices hold equal
Birds at Winter Nightfall (Triolet)
Around the house the flakes fly faster, And all the berries now are gone From holly and cotoneaster Around the house. The flakes fly! faster Shutting indoors that crumb-outcaster We used to see upon
The Supplanter: A Tale
I He bends his travel-tarnished feet To where she wastes in clay: From day-dawn until eve he fares Along the wintry way; From day-dawn until eve repairs Unto her mound to pray. II “Are
Drummer Hodge
They throw in Drummer Hodge, to rest Uncoffined just as found: His landmark is a kopje-crest That breaks the veldt around: And foreign constellations west Each night above his mound. Young Hodge the drummer
"How Great My Grief" (Triolet)
How great my grief, my joys how few, Since first it was my fate to know thee! – Have the slow years not brought to view How great my grief, my joys how few,
During Wind And Rain
They sing their dearest songs He, she, all of them yea, Treble and tenor and bass, And one to play; With the candles mooning each face…. Ah, no; the years O! How the sick
The Going
Why did you give no hint that night That quickly after the morrow’s dawn, And calmly, as if indifferent quite, You would close your term here, up and be gone Where I could not
Between Us Now
Between us now and here Two thrown together Who are not wont to wear Life’s flushest feather Who see the scenes slide past, The daytimes dimming fast, Let there be truth at last, Even
To Life
O life with the sad seared face, I weary of seeing thee, And thy draggled cloak, and thy hobbling pace, And thy too-forced pleasantry! I know what thou would’st tell Of Death, Time, Destiny
A Spot
In years defaced and lost, Two sat here, transport-tossed, Lit by a living love The wilted world knew nothing of: Scared momently By gaingivings, Then hoping things That could not be. Of love and
The Comet at Valbury or Yell'ham
I It bends far over Yell’ham Plain, And we, from Yell’ham Height, Stand and regard its fiery train, So soon to swim from sight. II It will return long years hence, when As now
Middle-Age Enthusiasms
To M. H. WE passed where flag and flower Signalled a jocund throng; We said: “Go to, the hour Is apt!” and joined the song; And, kindling, laughed at life and care, Although we
The Self-Unseeing
Here is the ancient floor, Footworn and hollowed and thin, Here was the former door Where the dead feet walked in. She sat here in her chair, Smiling into the fire; He who played
Leipzig
“OLD Norbert with the flat blue cap A German said to be Why let your pipe die on your lap, Your eyes blink absently?” “Ah!… Well, I had thought till my cheek was wet
[Greek Title]
Long have I framed weak phantasies of Thee, O Willer masked and dumb! Who makest Life become, – As though by labouring all-unknowingly, Like one whom reveries numb. How much of consciousness informs Thy
The Farm Woman's Winter
I If seasons all were summers, And leaves would never fall, And hopping casement-comers Were foodless not at all, And fragile folk might be here That white winds bid depart; Then one I used
Genoa and the Mediterranean
O epic-famed, god-haunted Central Sea, Heave careless of the deep wrong done to thee When from Torino’s track I saw thy face first flash on me. And multimarbled Genova the Proud, Gleam all unconscious
Moments Of Vision
That mirror Which makes of men a transparency, Who holds that mirror And bids us such a breast-bare spectacle see Of you and me? That mirror Whose magic penetrates like a dart, Who lifts
At Castle Boterel
As I drive to the junction of lane and highway, And the drizzle bedrenches the waggonette, I look behind at the fading byway, And see on its slope, now glistening wet, Distinctly yet Myself
The Going of the Battery Wives. (Lament)
I O it was sad enough, weak enough, mad enough – Light in their loving as soldiers can be – First to risk choosing them, leave alone losing them Now, in far battle, beyond
Song of the Soldier's Wifes
I At last! In sight of home again, Of home again; No more to range and roam again As at that bygone time? No more to go away from us And stay from us?
