Johann Wolfgang Von Goethe

THE CHRISTMAS-BOX

THIS box, mine own sweet darling, thou wilt find With many a varied sweetmeat’s form supplied; The fruits are they of holy Christmas tide, But baked indeed, for children’s use design’d. I’d fain, in

LIKE AND LIKE

A FAIR bell-flower Sprang tip from the ground; And early its fragrance It shed all around; A bee came thither And sipp’d from its bell; That they for each other Were made, we see

WHEN THE FOX DIES, HIS SKIN COUNTS.*

(* The name of a game, known in English as “Jack’s Alight.”) WE young people in the shade Sat one sultry day; Cupid came, and “Dies the Fox” With us sought to play. Each

IN SUMMER

How plain and height With dewdrops are bright! How pearls have crown’d The plants all around! How sighs the breeze Thro’ thicket and trees! How loudly in the sun’s clear rays The sweet birds

Trilogy of Passion: III. ATONEMENT

[Composed, when 74 years old, for a Polish lady, who excelled in Playing on the pianoforte.] PASSION brings reason who can pacify An anguish’d heart whose loss hath been so great? Where are the

THE WANDERER'S NIGHT-SONG

THOU who comest from on high, Who all woes and sorrows stillest, Who, for twofold misery, Hearts with twofold balsam fillest, Would this constant strife would cease! What are pain and rapture now? Blissful

THREATENING SIGNS

IF Venus in the evening sky Is seen in radiant majesty, If rod-like comets, red as blood, Are ‘mongst the constellations view’d, Out springs the Ignoramus, yelling: “The star’s exactly o’er my dwelling! What

WINTER JOURNEY OVER THE HARTZ MOUNTAINS

[The following explanation is necessary, in order To make this ode in any way intelligible. The Poet is supposed to Leave his companions, who are proceeding on a hunting expedition In winter, in order

THE DANCE OF DEATH

THE warder looks down at the mid hour of night, On the tombs that lie scatter’d below: The moon fills the place with her silvery light, And the churchyard like day seems to glow.

SUCH, SUCH IS HE WHO PLEASETH ME

FLY, dearest, fly! He is not nigh! He who found thee one fair morn in Spring In the wood where thou thy flight didst wing. Fly, dearest, fly! He is not nigh! Never rests

THE FISHERMAN

THE waters rush’d, the waters rose, A fisherman sat by, While on his line in calm repose He cast his patient eye. And as he sat, and hearken’d there, The flood was cleft in

THE SAME, EXPANDED

IF thou wouldst live unruffled by care, Let not the past torment thee e’er; If any loss thou hast to rue, Act as though thou wert born anew; Inquire the meaning of each day,

THE SEA-VOYAGE

MANY a day and night my bark stood ready laden; Waiting fav’ring winds, I sat with true friends round me, Pledging me to patience and to courage, In the haven. And they spoke thus

THE MOUNTAIN CASTLE

THERE stands on yonder high mountain A castle built of yore, Where once lurked horse and horseman In rear of gate and of door. Now door and gate are in ashes, And all around

EPITAPH

As a boy, reserved and naughty; As a youth, a coxcomb and haughty; As a man, for action inclined; As a greybeard, fickle in mind. Upon thy grave will people read: This was a

Trilogy of Passion: II. ELEGY

When man had ceased to utter his lament, A god then let me tell my tale of sorrow. WHAT hope of once more meeting is there now In the still-closed blossoms of this day?

NOVEMBER SONG

To the great archer not to him To meet whom flies the sun, And who is wont his features dim With clouds to overrun But to the boy be vow’d these rhymes, Who ‘mongst

WITH A PAINTED RIBBON

LITTLE leaves and flow’rets too, Scatter we with gentle hand, Kind young spring-gods to the view, Sporting on an airy band. Zephyr, bear it on the wing, Twine it round my loved one’s dress;

PREMATURE SPRING

DAYS full of rapture, Are ye renew’d? Smile in the sunlight Mountain and wood? Streams richer laden Flow through the dale, Are these the meadows? Is this the vale? Coolness cerulean! Heaven and height!

THE GOLDSMITH'S APPRENTICE

My neighbour, none can e’er deny, Is a most beauteous maid; Her shop is ever in mine eye, When working at my trade. To ring and chain I hammer then The wire of gold

THE MUSAGETES

IN the deepest nights of Winter To the Muses kind oft cried I: “Not a ray of morn is gleaming, Not a sign of daylight breaking; Bring, then, at the fitting moment, Bring the

PROXIMITY

I KNOW not, wherefore, dearest love, Thou often art so strange and coy When ‘mongst man’s busy haunts we move, Thy coldness puts to flight my joy. But soon as night and silence round

TRUE ENJOYMENT

VAINLY wouldst thou, to gain a heart, Heap up a maiden’s lap with gold; The joys of love thou must impart, Wouldst thou e’er see those joys unfold. The voices of the throng gold

THE FOOL'S EPILOGUE

MANY good works I’ve done and ended, Ye take the praise I’m not offended; For in the world, I’ve always thought Each thing its true position hath sought. When praised for foolish deeds am

FOOD IN TRAVEL

IF to her eyes’ bright lustre I were blind, No longer would they serve my life to gild. The will of destiny must be fulfilid, This knowing, I withdrew with sadden’d mind. No further

THE FROGS

A POOL was once congeal’d with frost; The frogs, in its deep waters lost, No longer dared to croak or spring; But promised, being half asleep, If suffer’d to the air to creep, As

THE PAGE AND THE MILLER'S DAUGHTER

PAGE. WHERE goest thou? Where? Miller’s daughter so fair! Thy name, pray? MILLER’S DAUGHTER. ‘Tis Lizzy. PAGE. Where goest thou? Where? With the rake in thy hand? MILLER’S DAUGHTER. Father’s meadows and land To

THE CONVERT

As at sunset I was straying Silently the wood along, Damon on his flute was playing, And the rocks gave back the song, So la, Ia! &c. Softly tow’rds him then he drew me;

THE FREEBOOTER

No door has my house, No house has my door; And in and out ever I carry my store. No grate has my kitchen, No kitchen my grate; Yet roasts it and boils it

THE FOX AND HUNTSMAN

HARD ’tis on a fox’s traces To arrive, midst forest-glades; Hopeless utterly the chase is, If his flight the huntsman aids. And so ’tis with many a wonder, (Why A B make Ab in

A PLAN THE MUSES ENTERTAINED

A PLAN the Muses entertain’d Methodically to impart To Psyche the poetic art; Prosaic-pure her soul remain’d. No wondrous sounds escaped her lyre E’en in the fairest Summer night; But Amor came with glance

WEDDING SONG

THE tale of the Count our glad song shall record Who had in this castle his dwelling, Where now ye are feasting the new-married lord, His grandson of whom we are telling. The Count

EVER AND EVERYWHERE

FAR explore the mountain hollow, High in air the clouds then follow! To each brook and vale the Muse Thousand times her call renews. Soon as a flow’ret blooms in spring, It wakens many

GENERAL CONFESSION

In this noble ring to-day Let my warning shame ye! Listen to my solemn voice, Seldom does it name ye. Many a thing have ye intended, Many a thing have badly ended, And now

THE MAGIC NET

Do I see a contest yonder? See I miracles or pastimes? Beauteous urchins, five in number, ‘Gainst five sisters fair contending, Measured is the time they’re beating At a bright enchantress’ bidding. Glitt’ring spears

ERGO BIBAMUS!

