Where be ye going, you Devon maid? And what have ye there i’ the basket? Ye tight little fairy, just fresh from the dairy, Will ye give me some cream if I ask it?
Ah, what can ail thee, wretched wight, Alone and palely loitering; The sedge is wither’d from the lake, And no birds sing. Ah, what can ail thee, wretched wight, So haggard and so woe-begone?
O SORROW! Why dost borrow The natural hue of health, from vermeil lips? To give maiden blushes To the white rose bushes? Or is it thy dewy hand the daisy tips? O Sorrow! Why
I Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples
Muse of my native land! loftiest Muse! O first-born on the mountains! by the hues Of heaven on the spiritual air begot: Long didst thou sit alone in northern grot, While yet our England
Souls of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host’s Canary wine? Or are
A thing of beauty is a joy for ever: Its loviliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams,
Give me a golden pen, and let me lean On heaped-up flowers, in regions clear, and far; Bring me a tablet whiter than a star, Or hand of hymning angel, when ’tis seen The
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: ‘Tis not
I. Fair Isabel, poor simple Isabel! Lorenzo, a young palmer in Love’s eye! They could not in the self-same mansion dwell Without some stir of heart, some malady; They could not sit at meals
Why did I laugh tonight? No voice will tell: No God, no Demon of severe response, Deigns to reply from Heaven or from Hell. Then to my human heart I turn at once. Heart!
Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape
to a friend No! those days are gone away And their hours are old and gray, And their minutes buried all Under the down-trodden pall Of the leaves of many years: Many times have
The day is gone, and all its sweets are gone! Sweet voice, sweet lips, soft hand, and softer breast, Warm breath, light whisper, tender semitone, Bright eyes, accomplished shape, and lang’rous waist! Faded the
Byron! how sweetly sad thy melody! Attuning still the soul to tenderness, As if soft Pity, with unusual stress, Had touch’d her plaintive lute, and thou, being by, Hadst caught the tones, nor suffer’d
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