The Caged Thrush Freed and Home Again (Villanelle)
“Men know but little more than we, Who count us least of things terrene, How happy days are made to be! “Of such strange tidings what think ye, O birds in brown that peck
My Cicely
“ALIVE?” And I leapt in my wonder, Was faint of my joyance, And grasses and grove shone in garments Of glory to me. “She lives, in a plenteous well-being, To-day as aforehand; The dead
A Confession To A Friend In Trouble
Your troubles shrink not, though I feel them less Here, far away, than when I tarried near; I even smile old smiles with listlessness Yet smiles they are, not ghastly mockeries mere. A thought
At the War Office, London
I Last year I called this world of gain-givings The darkest thinkable, and questioned sadly If my own land could heave its pulse less gladly, So charged it seemed with circumstance whence springs The
At An Inn
WHEN we as strangers sought Their catering care, Veiled smiles bespoke their thought Of what we were. They warmed as they opined Us more than friends That we had all resigned For love’s dear
The Last Chrysanthemum
Why should this flower delay so long To show its tremulous plumes? Now is the time of plaintive robin-song, When flowers are in their tombs. Through the slow summer, when the sun Called to
A Wasted Illness
Through vaults of pain, Enribbed and wrought with groins of ghastliness, I passed, and garish spectres moved my brain To dire distress. And hammerings, And quakes, and shoots, and stifling hotness, blent With webby
Catullus: XXXI
(After passing Sirmione, April 1887.) Sirmio, thou dearest dear of strands That Neptune strokes in lake and sea, With what high joy from stranger lands Doth thy old friend set foot on thee! Yea,
The Subalterns
I “Poor wanderer,” said the leaden sky, “I fain would lighten thee, But there are laws in force on high Which say it must not be.” II “I would not freeze thee, shorn one,”
A Sign-Seeker
I MARK the months in liveries dank and dry, The day-tides many-shaped and hued; I see the nightfall shades subtrude, And hear the monotonous hours clang negligently by. I view the evening bonfires of
The Casterbridge Captains
THREE captains went to Indian wars, And only one returned: Their mate of yore, he singly wore The laurels all had earned. At home he sought the ancient aisle Wherein, untrumped of fame, The
Under The Waterfall
‘Whenever I plunge my arm, like this, In a basin of water, I never miss The sweet sharp sense of a fugitive day Fetched back from its thickening shroud of gray. Hence the only
To A Lady
Offended by a Book of the Writer’s NOW that my page upcloses, doomed, maybe, Never to press thy cosy cushions more, Or wake thy ready Yeas as heretofore, Or stir thy gentle vows of
Night In The Old Home
When the wasting embers redden the chimney-breast, And Life’s bare pathway looms like a desert track to me, And from hall and parlour the living have gone to their rest, My perished people who
The Roman Road
The Roman Road runs straight and bare As the pale parting-line in hair Across the heath. And thoughtful men Contrast its days of Now and Then, And delve, and measure, and compare; Visioning on
Additions
The Fire at Tranter Sweatley’s THEY had long met o’ Zundays her true love and she And at junketings, maypoles, and flings; But she bode wi’ a thirtover uncle, and he Swore by noon
(As sung by Mr. Charles Charrington in the play of "The Three Wayfarers")
(As sung by Mr. Charles Charrington in the play of “The Three Wayfarers”) O MY trade it is the rarest one, Simple shepherds all My trade is a sight to see; For my customers
To Lizbie Browne
I Dear Lizbie Browne, Where are you now? In sun, in rain? – Or is your brow Past joy, past pain, Dear Lizbie Browne? II Sweet Lizbie Browne How you could smile, How you
The Ruined Maid
“O ‘Melia, my dear, this does everything crown! Who could have supposed I should meet you in Town? And whence such fair garments, such prosperi-ty? O didn’t you know I’d been ruined?” said she.