FOR a praiseworthy object we’re now gather’d here, So, brethren, sing: ERGO BIBAMUS! Tho’ talk may be hush’d, yet the glasses ring clear, Remember then: ERGO BIBAMUS! In truth ’tis an old, ’tis an

SHE CANNOT END

WHEN unto thee I sent the page all white, Instead of first thereon inscribing aught, The space thou doubtless filledst up in sport. And sent it me, to make my joy grow bright. As

THE MUSES' SON

[Goethe quotes the beginning of this song in His Autobiography, as expressing the manner in which his poetical Effusions used to pour out from him.] THROUGH field and wood to stray, And pipe my

THE VISIT

FAIN had I to-day surprised my mistress, But soon found I that her door was fasten’d. Yet I had the key safe in my pocket, And the darling door I open’d softly! In the

PETITION

OH thou sweet maiden fair, Thou with the raven hair, Why to the window go? While gazing down below, Art standing vainly there? Oh, if thou stood’st for me, And lett’st the latch but

VALEDICTION

I ONCE was fond of fools, And bid them come each day; Then each one brought his tools The carpenter to play; The roof to strip first choosing, Another to supply, The wood as

THE COY ONE

ONE Spring-morning bright and fair, Roam’d a shepherdess and sang; Young and beauteous, free from care, Through the fields her clear notes rang: So, Ia, Ia! le ralla, &c. Of his lambs some two

BY THE RIVER

WHEN by the broad stream thou dost dwell, Oft shallow is its sluggish flood; Then, when thy fields thou tendest well, It o’er them spreads its slime and mud. The ships descend ere daylight

FOUND

ONCE through the forest Alone I went; To seek for nothing My thoughts were bent. I saw i’ the shadow A flower stand there As stars it glisten’d, As eyes ’twas fair. I sought

THE PUPIL IN MAGIC

I AM now, what joy to hear it! Of the old magician rid; And henceforth shall ev’ry spirit Do whate’er by me is bid; I have watch’d with rigour All he used to do,

RECIPROCAL

MY mistress, where sits she? What is it that charms? The absent she’s rocking, Held fast in her arms. In pretty cage prison’d She holds a bird still; Yet lets him fly from her,

ON THE LAKE

[Written on the occasion of Goethe’s starting With his friend Passavant on a Swiss Tour.] I DRINK fresh nourishment, new blood From out this world more free; The Nature is so kind and good

FINNISH SONG

IF the loved one, the well-known one, Should return as he departed, On his lips would ring my kisses, Though the wolf’s blood might have dyed them; And a hearty grasp I’d give him,

PLAYING AT PRIESTS

WITHIN a town where parity According to old form we see, That is to say, where Catholic And Protestant no quarrels pick, And where, as in his father’s day, Each worships God in his

SAKONTALA

WOULDST thou the blossoms of spring, as well as the fruits of The autumn, Wouldst thou what charms and delights, wouldst thou what Plenteously, feeds, Would thou include both Heaven and earth in one

TO THE RISING FULL MOON

Dornburg, 25th August, 1828. WILT thou suddenly enshroud thee, Who this moment wert so nigh? Heavy rising masses cloud thee, Thou art hidden from mine eye. Yet my sadness thou well knowest, Gleaming sweetly

THE BOUNDARIES OF HUMANITY

WHEN the primeval All-holy Father Sows with a tranquil hand From clouds, as they roll, Bliss-spreading lightnings Over the earth, Then do I kiss the last Hem of his garment, While by a childlike

MAHOMET'S SONG

[This song was intended to be introduced in A dramatic poem entitled Mahomet, the plan of which was not carried Out by Goethe. He mentions that it was to have been sung by Ali

THE MUSE'S MIRROR

EARLY one day, the Muse, when eagerly bent on adornment, Follow’d a swift-running streamlet, the quietest nook by it seeking. Quickly and noisily flowing, the changeful surface distorted Ever her moving form; the goddess

TO FATHER* KRONOS

[written in a post-chaise.] (* In the original, Schwager, which has the Twofold meaning of brother-in-law and postilion.) HASTEN thee, Kronos! On with clattering trot Downhill goeth thy path; Loathsome dizziness ever, When thou

TO MIGNON

OVER vale and torrent far Rolls along the sun’s bright car. Ah! he wakens in his course Mine, as thy deep-seated smart In the heart. Ev’ry morning with new force. Scarce avails night aught

THE FOX AND CRANE

ONCE two persons uninvited Came to join my dinner table; For the nonce they lived united, Fox and crane yclept in fable. Civil greetings pass’d between us Then I pluck’d some pigeons tender For

SYMBOLS

PALM Sunday at the Vatican They celebrate with palms; With reverence bows each holy man, And chaunts the ancient psalms. Those very psalms are also sung With olive boughs in hand, While holly, mountain

TAME XENIA

THE Epigrams bearing the title of XENIA were written By Goethe and Schiller together, having been first occasioned by Some violent attacks made on them by some insignificant writers. They are extremely numerous, but

IDYLL

A village Chorus is supposed to be assembled, and about to Commence its festive procession. [Written for the birthday of the Duchess Louisa of Weimar.] CHORUS. THE festal day hail ye With garlands of

THE CHOSEN CLIFF

HERE in silence the lover fondly mused on his loved one; Gladly he spake to me thus: “Be thou my witness, thou stone! Yet thou must not be vainglorious, thou hast many companions; Unto

LOVE AS A LANDSCAPE PAINTER

ON a rocky peak once sat I early, Gazing on the mist with eyes unmoving; Stretch’d out like a pall of greyish texture, All things round, and all above it cover’d. Suddenly a boy

SWISS SONG

Up in th’ mountain I was a-sitting, With the bird there As my guest, Blithely singing, Blithely springing, And building His nest. In the garden I was a-standing, And the bee there Saw as

NIGHT SONG

WHEN on thy pillow lying, Half listen, I implore, And at my lute’s soft sighing, Sleep on! what wouldst thou more? For at my lute’s soft sighing The stars their blessings pour On feelings

LONGING

WHAT pulls at my heart so? What tells me to roam? What drags me and lures me From chamber and home? How round the cliffs gather The clouds high in air! I fain would

TO THE DISTANT ONE

AND have I lost thee evermore? Hast thou, oh fair one, from me flown? Still in mine ear sounds, as of yore, Thine ev’ry word, thine ev’ry tone. As when at morn the wand’rer’s

THREE PALINODIAS

I. “Incense is hut a tribute for the gods, To mortals ’tis but poison.” THE smoke that from thine altar blows, Can it the gods offend? For I observe thou hold’st thy nose Pray

THE WALKING BELL

A CHILD refused to go betimes To church like other people; He roam’d abroad, when rang the chimes On Sundays from the steeple. His mother said: “Loud rings the bell, Its voice ne’er think

