Elinor Wylie

Silver Filigree

The icicles wreathing On trees in festoon Swing, swayed to our breathing: They’re made of the moon. She’s a pale, waxen taper; And these seem to drip Transparent as paper From the flame of

Phases of the Moon

Once upon a time I heard That the flying moon was a Phoenix bird; Thus she sails through windy skies, Thus in the willow’s arms she lies; Turn to the East or turn to

Prophecy

I shall die hidden in a hut In the middle of an alder wood, With the back door blind and bolted shut, And the front door locked for good. I shall lie folded like

Blood Feud

Once, when my husband was a child, there came To his father’s table, one who called him kin, In sunbleached corduroys paler than his skin. His look was grave and kind; he bore the

The Falcon

Why should my sleepy heart be taught To whistle mocking-bird replies? This is another bird you’ve caught, Soft-feathered, with a falcon’s eyes. The bird Imagination, That flies so far, that dies so soon; Her

October

Beauty has a tarnished dress, And a patchwork cloak of cloth Dipped deep in mournfulness, Striped like a moth. Wet grass where it trails Dyes it green along the hem; She has seven silver

A Proud Lady

Hate in the world’s hand Can carve and set its seal Like the strong blast of sand Which cuts into steel. I have seen how the finger of hate Can mar and mould Faces

Sunset on the Spire

All that I dream By day or night Lives in that stream Of lovely light. Here is the earth, And there is the spire; This is my hearth, And that is my fire. From

Valentine

Too high, too high to pluck My heart shall swing. A fruit no bee shall suck, No wasp shall sting. If on some night of cold It falls to ground In apple-leaves of gold

Little Joke

Stripping an almond tree in flower The wise apothecary’s skill A single drop of lethal power From perfect sweetness can distill From bitterness in efflorescence, With murderous poisons packed therein; The poet draws pellucid

Les Lauriers Sont Coupée

Ah, love, within the shadow of the wood The laurels are cut down; some other brows May bear the classic wreath which Fame allows And find the burden honorable and good. Have we not

Wild Peaches

1 When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin

Spring Pastoral

Liza, go steep your long white hands In the cool waters of that spring Which bubbles up through shiny sands The colour of a wild-dove’s wing. Dabble your hands, and steep them well Until

The Pekingese

For a picture This Pekingese, that makes the sand-grains spin, Is digging little tunnels to Pekin: Dream him emerging in a porcelain cave Where wounded dragons stain a pearly wave.

The Crooked Stick

First Traveller: What’s that lying in the dust? Second Traveller: A crooked stick. First Traveller: What’s it worth, if you can trust to arithmetic? Second Traveller: Isn’t this a riddle? First Traveller: No, a

Velvet Shoes

Let us walk in the white snow In a soundless space; With footsteps quiet snd slow, At a tranquil pace, Under veils of white lace. I shall go shod in silk, And you in

Venetian Interior

Allegra, rising from her canopied dreams, Slides both white feet across the slanted beams Which lace the peacock jalousies: behold An idol of fine clay, with feet of gold

Death and the Maiden

BARCAROLE ON THE STYX Fair youth with the rose at your lips, A riddle is hid in your eyes; Discard conversational quips, Give over elaborate disguise. The rose’s funeral breath Confirms by intuitive fears;

The Tortoise in Eternity

Within my house of patterned horn I sleep in such a bed As men may keep before they’re born And after when they’re dead. Sticks and stones may break their bones, And words may

Now let no charitable hope

Now let no charitable hope Confuse my mind with images Of eagle and of antelope: I am by nature none of these. I was, being human, born alone; I am, being woman, hard beset;

Cold-Blooded Creatures

Man, the egregious egoist (In mystery the twig is bent) Imagines, by some mental twist, That he alone is sentient Of the intolerable load That on all living creatures lies, Nor stoops to pity

Village Mystery

The woman in the pointed hood And cloak blue-gray like a pigeon’s wing, Whose orchard climbs to the balsam-wood, Has done a cruel thing. To her back door-step came a ghost, A girl who

Madman's Song

Better to see your cheek grown hollow, Better to see your temple worn, Than to forget to follow, follow, After the sound of a silver horn. Better to bind your brow with willow And

Nadir

If we must cheat ourselves with any dream, Then let it be a dream of nobleness: Since it is necessary to express Gall from black grapes to sew an endless seam With a rusty

Sanctuary

This is the bricklayer; hear the thud Of his heavy load dumped down on stone. His lustrous bricks are brighter than blood, His smoking mortar whiter than bone. Set each sharp-edged, fire-bitten brick Straight

The Poor Old Cannon

Upbroke the sun In red-gold foam; Thus spoke the gun At the Soldier’s Home: “Whenever I hear Blue thunder speak My voice sounds clear But little and weak. “And when the proud Young cockerels

The Fairy Goldsmith

Here’s a wonderful thing, A humming-bird’s wing In hammered gold, And store well chosen Of snowflakes frozen In crystal cold. Black onyx cherries And mistletoe berries Of chrysoprase, Jade buds, tight shut, All carven