Then And Now
When battles were fought With a chivalrous sense of should and ought, In spirit men said, “End we quick or dead, Honour is some reward! Let us fight fair for our own best or
The Pity Of It
I walked in loamy Wessex lanes, afar From rail-track and from highway, and I heard In field and farmstead many an ancient word Of local lineage like “Thu bist,” “Er war,” “Ich woll,” “Er
Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats
Who, then, was Cestius, And what is he to me? – Amid thick thoughts and memories multitudinous One thought alone brings he. I can recall no word Of anything he did; For me he
The Peasant's Confession
Good Father!… ‘Twas an eve in middle June, And war was waged anew By great Napoleon, who for years had strewn Men’s bones all Europe through. Three nights ere this, with columned corps he’d
Architectural Masks
I There is a house with ivied walls, And mullioned windows worn and old, And the long dwellers in those halls Have souls that know but sordid calls, And dote on gold. II In
Neutral Tones
WE stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod, They had fallen from an ash, and
In The Moonlight
“O lonely workman, standing there In a dream, why do you stare and stare At her grave, as no other grave where there?” “If your great gaunt eyes so importune Her soul by the
The Levelled Churchyard
“O passenger, pray list and catch Our sighs and piteous groans, Half stifled in this jumbled patch Of wrenched memorial stones! “We late-lamented, resting here, Are mixed to human jam, And each to each
From Victor Hugo
Child, were I king, I’d yield my royal rule, My chariot, sceptre, vassal-service due, My crown, my porphyry-basined waters cool, My fleets, whereto the sea is but a pool, For a glance from you!
George Meredith
Forty years back, when much had place That since has perished out of mind, I heard that voice and saw that face. He spoke as one afoot will wind A morning horn ere men
The Rambler
I do not see the hills around, Nor mark the tints the copses wear; I do not note the grassy ground And constellated daisies there. I hear not the contralto note Of cuckoos hid
To An Unborn Pauper Child
Breathe not, hid Heart: cease silently, And though thy birth-hour beckons thee, Sleep the long sleep: The Doomsters heap Travails and teens around us here, And Time-Wraiths turn our songsingings to fear. Hark, how
In A Eweleaze Near Weatherbury
THE years have gathered grayly Since I danced upon this leaze With one who kindled gayly Love’s fitful ecstasies! But despite the term as teacher, I remain what I was then In each essential
The Coquette, and After (Triolets)
I For long the cruel wish I knew That your free heart should ache for me While mine should bear no ache for you; For, long the cruel wish! I knew How men can
The Burghers
THE sun had wheeled from Grey’s to Dammer’s Crest, And still I mused on that Thing imminent: At length I sought the High-street to the West. The level flare raked pane and pediment And
The Year's Awakening
How do you know that the pilgrim track Along the belting zodiac Swept by the sun in his seeming rounds Is traced by now to the Fishes’ bounds And into the Ram, when weeks
Nature's Questioning
WHEN I look forth at dawning, pool, Field, flock, and lonely tree, All seem to look at me Like chastened children sitting silent in a school; Their faces dulled, constrained, and worn, As though
The Dead Man Walking
They hail me as one living, But don’t they know That I have died of late years, Untombed although? I am but a shape that stands here, A pulseless mould, A pale past picture,
Ah, Are You Digging On My Grave?