FOR EVER

THE happiness that man, whilst prison’d here, Is wont with heavenly rapture to compare, The harmony of Truth, from wavering clear, Of Friendship that is free from doubting care, The light which in stray

AUTHORS

OVER the meadows, and down the stream, And through the garden-walks straying, He plucks the flowers that fairest seem; His throbbing heart brooks no delaying. His maiden then comes oh, what ecstasy! Thy flowers

OPEN TABLE

MANY a guest I’d see to-day, Met to taste my dishes! Food in plenty is prepar’d, Birds, and game, and fishes. Invitations all have had, All proposed attending. Johnny, go and look around! Are

TO BELINDA

[This song was also written for Lily. Goethe Mentions, at the end of his Autobiography, that he overheard her Singing it one evening after he had taken his last farewell of her.] WHEREFORE drag

THREE ODES TO MY FRIEND

THESE are the most singular of all the Poems Of Goethe, and to many will appear so wild and fantastic, as to Leave anything but a pleasing impression. Those at the beginning, Addressed to

THE SPINNER

As I calmly sat and span, Toiling with all zeal, Lo! a young and handsome man Pass’d my spinning-wheel. And he praised, what harm was there? Sweet the things he said Praised my flax-resembling

LIVING REMEMBRANCE

HALF vex’d, half pleased, thy love will feel, Shouldst thou her knot or ribbon steal; To thee they’re much I won’t conceal; Such self-deceit may pardon’d be; A veil, a kerchief, garter, rings, In

THE BUYERS

To an apple-woman’s stall Once some children nimbly ran; Longing much to purchase all, They with joyous haste began Snatching up the piles there raised, While with eager eyes they gazed On the rosy

RINALDO.*

[This Cantata was written for Prince Frederick Of Gotha, and set to music by Winter, the Prince singing the part Of Rinaldo. See the Annalen.] (* See Tasso’s Gerusalemme Liberata, Canto XVI.) CHORUS. To

THE FAREWELL

[Probably addressed to his mistress Frederica.] LET mine eye the farewell say, That my lips can utter ne’er; Fain I’d be a man to-day, Yet ’tis hard, oh, hard to bear! Mournful in an

FROM AN ALBUM OF 1604

HOPE provides wings to thought, and love to hope. Rise up to Cynthia, love, when night is clearest, And say, that as on high her figure changeth, So, upon earth, my joy decays and

THE RAT-CATCHER

I AM the bard known far and wide, The travell’d rat-catcher beside; A man most needful to this town, So glorious through its old renown. However many rats I see, How many weasels there

MOTIVES

IF to a girl who loves us truly Her mother gives instruction duly In virtue, duty, and what not, And if she hearkens ne’er a jot, But with fresh-strengthen’d longing flies To meet our

LILY'S MENAGERIE

[Goethe describes this much-admired Poem, which He wrote in honour of his love Lily, as being “designed to change His surrender of her into despair, by drolly-fretful images.”] THERE’S no menagerie, I vow, Excels

ANSWERS IN A GAME OF QUESTIONS

THE LADY. IN the small and great world too, What most charms a woman’s heart? It is doubtless what is new, For its blossoms joy impart; Nobler far is what is true, For fresh

THE LOVING ONE WRITES

THE look that thy sweet eyes on mine impress The pledge thy lips to mine convey, the kiss, He who, like me, hath knowledge sure of this, Can he in aught beside find happiness?

BEFORE A COURT OF JUSTICE

THE father’s name ye ne’er shall be told Of my darling unborn life; “Shame, shame,” ye cry, “on the strumpet bold!” Yet I’m an honest wife. To whom I’m wedded, ye ne’er shall be

LOVER IN ALL SHAPES

To be like a fish, Brisk and quick, is my wish; If thou cam’st with thy line. Thou wouldst soon make me thine. To be like a fish, Brisk and quick, is my wish.

THE MINSTREL

[This fine poem is introduced in the second Book of Wilhelm Meister.] “WHAT tuneful strains salute mine ear Without the castle walls? Oh, let the song re-echo here, Within our festal halls!” Thus spake

THE WANDERER

[Published in the Gottingen Musen Almanach, Having been written “to express his feelings and caprices” after His separation from Frederica.] WANDERER. YOUNG woman, may God bless thee, Thee, and the sucking infant Upon thy

THE SAME

[Written at night on the Kickelhahn, a hill In the forest of Ilmenau, on the walls of a little hermitage where Goethe composed the last act of his Iphigenia.] HUSH’D on the hill Is

PROCEMION

IN His blest name, who was His own creation, Who from all time makes making his vocation; The name of Him who makes our faith so bright, Love, confidence, activity, and might; In that

SONGS

SONGS are like painted window-panes! In darkness wrapp’d the church remains, If from the market-place we view it; Thus sees the ignoramus through it. No wonder that he deems it tame, And all his

BLINDMAN'S BUFF

OH, my Theresa dear! Thine eyes, I greatly fear, Can through the bandage see! Although thine eyes are bound, By thee I’m quickly found, And wherefore shouldst thou catch but me? Ere long thou

TO THE GRASSHOPPER

AFTER ANACREON. [The strong resemblance of this fine poem to Cowley’s Ode bearing the same name, and beginning “Happy insect! What can be,” will be at once seen.] HAPPY art thou, darling insect, Who,

THE NEW AMOR

AMOR, not the child, the youthful lover of Psyche, Look’d round Olympus one day, boldly, to triumph inured; There he espied a goddess, the fairest amongst the immortals, Venus Urania she, straight was his

THE STORK'S VOCATION

THE stork who worms and frogs devours That in our ponds reside, Why should he dwell on high church-towers, With which he’s not allied? Incessantly he chatters there, And gives our ears no rest;

TO LUNA

SISTER of the first-born light, Type of sorrowing gentleness! Quivering mists in silv’ry dress Float around thy features bright; When thy gentle foot is heard, From the day-closed caverns then Wake the mournful ghosts

THE FRIENDLY MEETING

Lovingly I’ll sing of love; Ever comes she from above. THE FRIENDLY MEETING. IN spreading mantle to my chin conceald, I trod the rocky path, so steep and grey, Then to the wintry plain

THE DEATH OF THE FLY

WITH eagerness he drinks the treach’rous potion, Nor stops to rest, by the first taste misled; Sweet is the draught, but soon all power of motion He finds has from his tender members fled;

SOLITUDE

OH ye kindly nymphs, who dwell ‘mongst the rocks and the thickets, Grant unto each whatsoe’er he may in silence desire! Comfort impart to the mourner, and give to the doubter instruction, And let

THE SHEPHERD'S LAMENT

ON yonder lofty mountain A thousand times I stand, And on my staff reclining, Look down on the smiling land. My grazing flocks then I follow, My dog protecting them well; I find myself

WARNING

WAKEN not Amor from sleep! The beauteous urchin still slumbers; Go, and complete thou the task, that to the day is assign’d! Thus doth the prudent mother with care turn time to her profit,

TO THE KIND READER

No one talks more than a Poet; Fain he’d have the people know it. Praise or blame he ever loves; None in prose confess an error, Yet we do so, void of terror, In

WELCOME AND FAREWELL

[Another of the love-songs addressed to Frederica.] QUICK throbb’d my heart: to norse! haste, haste, And lo! ’twas done with speed of light; The evening soon the world embraced, And o’er the mountains hung

