Philip Larkin
To Failure
You do not come dramatically, with dragons That rear up with my life between their paws And dash me butchered down beside the wagons, The horses panicking; nor as a clause Clearly set out
An Arundel Tomb
Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd – The little dogs
Continuing To Live
Continuing to live that is, repeat A habit formed to get necessaries Is nearly always losing, or going without. It varies. This loss of interest, hair, and enterprise Ah, if the game were poker,
Money
Quarterly, is it, money reproaches me: ‘Why do you let me lie here wastefully? I am all you never had of goods and sex, You could get them still by writing a few cheques.’
Wedding Wind
The wind blew all my wedding-day, And my wedding-night was the night of the high wind; And a stable door was banging, again and again, That he must go and shut it, leaving me
Why Did I Dream Of You Last Night?
Why did I dream of you last night? Now morning is pushing back hair with grey light Memories strike home, like slaps in the face; Raised on elbow, I stare at the pale fog
The Whitsun Weddings
That Whitsun, I was late getting away: Not till about One-twenty on the sunlit Saturday Did my three-quarters-empty train pull out, All windows down, all cushions hot, all sense Of being in a hurry
Ignorance
Strange to know nothing, never to be sure Of what is true or right or real, But forced to qualify or so I feel, Or Well, it does seem so: Someone must know. Strange
The Mower
The mower stalled, twice; kneeling, I found A hedgehog jammed up against the blades, Killed. It had been in the long grass. I had seen it before, and even fed it, once. Now I
Homage To A Government
Next year we are to bring all the soldiers home For lack of money, and it is all right. Places they guarded, or kept orderly, We want the money for ourselves at home Instead
I Have Started To Say
I have started to say “A quarter of a century” Or “thirty years back” About my own life. It makes me breathless It’s like falling and recovering In huge gesturing loops Through an empty
Sad Steps
Groping back to bed after a piss I part the thick curtains, and am startled by The rapid clouds, the moon’s cleanliness. Four o’clock: wedge-shaped gardens lie Under a cavernous, a wind-pierced sky. There’s
Wild Oats
About twenty years ago Two girls came in where I worked – A bosomy English rose And her friend in specs I could talk to. Faces in those days sparked The whole shooting-match off,
To My Wife
Choice of you shuts up that peacock-fan The future was, in which temptingly spread All that elaborative nature can. Matchless potential! but unlimited Only so long as I elected nothing; Simply to choose stopped
Since The Majority Of Me
Since the majority of me Rejects the majority of you, Debating ends forwith, and we Divide. And sure of what to do We disinfect new blocks of days For our majorities to rent With
How Distant
How distant, the departure of young men Down valleys, or watching The green shore past the salt-white cordage Rising and falling. Cattlemen, or carpenters, or keen Simply to get away From married villages before
Sunny Prestatyn
Come to Sunny Prestatyn Laughed the girl on the poster, Kneeling up on the sand In tautened white satin. Behind her, a hunk of coast, a Hotel with palms Seemed to expand from her
Night-Music
At one the wind rose, And with it the noise Of the black poplars. Long since had the living By a thin twine Been led into their dreams Where lanterns shine Under a still
Triple Time
This empty street, this sky to blandness scoured, This air, a little indistinct with autumn Like a reflection, constitute the present A time traditionally soured, A time unrecommended by event. But equally they make
Going
There is an evening coming in Across the fields, one never seen before, That lights no lamps. Silken it seems at a distance, yet When it is drawn up over the knees and breast
Aubade
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death,
Toads Revisited
Walking around in the park Should feel better than work: The lake, the sunshine, The grass to lie on, Blurred playground noises Beyond black-stockinged nurses – Not a bad place to be. Yet it
Wires
The widest prairies have electric fences, For though old cattle know they must not stray Young steers are always scenting purer water Not here but anywhere. Beyond the wires Leads them to blunder up
Lines On A Young Lady's Photograph Album
At last you yielded up the album, which Once open, sent me distracted. All your ages Matt and glossy on the thick black pages! Too much confectionery, too rich: I choke on such nutritious
Maiden Name
Marrying left yor maiden name disused. Its five light sounds no longer mean your face, Your voice, and all your variants of grace; For since you were so thankfully confused By law with someone
Far Out
Beyond the dark cartoons Are darker spaces where Small cloudy nests of stars Seem to float on air. These have no proper names: Men out alone at night Never look up at them For
Whatever Happened?