“Ah, are you digging on my grave, My loved one? planting rue?” “No: yesterday he went to wed One of the brightest wealth has bred. ‘It cannot hurt her now,’ he said, ‘That I
Hap
If but some vengeful god would call to me From up the sky, and laugh: “Thou suffering thing, Know that thy sorrow is my ecstasy, That thy love’s loss is my hate’s profiting!” Then
An Ancient To Ancients
Where once we danced, where once we sang, Gentlemen, The floors are sunken, cobwebs hang, And cracks creep; worms have fed upon The doors. Yea, sprightlier times were then Than now, with harps and
At Lulworth Cove A Century Back
Had I but lived a hundred years ago I might have gone, as I have gone this year, By Warmwell Cross on to a Cove I know, And Time have placed his finger on
The To-Be-Forgotten
I I heard a small sad sound, And stood awhile among the tombs around: “Wherefore, old friends,” said I, “are you distrest, Now, screened from life’s unrest?” II “O not at being here; But
Mute Opinion
I I traversed a dominion Whose spokesmen spake out strong Their purpose and opinion Through pulpit, press, and song. I scarce had means to note there A large-eyed few, and dumb, Who thought not
The Well-Beloved
I wayed by star and planet shine Towards the dear one’s home At Kingsbere, there to make her mine When the next sun upclomb. I edged the ancient hill and wood Beside the Ikling
Beeny Cliff
I O the opal and the sapphire of that wandering western sea, And the woman riding high above with bright hair flapping free- The woman whom I loved so, and who loyally loved me.
The Sick God
I In days when men had joy of war, A God of Battles sped each mortal jar; The peoples pledged him heart and hand, From Israel’s land to isles afar. II His crimson form,
Amabel
I MARKED her ruined hues, Her custom-straitened views, And asked, “Can there indwell My Amabel?” I looked upon her gown, Once rose, now earthen brown; The change was like the knell Of Amabel. Her
She, To Him III
I WILL be faithful to thee; aye, I will! And Death shall choose me with a wondering eye That he did not discern and domicile One his by right ever since that last Good-bye!
Let Me Enjoy
Minor Key I Let me enjoy the earth no less Because the all-enacting Might That fashioned forth its loveliness Had other aims than my delight. II About my path there flits a Fair, Who
A Thunderstorm In Town
(A Reminiscence, 1893) She wore a ‘terra-cotta’ dress, And we stayed, because of the pelting storm, Within the hansom’s dry recess, Though the horse had stopped; yea, motionless We sat on, snug and warm.
Channel Firing
That night your great guns, unawares, Shook all our coffins as we lay, And broke the chancel window-squares, We thought it was the Judgement-day And sat upright. While drearisome Arose the howl of wakened
The Darkling Thrush
I leant upon a coppice gate When Frost was spectre-gray, And Winter’s dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind
Zermatt to the Matterhorn
Thirty-two years since, up against the sun, Seven shapes, thin atomies to lower sight, Labouringly leapt and gained thy gabled height, And four lives paid for what the seven had won. They were the
God-Forgotten
I towered far, and lo! I stood within The presence of the Lord Most High, Sent thither by the sons of earth, to win Some answer to their cry. “The Earth, say’st thou? The
Afterwards
When the Present has latched its postern behind my tremulous stay, And the May month flaps its glad green leaves like wings, Delicate-filmed as new-spun silk, will the neighbours say, “He was a man
She At His Funeral
THEY bear him to his resting-place In slow procession sweeping by; I follow at a stranger’s space; His kindred they, his sweetheart I. Unchanged my gown of garish dye, Though sable-sad is their attire;
A Broken Appointment
You did not come, And marching Time drew on, and wore me numb. Yet less for loss of your dear presence there Than that I thus found lacking in your make That high compassion
The Impercipient
(at a Cathedral Service) THAT from this bright believing band An outcast I should be, That faiths by which my comrades stand Seem fantasies to me, And mirage-mists their Shining Land, Is a drear
Satires of Circumstance in Fifteen Glimpses VIII: In the St
He enters, and mute on the edge of a chair Sits a thin-faced lady, a stranger there, A type of decayed gentility; And by some small signs he well can guess That she comes
The Convergence Of The Twain
(Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the