DEPARTURE

WITH many a thousand kiss not yet content, At length with One kiss I was forced to go; After that bitter parting’s depth of woe, I deem’d the shore from which my steps I

ANOTHER

Go! obedient to my call, Turn to profit thy young days, Wiser make betimes thy breast In Fate’s balance as it sways, Seldom is the cock at rest; Thou must either mount, or fall,

THE DESTRUCTION OF MAGDEBURG

[For a fine account of the fearful sack of Magdeburg, By Tilly, in the year 1613, see SCHILLER’s History of the Thirty Years’ War.] OH, Magdeberg the town! Fair maids thy beauty crown, Thy

ORIGINAL PREFACE

I feel no small reluctance in venturing to give to the public a Work of the character of that indicated by the title-page to the Present volume; for, difficult as it must always be

CELEBRITY

[A satire on his own Sorrows of Werther.] ON bridges small and bridges great Stands Nepomucks in ev’ry state, Of bronze, wood, painted, or of stone, Some small as dolls, some giants grown; Each

MAY

LIGHT and silv’ry cloudlets hover In the air, as yet scarce warm; Mild, with glimmer soft tinged over, Peeps the sun through fragrant balm. Gently rolls and heaves the ocean As its waves the

THE WARNING

WHEN sounds the trumpet at the Judgment Day, And when forever all things earthly die, We must a full and true account supply Of ev’ry useless word we dropp’d in play. But what effect

JOHANNA SEBUS

[To the memory of an excellent and beautiful Girl of 17, belonging to the village of Brienen, who perished on The 13th of January, 1809, whilst giving help on the occasion of The breaking

THE CONSECRATED SPOT

WHEN in the dance of the Nymphs, in the moonlight so holy assembled, Mingle the Graces, down from Olympus in secret descending, Here doth the minstrel hide, and list to their numbers enthralling, Here

NEXT YEAR'S SPRING

THE bed of flowers Loosens amain, The beauteous snowdrops Droop o’er the plain. The crocus opens Its glowing bud, Like emeralds others, Others, like blood. With saucy gesture Primroses flare, And roguish violets, Hidden

THE MAIDEN SPEAKS

How grave thou loookest, loved one! wherefore so? Thy marble image seems a type of thee; Like it, no sign of life thou giv’st to me; Compared with thee, the stone appears to glow.

THE SPIRIT'S SALUTE

THE hero’s noble shade stands high On yonder turret grey; And as the ship is sailing by, He speeds it on his way. “See with what strength these sinews thrill’d! This heart, how firm

RHYMED DISTICHS

RHYMED DISTICHS. [The Distichs, of which these are given as a Specimen, are about forty in number.] WHO trusts in God, Fears not His rod. THIS truth may be by all believed: Whom God

BURIAL

To the grave one day from a house they bore A maiden; To the window the citizens went to explore; In splendour they lived, and with wealth as of yore Their banquets were laden.

THE HEATHROSE

ONCE a boy a Rosebud spied, Heathrose fair and tender, All array’d in youthful pride, Quickly to the spot he hied, Ravished by her splendour. Rosebud, rosebud, rosebud red, Heathrose fair and tender! Said

SICILIAN SONG

YE black and roguish eyes, If ye command. Each house in ruins lies, No town can stand. And shall my bosom’s chain, This plaster wall, Д To think one moment, deign, Shall ii not

THE PROSPEROUS VOYAGE

THE mist is fast clearing. And radiant is heaven, Whilst AEolus loosens Our anguish-fraught bond. The zephyrs are sighing, Alert is the sailor. Quick! nimbly be plying! The billows are riven, The distance approaches;

LEOPOLD, DUKE OF BRUNSWICK

LEOPOLD, DUKE OF BRUNSWICK. [Written on the occasion of the death, by drowning, Of the Prince.] THOU wert forcibly seized by the hoary lord of the river, Holding thee, ever he shares with thee

THE MAID OF THE MILL'S TREACHERY

[This Ballad is introduced in the Wanderjahre, In a tale called The Foolish Pilgrim.] WHENCE comes our friend so hastily, When scarce the Eastern sky is grey? Hath he just ceased, though cold it

PHOEBUS AND HERMES

DELOS’ stately ruler, and Maia’s son, the adroit one, Warmly were striving, for both sought the great prize to obtain. Hermes the lyre demanded, the lyre was claim’d by Apollo, Yet were the hearts

FORTUNE OF WAR

NOUGHT more accursed in war I know Than getting off scot-free; Inured to danger, on we go In constant victory; We first unpack, then pack again, With only this reward, That when we’re marching,

THE GERMAN PARNASSUS

in the wares before you spread, Types of all things may be read. ‘NEATH the shadow Of these bushes, On the meadow Where the cooling water gushes. Phoebus gave me, when a boy, All

III. THE PARIAH'S THANKS

MIGHTY Brama, now I’ll bless thee! ‘Tis from thee that worlds proceed! As my ruler I confess thee, For of all thou takest heed. All thy thousand ears thou keepest Open to each child

FAITHFUL ECKART

“OH, would we were further! Oh, would we were home, The phantoms of night tow’rd us hastily come, The band of the Sorceress sisters. They hitherward speed, and on finding us here, They’ll drink,

THE WEDDING

A FEAST was in a village spread, It was a wedding-day, they said. The parlour of the inn I found, And saw the couples whirling round, Each lass attended by her lad, And all

NIGHT THOUGHTS

OH, unhappy stars! your fate I mourn, Ye by whom the sea-toss’d sailor’s lighted, Who with radiant beams the heav’ns adorn, But by gods and men are unrequited: For ye love not, ne’er have

WITH A GOLDEN NECKLACE

THIS page a chain to bring thee burns, That, train’d to suppleness of old, On thy fair neck to nestle, yearns, In many a hundred little fold. To please the silly thing consent! ‘Tis

AFTER-SENSATIONS

WHEN the vine again is blowing, Then the wine moves in the cask; When the rose again is glowing, Wherefore should I feel oppress’d? Down my cheeks run tears all-burning, If I do, or

ROLLICKING HANS

HALLO there! A glass! Ha! the draught’s truly sweet! If for drink go my shoes, I shall still have my feet. A maiden and wine, With sweet music and song, I would they were

RULES FOR MONARCHS

IF men are never their thoughts to employ, Take care to provide them a life full of joy; But if to some profit and use thou wouldst bend them, Take care to shear them,

THE BRIDEGROOM.*

(Not in the English sense of the word, but the German, where it Has the meaning of betrothed.) I SLEPT, ’twas midnight, in my bosom woke, As though ’twere day, my love-o’erflowing heart; To

THE TREASURE-DIGGER

ALL my weary days I pass’d Sick at heart and poor in purse. Poverty’s the greatest curse, Riches are the highest good! And to end my woes at last, Treasure-seeking forth I sped. “Thou

THE FIRST WALPURGIS-NIGHT

A DRUID. SWEET smiles the May! The forest gay From frost and ice is freed; No snow is found, Glad songs resound Across the verdant mead. Upon the height The snow lies light, Yet

MAIDEN WISHES

WHAT pleasure to me A bridegroom would be! When married we are, They call us mamma. No need then to sew, To school we ne’er go; Command uncontroll’d, Have maids, whom to scold; Choose

THE EXCHANGE

THE stones in the streamlet I make my bright pillow, And open my arms to the swift-rolling billow, That lovingly hastens to fall on my breast. Then fickleness soon bids it onwards be flowing;

CHRISTEL

My senses ofttimes are oppress’d, Oft stagnant is my blood; But when by Christel’s sight I’m blest, I feel my strength renew’d. I see her here, I see her there, And really cannot tell

THE YOUTH AND THE MILLSTREAM

[This sweet Ballad, and the one entitled The Maid of the Mill’s Repentance, were written on the occasion of a Visit paid by Goethe to Switzerland. The Maid of the Mill’s Treachery, To which

VANITAS! VANITATUM VANITAS!