The Child on the Curbstone

The headlights raced; the moon, death-faced, Stared down on that golden river. I saw through the smoke the scarlet cloak Of a boy who could not shiver. His father’s hand forced him to stand,

The Lion and the Lamb

I saw a Tiger’s golden flank, I saw what food he ate, By a desert spring he drank; The Tiger’s name was Hate. Then I saw a placid Lamb Lying fast asleep; Like a

A Crowded Trolley-Car

The rain’s cold grains are silver-gray Sharp as golden sands, A bell is clanging, people sway Hanging by their hands. Supple hands, or gnarled and stiff, Snatch and catch and grope; That face is

Beauty

Say not of beauty she is good, Or aught but beautiful, Or sleek to doves’ wings of the wood Her wild wings of a gull. Call her not wicked; that word’s touch Consumes her

Ophelia

My locks are shorn for sorrow Of love which may not be; Tomorrow and tomorrow Are plotting cruelty. The winter wind tangles These ringlets half-grown, The sun sprays with spangles And rays like his

Incantation

A white well In a black cave; A bright shell In a dark wave. A white rose Black brambles hood; Smooth bright snows In a dark wood. A flung white glove In a dark

August

Why should this Negro insolently stride Down the red noonday on such noiseless feet? Piled in his barrow, tawnier than wheat, Lie heaps of smouldering daisies, sombre-eyed, Their copper petals shriveled up with pride,

Love Song

Lovers eminent in love Ever diversities combine; The vocal chords of the cushat-dove, The snake’s articulated spine. Such elective elements Educate the eye and lip With one’s refreshing innocence, The other’s claim to scholarship.

The Church-Bell

As I was lying in my bed I heard the church-bell ring; Before one solemn word was said A bird began to sing. I heard a dog begin to bark And a bold crowing

Quarrel

Let us quarrel for these reasons: You detest the salt which seasons My speech. . . and all my lights go out In the cold poison of your doubt. I love Shelley. . .

The Puritan's Ballad

My love came up from Barnegat, The sea was in his eyes; He trod as softly as a cat And told me terrible lies. His hair was yellow as new-cut pine In shavings curled

Winter Sleep

When against earth a wooden heel Clicks as loud as stone on steel, When stone turns flour instead of flakes, And frost bakes clay as fire bakes, When the hard-bitten fields at last Crack

Nancy

You are a rose, but set with sharpest spine; You are a pretty bird that pecks at me; You are a little squirrel on a tree, Pelting me with the prickly fruit of the

Atavism

I was always afraid of Somes’s Pond: Not the little pond, by which the willow stands, Where laughing boys catch alewives in their hands In brown, bright shallows; but the one beyond. There, where

Primavera in the North

She has danced for leagues and leagues, Over thorns and thistles, Prancing to a tune of Griegg’s Performed on willow whistles. Antelopes behold her, dazed, Velvet-eyed, and furry; Polar flowers, crackle-glazed, Snap beneath her

Bells in the Rain

Sleep falls, with limpid drops of rain, Upon the steep cliffs of the town. Sleep falls; men are at peace again While the small drops fall softly down. The bright drops ring like bells

Curious Circumstance

The sailorman’s child And the girl of the witch They can’t be defiled By touching pitch. The sailorman’s son Had a ship for a nursery; The other one Was baptised by sorcery. Although he’s

The Prinkin' Leddie

The Hielan’ lassies are a’ for spinnin’, The Lowlan’ lassies for prinkin’ and pinnin’; My daddie w’u’d chide me, an’ so w’u’d my minnie If I s’u’d bring hame sic a prinkin’ leddie. Now

Sea Lullaby

The old moon is tarnished With smoke of the flood, The dead leaves are varnished With colour like blood. A treacherous smiler With teeth white as milk, A savage beguiler In sheathings of silk

Poor Earth

It is not heaven: bitter seed Leavens its entrails with despair It is a star where dragons breed: Devils have a footing there. The sky has bent it out of shape; The sun has

The Eagle and the Mole

Avoid the reeking herd, Shun the polluted flock, Live like that stoic bird, The eagle of the rock. The huddled warmth of crowds Begets and fosters hate; He keeps above the clouds His cliff

Escape

When foxes eat the last gold grape, And the last white antelope is killed, I shall stop fighting and escape Into a little house I’ll build. But first I’ll shrink to fairy size, With

Fire and Sleet and Candlelight

For this you’ve striven Daring, to fail: Your sky is riven Like a tearing veil. For this, you’ve wasted Wings of your youth; Divined, and tasted Bitter springs of truth. From sand unslakèd Twisted

Pretty Words

Poets make pets of pretty, docile words: I love smooth words, like gold-enamelled fish Which circle slowly with a silken swish, And tender ones, like downy-feathred birds: Words shy and dappled, deep-eyed deer in

The Lost Path

The garden’s full of scented wallflowers, And, save that these stir faintly, nothing stirs; Only a distant bell in hollow chime Cried out just now for far-forgoten time, And three reverberate words the great