Embarcation
Southampton Docks: October 1899 Here, where Vespasian’s legions struck the sands, And Cendric with the Saxons entered in, And Henry’s army lept afloat to win Convincing triumphs over neighboring lands, Vaster battalions press for
The Man He Killed
Had he and I but met By some old ancient inn, We should have set us down to wet Right many a nipperkin! But ranged as infantry, And staring face to face, I shot
The Milkmaid
Under a daisied bank There stands a rich red ruminating cow, And hard against her flank A cotton-hooded milkmaid bends her brow. The flowery river-ooze Upheaves and falls; the milk purrs in the pail;
A Wife In London
December 1899 I She sits in the tawny vapour That the Thames-side lanes have uprolled, Behind whose webby fold-on-fold Like a waning taper The street-lamp glimmers cold. A messenger’s knock cracks smartly, Flashed news
Shelley's Skylark (The neighbourhood of Leghorn: March)
Somewhere afield here something lies In Earth’s oblivious eyeless trust That moved a poet to prophecies – A pinch of unseen, unguarded dust The dust of the lark that Shelley heard, And made immortal
By the Earth's Corpse
I “O Lord, why grievest Thou? – Since Life has ceased to be Upon this globe, now cold As lunar land and sea, And humankind, and fowl, and fur Are gone eternally, All is
At a Hasty Wedding
If hours be years the twain are blest, For now they solace swift desire By bonds of every bond the best, If hours be years. The twain are blest Do eastern stars slope never
Her Death And After
‘TWAS a death-bed summons, and forth I went By the way of the Western Wall, so drear On that winter night, and sought a gate The home, by Fate, Of one I had long
In Time Of "The Breaking Of Nations"
I Only a man harrowing clods In a slow silent walk With an old horse that stumbles and nods Half asleep as they stalk. II Only thin smoke without flame From the heaps of
The Slow Nature
(an Incident of Froom Valley) “THY husband poor, poor Heart! is dead Dead, out by Moreford Rise; A bull escaped the barton-shed, Gored him, and there he lies!” “Ha, ha go away! ‘Tis a
The Widow
By Mellstock Lodge and Avenue Towards her door I went, And sunset on her window-panes Reflected our intent. The creeper on the gable nigh Was fired to more than red And when I came
The Puzzled Game-Birds
They are not those who used to feed us When we were young they cannot be – These shapes that now bereave and bleed us? They are not those who used to feed us,
Tess's Lament
I I would that folk forgot me quite, Forgot me quite! I would that I could shrink from sight, And no more see the sun. Would it were time to say farewell, To claim
In The Old Theatre, Fiesole
I traced the Circus whose gray stones incline Where Rome and dim Etruria interjoin, Till came a child who showed an ancient coin That bore the image of a Constantine. She lightly passed; nor
She Hears The Storm
There was a time in former years While my roof-tree was his When I should have been distressed by fears At such a night as this! I should have murmured anxiously, ‘The prickling rain
San Sebastian
And your sunny years with a gracious wife Have brought you a daughter dear. “I watched her to-day; a more comely maid, As she danced in her muslin bowed with blue, Round a Hintock
The Tree: An Old Man's Story
I Its roots are bristling in the air Like some mad Earth-god’s spiny hair; The loud south-wester’s swell and yell Smote it at midnight, and it fell. Thus ends the tree Where Some One
Song of Hope
O sweet To-morrow! – After to-day There will away This sense of sorrow. Then let us borrow Hope, for a gleaming Soon will be streaming, Dimmed by no gray – No gray! While the
God's Funeral
I I saw a slowly-stepping train Lined on the brows, scoop-eyed and bent and hoar Following in files across a twilit plain A strange and mystic form the foremost bore. II And by contagious
Wives in the Sere
I Never a careworn wife but shows, If a joy suffuse her, Something beautiful to those Patient to peruse her, Some one charm the world unknows Precious to a muser, Haply what, ere years
In The Vaulted Way
In the vaulted way, where the passage turned To the shadowy corner that none could see, You paused for our parting, – plaintively: Though overnight had come words that burned My fond frail happiness
Last Words To A Dumb Friend
Pet was never mourned as you, Purrer of the spotless hue, Plumy tail, and wistful gaze While you humoured our queer ways, Or outshrilled your morning call Up the stairs and through the hall