MY trust in nothing now is placed, Hurrah! So in the world true joy I taste, Hurrah! Then he who would be a comrade of mine Must rattle his glass, and in chorus combine,

THE WEDDING NIGHT

WITHIN the chamber, far away From the glad feast, sits Love in dread Lest guests disturb, in wanton play, The silence of the bridal bed. His torch’s pale flame serves to gild The scene

HANS SACHS' POETICAL MISSION

[I feel considerable hesitation in venturing To offer this version of a poem which Carlyle describes to be ‘a Beautiful piece (a very Hans Sacks beatified, both in character And style), which we wish

RESTLESS LOVE

THROUGH rain, through snow, Through tempest go! ‘Mongst streaming caves, O’er misty waves, On, on! still on! Peace, rest have flown! Sooner through sadness I’d wish to be slain, Than all the gladness Of

THE DILETTANTE AND THE CRITIC

A BOY a pigeon once possess’d, In gay and brilliant plumage dress’d; He loved it well, and in boyish sport Its food to take from his mouth he taught, And in his pigeon he

THE BLISS OF ABSENCE

DRINK, oh youth, joy’s purest ray From thy loved one’s eyes all day, And her image paint at night! Better rule no lover knows, Yet true rapture greater grows, When far sever’d from her

SPIRIT SONG OVER THE WATERS

THE soul of man Resembleth water: From heaven it cometh, To heaven it soareth. And then again To earth descendeth, Changing ever. Down from the lofty Rocky wall Streams the bright flood, Then spreadeth

THE CRITIC

I HAD a fellow as my guest, Not knowing he was such a pest, And gave him just my usual fare; He ate his fill of what was there, And for desert my best

THE WANDERER'S STORM-SONG

[Goethe says of this ode, that it is the only One remaining out of several strange hymns and dithyrambs composed By him at a period of great unhappiness, when the love-affair between Him and

JOY AND SORROW

As a fisher-boy I fared To the black rock in the sea, And, while false gifts I prepared. Listen’d and sang merrily, Down descended the decoy, Soon a fish attack’d the bait; One exultant

MY ONLY PROPERTY

I FEEL that I’m possess’d of nought, Saving the free unfetterd thought Which from my bosom seeks to flow, And each propitious passing hour That suffers me in all its power A loving fate

THE YELPERS

OUR rides in all directions bend, For business or for pleasure, Yet yelpings on our steps attend, And barkings without measure. The dog that in our stable dwells, After our heels is striding, And

IN A WORD

THUS to be chain’d for ever, can I bear? A very torment that, in truth, would be. This very day my new resolve shall see. I’ll not go near the lately-worshipp’d Fair. Yet what

THE RECKONING

LEADER. LET no cares now hover o’er us Let the wine unsparing run! Wilt thou swell our merry chorus? Hast thou all thy duty done? SOLO. Two young folks the thing is curious Loved

RECIPROCAL INVITATION TO THE DANCE

THE INDIFFERENT. COME to the dance with me, come with me, fair one! Dances a feast-day like this may well crown. If thou my sweetheart art not, thou canst be so, But if thou

PRESENCE

ALL things give token of thee! As soon as the bright sun is shining, Thou too wilt follow, I trust. When in the garden thou walk’st, Thou then art the rose of all roses,

THE MISANTHROPE

AT first awhile sits he, With calm, unruffled brow; His features then I see, Distorted hideously, An owl’s they might be now. What is it, askest thou? Is’t love, or is’t ennui? ‘Tis both

THE MOUNTAIN VILLAGE

“THE mountain village was destroy’d; But see how soon is fill’d the void! Shingles and boards, as by magic arise, The babe in his cradle and swaddling-clothes lies; How blest to trust to God’s

PRESERVATION

My maiden she proved false to me; To hate all joys I soon began, Then to a flowing stream I ran, The stream ran past me hastily. There stood I fix’d, in mute despair;

MIGNON

– Poet’s art is ever able To endow with truth mere fable. MIGNON. [This universally known poem is also to be found In Wilhelm Meister.] KNOW’ST thou the land where the fair citron blows,

THE COUNTRY SCHOOLMASTER

I. A MASTER of a country school Jump’d up one day from off his stool, Inspired with firm resolve to try To gain the best society; So to the nearest baths he walk’d, And

PROMETHEUS

COVER thy spacious heavens, Zeus, With clouds of mist, And, like the boy who lops The thistles’ heads, Disport with oaks and mountain-peaks, Yet thou must leave My earth still standing; My cottage too,

COPTIC SONG

LEAVE we the pedants to quarrel and strive, Rigid and cautious the teachers to be! All of the wisest men e’er seen alive Smile, nod, and join in the chorus with me: “Vain ’tis

THE FAITHLESS BOY

THERE was a wooer blithe and gay, A son of France was he, Who in his arms for many a day, As though his bride were she, A poor young maiden had caress’d, And

TABLE SONG

[Composed for the merry party already mentioned, On the occasion of the departure for France of the hereditary prince, Who was one of the number, and who is especially alluded to in the 3rd

DEDICATION

The morn arrived; his footstep quickly scared The gentle sleep that round my senses clung, And I, awak’ning, from my cottage fared, And up the mountain side with light heart sprung; At every step

THE GOBLET

ONCE I held a well-carved brimming goblet, In my two hands tightly clasp’d I held it, Eagerly the sweet wine sipp’d I from it, Seeking there to drown all care and sorrow. Amor enter’d

NEW LOVE, NEW LIFE

[Written at the time of Goethe’s connection With Lily.] HEART! my heart! what means this feeling? What oppresseth thee so sore? What strange life is o’er me stealing! I acknowledge thee no more. Fled

THE BRIDE OF CORINTH

[First published in Schiller’s Horen, in connection With a Friendly contest in the art of ballad-writing between the two Great poets, to which many of their finest works are owing.] ONCE a stranger youth

NEMESIS

WHEN through the nations stalks contagion wild, We from them cautiously should steal away. E’en I have oft with ling’ring and delay Shunn’d many an influence, not to be defil’d. And e’en though Amor

EFFECTS AT A DISTANCE

THE queen in the lofty hall takes her place, The tapers around her are flaming; She speaks to the page: “With a nimble pace Go, fetch me my purse for gaming. ‘Tis lying, I’ll