At once whatever happened starts receding. Panting, and back on board, we line the rail With trousers ripped, light wallets, and lips bleeding. Yes, gone, thank God! Remembering each detail We toss for half
For Sidney Bechet
That note you hold, narrowing and rising, shakes Like New Orleans reflected on the water, And in all ears appropriate falsehood wakes, Building for some a legendary Quarter Of balconies, flower-baskets and quadrilles, Everyone
No Road
Since we agreed to let the road between us Fall to disuse, And bricked our gates up, planted trees to screen us, And turned all time’s eroding agents loose, Silence, and space, and strangers
Love Again
Love again: wanking at ten past three (Surely he’s taken her home by now?), The bedroom hot as a bakery, The drink gone dead, without showing how To meet tomorrow, and afterwards, And the
MCMXIV
Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all
If Hands Could Free You, Heart
If hands could free you, heart, Where would you fly? Far, beyond every part Of earth this running sky Makes desolate? Would you cross City and hill and sea, If hands could set you
The Little Lives Of Earth And Form
The little lives of earth and form, Of finding food, and keeping warm, Are not like ours, and yet A kinship lingers nonetheless: We hanker for the homeliness Of den, and hole, and set.
Mother, Summer, I
My mother, who hates thunder storms, Holds up each summer day and shakes It out suspiciously, lest swarms Of grape-dark clouds are lurking there; But when the August weather breaks And rains begin, and
This Be The Verse
They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you. But they were
Best Society
When I was a child, I thought, Casually, that solitude Never needed to be sought. Something everybody had, Like nakedness, it lay at hand, Not specially right or specially wrong, A plentiful and obvious
The Spirit Wooed
Once I believed in you, And then you came, Unquestionably new, as fame Had said you were. But that was long ago. You launched no argument, Yet I obeyed, Straightaway, the instrument you played
Solar
Suspended lion face Spilling at the centre Of an unfurnished sky How still you stand, And how unaided Single stalkless flower You pour unrecompensed. The eye sees you Simplified by distance Into an origin,
High Windows
When I see a couple of kids And guess he’s fucking her and she’s Taking pills or wearing a diaphragm, I know this is paradise Everyone old has dreamed of all their lives Bonds
The Trees
The trees are coming into leaf Like something almost being said; The recent buds relax and spread, Their greenness is a kind of grief. Is it that they are born again And we grow
I Remember, I Remember
Coming up England by a different line For once, early in the cold new year, We stopped, and, watching men with number plates Sprint down the platform to familiar gates, ‘Why, Coventry!’ I exclaimed.
Love, We Must Part Now
Love, we must part now: do not let it be Calamitious and bitter. In the past There has been too much moonlight and self-pity: Let us have done with it: for now at last
Cut Grass
Cut grass lies frail: Brief is the breath Mown stalks exhale. Long, long the death It dies in the white hours Of young-leafed June With chestnut flowers, With hedges snowlike strewn, White lilac bowed,
Arrival
Morning, a glass door, flashes Gold names off the new city, Whose white shelves and domes travel The slow sky all day. I land to stay here; And the windows flock open And the
Maturity
A stationary sense… as, I suppose, I shall have, till my single body grows Inaccurate, tired; Then I shall start to feel the backward pull Take over, sickening and masterful – Some say, desired.