The Voice
Woman much missed, how you call to me, call to me, Saying that now you are not as you were When you had changed from the one who was all to me, But as
She, to Him, II
Perhaps, long hence, when I have passed away, Some other’s feature, accent, thought like mine, Will carry you back to what I used to say, And bring some memory of your love’s decline. Then
The Bridge of Lodi
I When of tender mind and body I was moved by minstrelsy, And that strain “The Bridge of Lodi” Brought a strange delight to me. II In the battle-breathing jingle Of its forward-footing tune
In A Museum
I Here’s the mould of a musical bird long passed from light, Which over the earth before man came was winging; There’s a contralto voice I heard last night, That lodges with me still
Her Reproach
Con the dead page as ’twere live love: press on! Cold wisdom’s words will ease thy track for thee; Aye, go; cast off sweet ways, and leave me wan To biting blasts that are
The Lacking Sense Scene. A sad-coloured landscape, Waddon Vale
I “O Time, whence comes the Mother’s moody look amid her labours, As of one who all unwittingly has wounded where she loves? Why weaves she not her world-webs to according lutes and tabors,
An August Midnight
I A shaded lamp and a waving blind, And the beat of a clock from a distant floor: On this scene enter winged, horned, and spined – A longlegs, a moth, and a dumbledore;
The Choirmaster's Burial
He often would ask us That, when he died, After playing so many To their last rest, If out of us any Should here abide, And it would not task us, We would with
The Fallow Deer At The Lonely House
One without looks in tonight Through the curtain-chink From the sheet of glistening white; One without looks in tonight As we sit and think By the fender-brink. We do not discern those eyes Watching
V. R. 1819-1901 (A Reverie.)
Moments the mightiest pass calendared, And when the Absolute In backward Time outgave the deedful word Whereby all life is stirred: “Let one be born and throned whose mould shall constitute The norm of
The Two Men
THERE were two youths of equal age, Wit, station, strength, and parentage; They studied at the self-same schools, And shaped their thoughts by common rules. One pondered on the life of man, His hopes,
The Sun On The Bookcase
Once more the cauldron of the sun Smears the bookcase with winy red, And here my page is, and there my bed, And the apple-tree shadows travel along. Soon their intangible track will be
The Temporary The All
CHANGE and chancefulness in my flowering youthtime, Set me sun by sun near to one unchosen; Wrought us fellowly, and despite divergence, Friends interblent us. “Cherish him can I while the true one forthcome
In Vision I Roamed
IN vision I roamed the flashing Firmament, So fierce in blazon that the Night waxed wan, As though with an awed sense of such ostent; And as I thought my spirit ranged on and
When I Set Out For Lyonnesse
When I set out for Lyonnesse, A hundred miles away, The rime was on the spray, And starlight lit my lonesomeness When I set out for Lyonnesse A hundred miles away. What would bechance
The Ivy-Wife
I LONGED to love a full-boughed beech And be as high as he: I stretched an arm within his reach, And signalled unity. But with his drip he forced a breach, And tried to
Departure
While the far farewell music thins and fails, And the broad bottoms rip the bearing brine – All smalling slowly to the gray sea line – And each significant red smoke-shaft pales, Keen sense
The Dance At The Phoenix
To Jenny came a gentle youth From inland leazes lone; His love was fresh as apple-blooth By Parrett, Yeo, or Tone. And duly he entreated her To be his tender minister, And call him
The Alarm
In Memory of one of the Writer’s Family who was a Volunteer during the War With Napoleon In a ferny byway Near the great South-Wessex Highway, A homestead raised its breakfast-smoke aloft; The dew-damps
Sapphic Fragment
“Thou shalt be Nothing.” Omar Khayyam. “Tombless, with no remembrance.” W. Shakespeare. Dead shalt thou lie; and nought Be told of thee or thought, For thou hast plucked not of the Muses’ tree: And
The Respectable Burgher on "The Higher Criticism"
Since Reverend Doctors now declare That clerks and people must prepare To doubt if Adam ever were; To hold the flood a local scare; To argue, though the stolid stare, That everything had happened
The Ghost Of The Past