THE HAPPY COUPLE

AFTER these vernal rains That we so warmly sought, Dear wife, see how our plains With blessings sweet are fraught! We cast our distant gaze Far in the misty blue; Here gentle love still

CAT-PIE

WHILE he is mark’d by vision clear Who fathoms Nature’s treasures, The man may follow, void of fear, Who her proportions measures. Though for one mortal, it is true, These trades may both be

HAPPINESS AND VISION

TOGETHER at the altar we In vision oft were seen by thee, Thyself as bride, as bridegroom I. Oft from thy mouth full many a kiss In an unguarded hour of bliss I then

COMFORT IN TEARS

How happens it that thou art sad, While happy all appear? Thine eye proclaims too well that thou Hast wept full many a tear. “If I have wept in solitude, None other shares my

GROWTH

O’ER field and plain, in childhood’s artless days, Thou sprang’st with me, on many a spring-morn fair. “For such a daughter, with what pleasing care, Would I, as father, happy dwellings raise!” And when

ANNIVERSARY SONG

[This little song describes the different members Of the party just spoken of.] WHY pacest thou, my neighbour fair, The garden all alone? If house and land thou seek’st to guard, I’d thee as

I. THE PARIAH'S PRAYER

DREADED Brama, lord of might! All proceed from thee alone; Thou art he who judgeth right! Dost thou none but Brahmins own? Do but Rajahs come from thee? None but those of high estate?

THE MAID OF THE MILL'S REPENTANCE

YOUTH. AWAY, thou swarthy witch! Go forth From out my house, I tell thee! Or else I needs must, in my wrath, Expel thee! What’s this thou singest so falsely, forsooth, Of love and

A PARABLE

I PICKED a rustic nosegay lately, And bore it homewards, musing greatly; When, heated by my hand, I found The heads all drooping tow’rd the ground. I plac’d them in a well-cool’d glass, And

CHARADE

Two words there are, both short, of beauty rare, Whose sounds our lips so often love to frame, But which with clearness never can proclaim The things whose own peculiar stamp they bear. ‘Tis

HUMAN FEELINGS

AH, ye gods! ye great immortals In the spacious heavens above us! Would ye on this earth but give us Steadfast minds and dauntless courage We, oh kindly ones, would leave you All your

THE GOD AND THE BAYADERE

AN INDIAN LEGEND. [This very fine Ballad was also first given in the Horen.] (MAHADEVA is one of the numerous names of Seeva, the destroyer, The great god of the Brahmins.) MAHADEVA,* Lord of

MY GODDESS

SAY, which Immortal Merits the highest reward? With none contend I, But I will give it To the aye-changing, Ever-moving Wondrous daughter of Jove. His best-beloved offspring. Sweet Phantasy. For unto her Hath he

THE DROPS OF NECTAR

Artist, fashion! talk not long! Be a breath thine only song! THE DROPS OF NECTAR. WHEN Minerva, to give pleasure To Prometheus, her well-loved one, Brought a brimming bowl of nectar From the glorious

THE GARLANDS

KLOPSTOCK would lead us away from Pindus; no longer For laurel May we be eager the homely acorn alone must content us; Yet he himself his more-than-epic crusade is conducting High on Golgotha’s summit,

MARCH

THE snow-flakes fall in showers, The time is absent still, When all Spring’s beauteous flowers, When all Spring’s beauteous flowers Our hearts with joy shall fill. With lustre false and fleeting The sun’s bright

THE WRANGLER

ONE day a shameless and impudent wight Went into a shop full of steel wares bright, Arranged with art upon ev’ry shelf. He fancied they were all meant for himself; And so, while the

THE SPRING ORACLE

OH prophetic bird so bright, Blossom-songster, cuckoo bight! In the fairest time of year, Dearest bird, oh! deign to hear What a youthful pair would pray, Do thou call, if hope they may: Thy

GENIAL IMPULSE

THUS roll I, never taking ease, My tub, like Saint Diogenes, Now serious am, now seek to please; Now love and hate in turn one sees; The motives now are those, now these; Now

CONSTANCY IN CHANGE

COULD this early bliss but rest Constant for one single hour! But e’en now the humid West Scatters many a vernal shower. Should the verdure give me joy? ‘Tis to it I owe the

FLOWER-SALUTE

THIS nosegay, ’twas I dress’d it, Greets thee a thousand times! Oft stoop’d I, and caress’d it, Ah! full a thousand times, And ‘gainst my bosom press’d it A hundred thousand times! 1815.*

APRIL

TELL me, eyes, what ’tis ye’re seeking; For ye’re saying something sweet, Fit the ravish’d ear to greet, Eloquently, softly speaking. Yet I see now why ye’re roving; For behind those eyes so bright,

AUTUMN FEELINGS

FLOURISH greener, as ye clamber, Oh ye leaves, to seek my chamber, Up the trellis’d vine on high! May ye swell, twin-berries tender, Juicier far, and with more splendour Ripen, and more speedily! O’er

TO THE MOON

BUSH and vale thou fill’st again With thy misty ray, And my spirit’s heavy chain Castest far away. Thou dost o’er my fields extend Thy sweet soothing eye, Watching like a gentle friend, O’er

BALLAD OF THE BANISHED AND RETURNING COUNT

[Goethe began to write an opera called Lowenstuhl, Founded upon the old tradition which forms the subject of this Ballad, But he never carried out his design.] OH, enter old minstrel, thou time-honour’d one!

GIPSY SONG

IN the drizzling mist, with the snow high-pil’d, In the Winter night, in the forest wild, I heard the wolves with their ravenous howl, I heard the screaming note of the owl: Wille wau

DISTICHS

CHORDS are touch’d by Apollo, the death-laden Bow, too, he bendeth; While he the shepherdess charms, Python he lays In the dust. WHAT is merciful censure? To make thy faults appear Smaller? May be

THE TRAVELLER AND THE FARM~MAIDEN

HE. CANST thou give, oh fair and matchless maiden, ‘Neath the shadow of the lindens yonder, Where I’d fain one moment cease to wander, Food and drink to one so heavy laden? SHE. Wouldst

WHO'LL BUY GODS OF LOVE?

OF all the beauteous wares Exposed for sale at fairs, None will give more delight Than those that to your sight From distant lands we bring. Oh, hark to what we sing! These beauteous

PREFACE TO THE SECOND EDITION

I have taken advantage of the publication of a Second Edition Of my translation of the Poems of Goethe (originally published in 1853), to add to the Collection a version of the much admired

MORNING LAMENT

OH thou cruel deadly-lovely maiden, Tell me what great sin have I committed, That thou keep’st me to the rack thus fasten’d, That thou hast thy solemn promise broken? ‘Twas but yestere’en that thou

TO THE COUNTESS GRANVILLE

MY DEAR LADY GRANVILLE, THE reluctance which must naturally be felt by any one in Venturing to give to the world a book such as the present, where The beauties of the great original

GANYMEDE

How, in the light of morning, Round me thou glowest, Spring, thou beloved one! With thousand-varying loving bliss The sacred emotions Born of thy warmth eternal Press ‘gainst my bosom, Thou endlessly fair one!