Like The Train's Beat
Like the train’s beat Swift language flutters the lips Of the Polish airgirl in the corner seat, The swinging and narrowing sun Lights her eyelashes, shapes Her sharp vivacity of bone. Hair, wild and
Reasons For Attendance
The trumpet’s voice, loud and authoritative, Draws me a moment to the lighted glass To watch the dancers – all under twenty-five – Solemnly on the beat of happiness. – Or so I fancy,
The North Ship
Legend I saw three ships go sailing by, Over the sea, the lifting sea, And the wind rose in the morning sky, And one was rigged for a long journey. The first ship turned
Dublinesque
Down stucco sidestreets, Where light is pewter And afternoon mist Brings lights on in shops Above race-guides and rosaries, A funeral passes. The hearse is ahead, But after there follows A troop of streetwalkers
The Old Fools
What do they think has happened, the old fools, To make them like this? Do they somehow suppose It’s more grown-up when your mouth hangs open and drools, And you keep on pissing yourself,
Essential Beauty
In frames as large as rooms that face all ways And block the ends of streets with giant loaves, Screen graves with custard, cover slums with praise Of motor-oil and cuts of salmon, shine
When First We Faced, And Touching Showed
When first we faced, and touching showed How well we knew the early moves, Behind the moonlight and the frost, The excitement and the gratitude, There stood how much our meeting owed To other
First Sight
Lambs that learn to walk in snow When their bleating clouds the air Meet a vast unwelcome, know Nothing but a sunless glare. Newly stumbling to and fro All they find, outside the fold,
Faith Healing
Slowly the women file to where he stands Upright in rimless glasses, silver hair, Dark suit, white collar. Stewards tirelessly Persuade them onwards to his voice and hands, Within whose warm spring rain of
Breadfruit
Boys dream of native girls who bring breadfruit, Whatever they are, As bribes to teach them how to execute Sixteen sexual positions on the sand; This makes them join (the boys) the tennis club,
A Study Of Reading Habits
When getting my nose in a book Cured most things short of school, It was worth ruining my eyes To know I could still keep cool, And deal out the old right hook To
Annus Mirabilis
Sexual intercourse began In nineteen sixty-three (which was rather late for me) – Between the end of the Chatterley ban And the Beatles’ first LP. Up to then there’d only been A sort of
Send No Money
Standing under the fobbed Impendent belly of Time Tell me the truth, I said, Teach me the way things go. All the other lads there Were itching to have a bash, But I thought
Friday Night At The Royal Station Hotel
Light spreads darkly downwards from the high Clusters of lights over empty chairs That face each other, coloured differently. Through open doors, the dining-room declares A larger loneliness of knives and glass And silence
Home Is So Sad
Home is so sad. It stays as it was left, Shaped in the comfort of the last to go As if to win them back. Instead, bereft Of anyone to please, it withers so,
The Importance Of Elsewhere
Lonely in Ireland, since it was not home, Strangeness made sense. The salt rebuff of speech, Insisting so on difference, made me welcome: Once that was recognised, we were in touch Their draughty streets,
Water
If I were called in To construct a religion I should make use of water. Going to church Would entail a fording To dry, different clothes; My liturgy would employ Images of sousing, A
Mr Bleaney
‘This was Mr Bleaney’s room. He stayed The whole time he was at the Bodies, till They moved him.’ Flowered curtains, thin and frayed, Fall to within five inches of the sill, Whose window
Nothing To Be Said
For nations vague as weed, For nomads among stones, Small-statured cross-faced tribes And cobble-close families In mill-towns on dark mornings Life is slow dying. So are their separate ways Of building, benediction, Measuring love
Poetry Of Departures
Sometimes you hear, fifth-hand, As epitaph: He chucked up everything And just cleared off, And always the voice will sound Certain you approve This audacious, purifying, Elemental move. And they are right, I think.
Ambulances
Closed like confessionals, they thread Loud noons of cities, giving back None of the glances they absorb. Light glossy grey, arms on a plaque, They come to rest at any kerb: All streets in
He Hears That His Beloved Has Become Engaged
For C. G. B. When she came on, you couldn’t keep your seat; Fighting your way up through the orchestra, Tup-heavy bumpkin, you confused your feet, Fell in the drum – how we went
Wants
Beyond all this, the wish to be alone: However the sky grows dark with invitation-cards However we follow the printed directions of sex However the family is photographed under the flag-staff – Beyond all
New Eyes Each Year
New eyes each year Find old books here, And new books, too, Old eyes renew; So youth and age Like ink and page In this house join, Minting new coin.