We two kept house, the Past and I, The Past and I; I tended while it hovered nigh, Leaving me never alone. It was a spectral housekeeping Where fell no jarring tone, As strange,
At a Lunar Eclipse
Thy shadow, Earth, from Pole to Central Sea, Now steals along upon the Moon’s meek shine In even monochrome and curving line Of imperturbable serenity. How shall I link such sun-cast symmetry With the
Midnight On The Great Western
In the third-class seat sat the journeying boy, And the roof-lamp’s oily flame Played down on his listless form and face, Bewrapt past knowing to what he was going, Or whence he came. In
The Oxen
Christmas Eve, and twelve of the clock. “Now they are all on their knees,” An elder said as we sat in a flock By the embers in hearthside ease. We pictured the meek mild
Weathers
This is the weather the cuckoo likes, And so do I; When showers betumble the chestnut spikes, And nestlings fly; And the little brown nightingale bills his best, And they sit outside at ‘The
I Have Lived With Shades
I I have lived with Shades so long, So long have talked to them, I sped to street and throng, That sometimes they In their dim style Will pause awhile To hear my say;
A Commonplace Day
The day is turning ghost, And scuttles from the kalendar in fits and furtively, To join the anonymous host Of those that throng oblivion; ceding his place, maybe, To one of like degree. I
In Tenebris
Wintertime nighs; But my bereavement-pain It cannot bring again: Twice no one dies. Flower-petals flee; But since it once hath been, No more that severing scene Can harrow me. Birds faint in dread: I
The Fire At Tranter Sweatley's
They had long met o’ Zundays her true love and she And at junketings, maypoles, and flings; But she bode wi’ a thirtover uncle, and he Swore by noon and by night that her
Thought Of Ph – a At News Of Her Death
NOT a line of her writing have I, Not a thread of her hair, No mark of her late time as dame in her dwelling, whereby I may picture her there; And in vain
Valenciennes
By Corporal Tullidge. See “The Trumpet-Major” In Memory of S. C. (Pensioner). Died 184- WE trenched, we trumpeted and drummed, And from our mortars tons of iron hummed Ath’art the ditch, the month we
Lines
Spoken by Miss Ada Rehan at the Lyceum Theatre, July 23, 1890, at a Performance on behalf of Lady Jeune’s Holiday Fund for City Children. BEFORE we part to alien thoughts and aims, Permit
Her Initals
UPON a poet’s page I wrote Of old two letters of her name; Part seemed she of the effulgent thought Whence that high singer’s rapture came. When now I turn the leaf the same
I Look Into My Glass
I look into my glass, And view my wasting skin, And say, “Would God it came to pass My heart had shrunk as thin!” For then, I, undistrest By hearts grown cold to me,
Mad Judy
When the hamlet hailed a birth Judy used to cry: When she heard our christening mirth She would kneel and sigh. She was crazed, we knew, and we Humoured her infirmity. When the daughters
Heiress And Architect
For A. W. B. SHE sought the Studios, beckoning to her side An arch-designer, for she planned to build. He was of wise contrivance, deeply skilled In every intervolve of high and wide Well
The Dream-Follower
A dream of mine flew over the mead To the halls where my old Love reigns; And it drew me on to follow its lead: And I stood at her window-panes; And I saw
A Meeting With Despair
AS evening shaped I found me on a moor Which sight could scarce sustain: The black lean land, of featureless contour, Was like a tract in pain. “This scene, like my own life,” I
The Bullfinches
Bother Bulleys, let us sing From the dawn till evening! – For we know not that we go not When the day’s pale pinions fold Unto those who sang of old. When I flew
Long Plighted
Is it worth while, dear, now, To call for bells, and sally forth arrayed For marriage-rites discussed, decried, delayed So many years? Is it worth while, dear, now, To stir desire for old fond
A Christmas Ghost Story
South of the Line, inland from far Durban, A mouldering soldier lies your countryman. Awry and doubled up are his gray bones, And on the breeze his puzzled phantom moans Nightly to clear Canopus:
The Tenant-For-Life
The sun said, watching my watering-pot “Some morn you’ll pass away; These flowers and plants I parch up hot – Who’ll water them that day? “Those banks and beds whose shape your eye Has
Unknowing
WHEN, soul in soul reflected, We breathed an жthered air, When we neglected All things elsewhere, And left the friendly friendless To keep our love aglow, We deemed it endless… We did not know!