THE METAMORPHOSIS OF PLANTS

THOU art confused, my beloved, at, seeing the thousandfold Union Shown in this flowery troop, over the garden dispers’d; Any a name dost thou hear assign’d; one after another Falls on thy list’ning ear,

FROM THE MOUNTAIN

[Written just after the preceding one, on a Mountain overlooking the Lake of Zurich.] IF I, dearest Lily, did not love thee, How this prospect would enchant my sight! And yet if I, Lily,

ANACREON'S GRAVE

HERE where the roses blossom, where vines round the laurels are Twining, Where the turtle-dove calls, where the blithe cricket is heard, Say, whose grave can this be, with life by all the Immortals

FAREWELL

To break one’s word is pleasure-fraught, To do one’s duty gives a smart; While man, alas! will promise nought, That is repugnant to his heart. Using some magic strains of yore, Thou lurest him,

THE ERL-KING

WHO rides there so late through the night dark and drear? The father it is, with his infant so dear; He holdeth the boy tightly clasp’d in his arm, He holdeth him safely, he

WONT AND DONE

I HAVE loved; for the first time with passion I rave! I then was the servant, but now am the slave; I then was the servant of All: By this creature so charming I

OLD AGE

OLD age is courteous no one more: For time after time he knocks at the door, But nobody says, “Walk in, sir, pray!” Yet turns he not from the door away, But lifts the

THE EPOCHS

ON Petrarch’s heart, all other days before, In flaming letters written, was impress d GOOD FRIDAY. And on mine, be it confess’d, Is this year’s ADVENT, as it passeth o’er. I do not now

AT MIDNIGHT HOUR

[Goethe relates that a remarkable situation He was in one bright moonlight night led to the composition of this Sweet song, which was “the dearer to him because he could not say Whence it

THE BEAUTEOUS FLOWER

SONG OF THE IMPRISONED COUNT. COUNT. I KNOW a flower of beauty rare, Ah, how I hold it dear! To seek it I would fain repair, Were I not prison’d here. My sorrow sore

MAY SONG

BETWEEN wheatfield and corn, Between hedgerow and thorn, Between pasture and tree, Where’s my sweetheart Tell it me! Sweetheart caught I Not at home; She’s then, thought I. Gone to roam. Fair and loving

THE KING OF THULE.*

(* This ballad is also introduced in Faust, Where it is sung by Margaret.) IN Thule lived a monarch, Still faithful to the grave, To whom his dying mistress A golden goblet gave. Beyond

TO THE HUSBANDMAN

SMOOTHLY and lightly the golden seed by the furrow is cover’d; Yet will a deeper one, friend, cover thy bones at the last. Joyously plough’d and sow’d! Here food all living is budding, E’en

THE INSTRUCTORS

WHEN Diogenes quietly sunn’d himself in his barrel, When Calanus with joy leapt in the flame-breathing grave, Oh, what noble lessons were those for the rash son of Philip, Were not the lord of

MEASURE OF TIME

EROS, what mean’st thou by this? In each of thine hands is an Hourglass! What, oh thou frivolous god! twofold thy measure of time? “Slowly run from the one, the hours of lovers when

THE BEAUTIFUL NIGHT

Now I leave this cottage lowly, Where my love hath made her home, And with silent footstep slowly Through the darksome forest roam, Luna breaks through oaks and bushes, Zephyr hastes her steps to

THE SWISS ALPS

YESTERDAY brown was still thy head, as the locks Of my loved one, Whose sweet image so dear silently beckons afar. Silver-grey is the early snow to-day on thy summit, Through the tempestuous night

EXPLANATION OF AN ANTIQUE GEM

A YOUNG fig-tree its form lifts high Within a beauteous garden; And see, a goat is sitting by. As if he were its warden. But oh, Quirites, how one errs! The tree is guarded

SOUND, SWEET SONG

SOUND, sweet song, from some far land, Sighing softly close at hand, Now of joy, and now of woe! Stars are wont to glimmer so. Sooner thus will good unfold; Children young and children

JOY

Joy from that in type we borrow, Which in life gives only sorrow. JOY. A DRAGON-FLY with beauteous wing Is hov’ring o’er a silv’ry spring; I watch its motions with delight, Now dark its

SONG OF FELLOWSHIP

[Written and sung in honour of the birthday Of the Pastor Ewald at the time of Goethe’s happy connection with Lily.] IN ev’ry hour of joy That love and wine prolong, The moments we’ll

THE HUNTER'S EVEN-SONG

THE plain with still and wand’ring feet, And gun full-charged, I tread, And hov’ring see thine image sweet, Thine image dear, o’er head. In gentle silence thou dost fare Through field and valley dear;

APPARENT DEATH

WEEP, maiden, weep here o’er the tomb of Love; He died of nothing by mere chance was slain. But is he really dead? oh, that I cannot prove: A nothing, a mere chance, oft

THE GODLIKE

NOBLE be man, Helpful and good! For that alone Distinguisheth him From all the beings Unto us known. Hail to the beings, Unknown and glorious, Whom we forebode! From his example Learn we to

MISCHIEVOUS JOY

AS a butterfly renew’d, When in life I breath’d my last, To the spots my flight I wing, Scenes of heav’nly rapture past, Over meadows, to the spring, Round the hill, and through the

Trilogy of Passion: I. TO WERTHER

[This poem, written at the age of seventy-five, was appended to An edition of ‘Werther,’ published at that time.] ONCE more, then, much-wept shadow, thou dost dare Boldly to face the day’s clear light,

POETRY

GOD to his untaught children sent Law, order, knowledge, art, from high, And ev’ry heav’nly favour lent, The world’s hard lot to qualify. They knew not how they should behave, For all from Heav’n

PROVERBS

‘TIS easier far a wreath to bind, Than a good owner fort to find. I KILL’D a thousand flies overnight, Yet was waken’d by one, as soon as twas light. To the mother I

THE DOUBTERS AND THE LOVERS

THE DOUBTERS. YE love, and sonnets write! Fate’s strange behest! The heart, its hidden meaning to declare, Must seek for rhymes, uniting pair with pair: Learn, children, that the will is weak, at best.

FIRST LOSS

AH! who’ll e’er those days restore, Those bright days of early love Who’ll one hour again concede, Of that time so fondly cherish’d! Silently my wounds I feed, And with wailing evermore Sorrow o’er

TO A GOLDEN HEART THAT HE WORE ROUND HIS NECK

[Addressed, during the Swiss tour already mentioned, To a present Lily had given him, during the time of their happy Connection, which was then about to be terminated for ever.] OH thou token loved

COURAGE

CARELESSLY over the plain away, Where by the boldest man no path Cut before thee thou canst discern, Make for thyself a path! Silence, loved one, my heart! Cracking, let it not break! Breaking,

THE RULE OF LIFE

IF thou wouldst live unruffled by care, Let not the past torment thee e’er; As little as possible be thou annoy’d, And let the present be ever enjoy’d; Ne’er let thy breast with hate

THE WAY TO BEHAVE

THOUGH tempers are bad and peevish folks swear, Remember to ruffle thy brows, friend, ne’er; And let not the fancies of women so fair E’er serve thy pleasure in life to impair. 1815.*

THE EAGLE AND DOVE

IN search of prey once raised his pinions An eaglet; A huntsman’s arrow came, and reft His right wing of all motive power. Headlong he fell into a myrtle grove, For three long days

LOVE'S DISTRESSES

WHO will hear me? Whom shall I lament to? Who would pity me that heard my sorrows? Ah, the lip that erst so many raptures Used to taste, and used to give responsive, Now

DIFFERENT EMOTIONS ON THE SAME SPOT

THE MAIDEN. I’VE seen him before me! What rapture steals o’er me! Oh heavenly sight! He’s coming to meet me; Perplex’d, I retreat me, With shame take to flight. My mind seems to wander!