Talking In Bed
Talking in bed ought to be easiest Lying together there goes back so far An emblem of two people being honest. Yet more and more time passes silently. Outside the wind’s incomplete unrest Builds
To Put One Brick Upon Another
To put one brick upon another, Add a third and then a forth, Leaves no time to wonder whether What you do has any worth. But to sit with bricks around you While the
At Grass
The eye can hardly pick them out From the cold shade they shelter in, Till wind distresses tail and main; Then one crops grass, and moves about – The other seeming to look on
Vers De Société
My wife and I have asked a crowd of craps To come and waste their time and ours: perhaps You’d care to join us? In a pig’s arse, friend. Day comes to an end.
Skin
Obedient daily dress, You cannot always keep That unfakable young surface. You must learn your lines – Anger, amusement, sleep; Those few forbidding signs Of the continuous coarse Sand-laden wind, time; You must thicken,
Grief
If grief could burn out Like a sunken coal The heart would rest quiet The unrent soul Be as still as a veil But I have watched all night The fire grow silent The
Autobiography At An Air-Station
Delay, well, travellers must expect Delay. For how long? No one seems to know. With all the luggage weighed, the tickets checked, It can’t be long… We amble too and fro, Sit in steel
Is It For Now Or For Always
Is it for now or for always, The world hangs on a stalk? Is it a trick or a trysting-place, The woods we have found to walk? Is it a mirage or miracle, Your
Story
Tired of a landscape known too well when young: The deliberate shallow hills, the boring birds Flying past rocks; tired of remembering The village children and their naughty words, He abandoned his small holding
Dockery And Son
‘Dockery was junior to you, Wasn’t he?’ said the Dean. ‘His son’s here now.’ Death-suited, visitant, I nod. ‘And do You keep in touch with-‘ Or remember how Black-gowned, unbreakfasted, and still half-tight We
Myxomatosis
Caught in the center of a soundless field While hot inexplicable hours go by What trap is this? Where were its teeth concealed? You seem to ask. I make a sharp reply, Then clean
The Building
Higher than the handsomest hotel The lucent comb shows up for miles, but see, All round it close-ribbed streets rise and fall Like a great sigh out of the last century. The porters are
The School In August
The cloakroom pegs are empty now, And locked the classroom door, The hollow desks are lined with dust, And slow across the floor A sunbeam creeps between the chairs Till the sun shines no
Church Going
Once I am sure there’s nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some
Counting
Thinking in terms of one Is easily done- One room, one bed, one chair, One person there, Makes perfect sense; one set Of wishes can be met, One coffin filled. But counting up to
Deceptions
“Of course I was drugged, and so heavily I did not regain Consciousness until the next morning. I was horrified to Discover that I had been ruined, and for some days I was inconsolable,
Take One Home For The Kiddies
On shallow straw, in shadeless glass, Huddled by empty bowls, they sleep: No dark, no dam, no earth, no grass – Mam, get us one of them to keep. Living toys are something novel,
Toads
Why should I let the toad work Squat on my life? Can’t I use my wit as a pitchfork And drive the brute off? Six days of the week it soils With its sickening
Days
What are days for? Days are where we live. They come, they wake us Time and time over. They are to be happy in: Where can we live but days? Ah, solving that question
Long Sight In Age
They say eyes clear with age, As dew clarifies air To sharpen evenings, As if time put an edge Round the last shape of things To show them there; The many-levelled trees, The long
Love Songs In Age
She kept her songs, they kept so little space, The covers pleased her: One bleached from lying in a sunny place, One marked in circles by a vase of water, One mended, when a
Next, Please
Always too eager for the future, we Pick up bad habits of expectancy. Something is always approaching; every day Till then we say, Watching from a bluff the tiny, clear Sparkling armada of promises
Träumerei
In this dream that dogs me I am part Of a silent crowd walking under a wall, Leaving a football match, perhaps, or a pit, All moving the same way. After a while A
The Explosion
On the day of the explosion Shadows pointed towards the pithead. In the sun the slagheap slept. Down the lane came men in pitboots Coughing oath-edged talk and pipe-smoke, Shouldering off the freshened silence.
Modesties
Words as plain as hen-birds’ wings Do not lie, Do not over-broider things – Are too shy. Thoughts that shuffle round like pence Through each reign, Wear down to their simplest sense Yet remain.