Lines On The Loss Of The "Titanic"
In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and
At A Bridal
WHEN you paced forth, to wait maternity, A dream of other offspring held my mind, Compounded of us twain as Love designed; Rare forms, that corporate now will never be! Should I, too, wed
She, To Him
WHEN you shall see me lined by tool of Time, My lauded beauties carried off from me, My eyes no longer stars as in their prime, My name forgot of Maiden Fair and Free;
Friends Beyond
WILLIAM Dewy, Tranter Reuben, Farmer Ledlow late at plough, Robert’s kin, and John’s, and Ned’s, And the Squire, and Lady Susan, lie in Mellstock churchyard now! “Gone,” I call them, gone for good, that
The Problem
Shall we conceal the Case, or tell it – We who believe the evidence? Here and there the watch-towers knell it With a sullen significance, Heard of the few who hearken intently and carry
Rome: Building a New Street in the Ancient Quarter
These numbered cliffs and gnarls of masonry Outskeleton Time’s central city, Rome; Whereof each arch, entablature, and dome Lies bare in all its gaunt anatomy. And cracking frieze and rotten metope Express, as though
On a Fine Morning
Whence comes Solace? Not from seeing What is doing, suffering, being, Not from noting Life’s conditions, Nor from heeding Time’s monitions; But in cleaving to the Dream, And in gazing at the gleam Whereby
The Bedridden Peasant to an Unknown God
Much wonder I here long low-laid – That this dead wall should be Betwixt the Maker and the made, Between Thyself and me! For, say one puts a child to nurse, He eyes it
Winter in Durnover Field
Scene. A wide stretch of fallow ground recently sown with wheat, and Frozen to iron hardness. Three large birds walking about thereon, And wistfully eyeing the surface. Wind keen from north-east: sky a Dull
The Superseded
I As newer comers crowd the fore, We drop behind. – We who have laboured long and sore Times out of mind, And keen are yet, must not regret To drop behind. II Yet
The Colonel's Solilquy
“The quay recedes. Hurrah! Ahead we go! . . . It’s true I’ve been accustomed now to home, And joints get rusty, and one’s limbs may grow More fit to rest than roam. “But
Rome: On the Palatine
We walked where Victor Jove was shrined awhile, And passed to Livia’s rich red mural show, Whence, thridding cave and Criptoportico, We gained Caligula’s dissolving pile. And each ranked ruin tended to beguile The
The Mother Mourns
When mid-autumn’s moan shook the night-time, And sedges were horny, And summer’s green wonderwork faltered On leaze and in lane, I fared Yell’ham-Firs way, where dimly Came wheeling around me Those phantoms obscure and
Men Who March Away
Song of the Soldiers What of the faith and fire within us Men who march away Ere the barn-cocks say Night is growing gray, To hazards whence no tears can win us; What of
Her Dilemma
THE two were silent in a sunless church, Whose mildewed walls, uneven paving-stones, And wasted carvings passed antique research; And nothing broke the clock’s dull monotones. Leaning against a wormy poppy-head, So wan and