SHOULD E'ER THE LOVELESS DAY

SHOULD e’er the loveless day remain Obscured by storms of hail and rain, Thy charms thou showest never; I tap at window, tap at door: Come, lov’d one, come! appear once more! Thou art

PAULO POST FUTURI

WEEP ye not, ye children dear, That as yet ye are unborn: For each sorrow and each tear Makes the father’s heart to mourn. Patient be a short time to it, Unproduced, and known

TO HIS COY ONE

SEEST thou yon smiling Orange? Upon the tree still hangs it; Already March bath vanish’d, And new-born flow’rs are shooting. I draw nigh to the tree then, And there I say: Oh Orange, Thou

THE LOVING ONE ONCE MORE

WHY do I o’er my paper once more bend? Ask not too closely, dearest one, I pray For, to speak truth, I’ve nothing now to say; Yet to thy hands at length ’twill come,

A SYMBOL

(This fine poem is given by Goethe amongst a Small collection of what he calls Loge (Lodge), meaning thereby Masonic pieces.) THE mason’s trade Observe them well, Resembles life, And Watch them revealing With

LINES ON SEEING SCHILLER'S SKULL

[This curious imitation of the ternary metre Of Dante was written at the age of 77.] WITHIN a gloomy charnel-house one day I view’d the countless skulls, so strangely mated, And of old times

ON THE NEW YEAR

What we sing in company Soon from heart to heart will fly. – THE Gesellige Lieder, which I have angicisled As above, as several of them cannot be called convivial songs, are Separated by

DIFFERENT THREATS

I ONCE into a forest far My maiden went to seek, And fell upon her neck, when: “Ah!” She threaten’d, “I will shriek!” Then cried I haughtily: “I’ll crush The man that dares come

NEITHER THIS NOR THAT

IF thou to be a slave shouldst will, Thou’lt get no pity, but fare ill; And if a master thou wouldst be, The world will view it angrily; And if in statu quo thou

THE VIOLET

UPON the mead a violet stood, Retiring, and of modest mood, In truth, a violet fair. Then came a youthful shepherdess, And roam’d with sprightly joyousness, And blithely woo’d With carols sweet the air

THE BLISS OF SORROW

NEVER dry, never dry, Tears that eternal love sheddeth! How dreary, how dead doth the world still appear, When only half-dried on the eye is the tear! Never dry, never dry, Tears that unhappy

PROXIMITY OF THE BELOVED ONE

I THINK of thee, whene’er the sun his beams O’er ocean flings; I think of thee, whene’er the moonlight gleams In silv’ry springs. I see thee, when upon the distant ridge The dust awakes;

LEGEND

THERE lived in the desert a holy man To whom a goat-footed Faun one day Paid a visit, and thus began To his surprise: “I entreat thee to pray That grace to me and

ON THE DIVAN

HE who knows himself and others Here will also see, That the East and West, like brothers, Parted ne’er shall be. Thoughtfully to float for ever ‘Tween two worlds, be man’s endeavour! So between

TO CHARLOTTE

‘MIDST the noise of merriment and glee, ‘Midst full many a sorrow, many a care, Charlotte, I remember, we remember thee, How, at evening’s hour so fair, Thou a kindly hand didst reach us,

JUNE

SHE behind yon mountain lives, Who my love’s sweet guerdon gives. Tell me, mount, how this can be! Very glass thou seem’st to me, And I seem to be close by, For I see

DEATH-LAMENT OF THE NOBLE WIFE OF ASAN AGA

[From the Morlack.) WHAT is yonder white thing in the forest? Is it snow, or can it swans perchance be? Were it snow, ere this it had been melted, Were it swans, they all

THOUGHTS ON JESUS CHRIST'S DESCENT INTO HELL

THOUGHTS ON JESUS CHRIST’S DESCENT INTO HELL. [THE remarkable Poem of which this is a literal But faint representation, was written when Goethe was only sixteen Years old. It derives additional interest from the

SIR CURT'S WEDDING-JOURNEY

WITH a bridegroom’s joyous bearing, Mounts Sir Curt his noble beast, To his mistress’ home repairing, There to hold his wedding feast; When a threatening foe advances From a desert, rocky spot; For the

TO ORIGINALS

In these numbers be express’d Meaning deep, ‘neath merry jest. – TO ORIGINALS. A FELLOW says: “I own no school or college; No master lives whom I acknowledge; And pray don’t entertain the thought

FROM 'THE SORROWS OF YOUNG WERTHER.&#039

[Prefixed to the second edition.] EV’RY youth for love’s sweet portion sighs, Ev’ry maiden sighs to win man’s love; Why, alas! should bitter pain arise From the noblest passion that we prove? Thou, kind

TO LINA

SHOULD these songs, love, as they fleet, Chance again to reach thy hand, At the piano take thy seat, Where thy friend was wont to stand! Sweep with finger bold the string, Then the

THE LEGEND OF THE HORSESHOE

WHAT time our Lord still walk’d the earth, Unknown, despised, of humble birth, And on Him many a youth attended (His words they seldom comprehended), It ever seem’d to Him most meet To hold

THE NEW AMADIS

IN my boyhood’s days so drear I was kept confined; There I sat for many a year, All alone I pined, As within the womb. Yet thou drov’st away my gloom, Golden phantasy! I

THE BRETHREN

SLUMBER and Sleep, two brethren ordain’d by the gods to their Service, Were by Prometheus implored, comfort to give to his race; But though so light to the gods, too heavy for man was

ROYAL PRAYER

HA, I am the lord of earth! The noble, Who’re in my service, love me. Ha, I am the lord of earth! The noble, O’er whom my sway extendeth, love I. Oh, grant me,

DECLARATION OF WAR

OH, would I resembled The country girls fair, Who rosy-red ribbons And yellow hats wear! To believe I was pretty I thought was allow’d; In the town I believed it When by the youth

EPIPHANIAS

THE three holy kings with their star’s bright ray, They eat and they drink, but had rather not pay; They like to eat and drink away, They eat and drink, but had rather not

TO LIDA

THE only one whom, Lida, thou canst love, Thou claim’st, and rightly claim’st, for only thee; He too is wholly thine; since doomed to rove Far from thee, in life’s turmoils nought I see

SELF-DECEIT

My neighbour’s curtain, well I see, Is moving to and fin. No doubt she’s list’ning eagerly, If I’m at home or no. And if the jealous grudge I bore And openly confess’d, Is nourish’d

CALM AT SEA

SILENCE deep rules o’er the waters, Calmly slumb’ring lies the main, While the sailor views with trouble Nought but one vast level plain. Not a zephyr is in motion! Silence fearful as the grave!