Amy Lowell
Climbing
High up in the apple tree climbing I go, With the sky above me, the earth below. Each branch is the step of a wonderful stair Which leads to the town I see shining
A Blockhead
Before me lies a mass of shapeless days, Unseparated atoms, and I must Sort them apart and live them. Sifted dust Covers the formless heap. Reprieves, delays, There are none, ever. As a monk
The Hammers
I Frindsbury, Kent, 1786 Bang! Bang! Tap! Tap-a-tap! Rap! All through the lead and silver Winter days, All through the copper of Autumn hazes. Tap to the red rising sun, Tap to the purple
Thompson's Lunch Room Grand Central Station
Study in Whites Wax-white Floor, ceiling, walls. Ivory shadows Over the pavement Polished to cream surfaces By constant sweeping. The big room is coloured like the petals Of a great magnolia, And has a
Sunshine through a Cobwebbed Window
What charm is yours, you faded old-world tapestries, Of outworn, childish mysteries, Vague pageants woven on a web of dream! And we, pushing and fighting in the turbid stream Of modern life, find solace
Late September
Tang of fruitage in the air; Red boughs bursting everywhere; Shimmering of seeded grass; Hooded gentians all a’mass. Warmth of earth, and cloudless wind Tearing off the husky rind, Blowing feathered seeds to fall
The Last Quarter of the Moon
How long shall I tarnish the mirror of life, A spatter of rust on its polished steel! The seasons reel Like a goaded wheel. Half-numb, half-maddened, my days are strife. The night is sliding
Summer
Some men there are who find in nature all Their inspiration, hers the sympathy Which spurs them on to any great endeavor, To them the fields and woods are closest friends, And they hold
Petals
Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start. Freighted
A Petition
I pray to be the tool which to your hand Long use has shaped and moulded till it be Apt for your need, and, unconsideringly, You take it for its service. I demand To
Patience
Be patient with you? When the stooping sky Leans down upon the hills And tenderly, as one who soothing stills An anguish, gathers earth to lie Embraced and girdled. Do the sun-filled men Feel
A Coloured Print by Shokei
It winds along the face of a cliff This path which I long to explore, And over it dashes a waterfall, And the air is full of the roar And the thunderous voice of
Nightmare: A Tale for an Autumn Evening
After a Print by George Cruikshank It was a gusty night, With the wind booming, and swooping, Looping round corners, Sliding over the cobble-stones, Whipping and veering, And careering over the roofs Like a
The Red Lacquer Music-Stand
A music-stand of crimson lacquer, long since brought In some fast clipper-ship from China, quaintly wrought With bossed and carven flowers and fruits in blackening gold, The slender shaft all twined about and thickly
Afternoon Rain in State Street
Cross-hatchings of rain against grey walls, Slant lines of black rain In front of the up and down, wet stone sides of buildings. Below, Greasy, shiny, black, horizontal, The street. And over it, umbrellas,
Malmaison
I How the slates of the roof sparkle in the sun, Over there, over there, Beyond the high wall! How quietly the Seine runs in loops And windings, Over there, over there, sliding through
Wind
He shouts in the sails of the ships at sea, He steals the down from the honeybee, He makes the forest trees rustle and sing, He twirls my kite till it breaks its string.
The Precinct. Rochester
The tall yellow hollyhocks stand, Still and straight, With their round blossoms spread open, In the quiet sunshine. And still is the old Roman wall, Rough with jagged bits of flint, And jutting stones,
Azure and Gold
April had covered the hills With flickering yellows and reds, The sparkle and coolness of snow Was blown from the mountain beds. Across a deep-sunken stream The pink of blossoming trees, And from windless
The Captured Goddess
Over the housetops, Above the rotating chimney-pots, I have seen a shiver of amethyst, And blue and cinnamon have flickered A moment, At the far end of a dusty street. Through sheeted rain Has
The Road to Avignon
A Minstrel stands on a marble stair, Blown by the bright wind, debonair; Below lies the sea, a sapphire floor, Above on the terrace a turret door Frames a lady, listless and wan, But
After Hearing a Waltz by Bartok
But why did I kill him? Why? Why? In the small, gilded room, near the stair? My ears rack and throb with his cry, And his eyes goggle under his hair, As my fingers
To a Friend
I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on,
"To-morrow to Fresh Woods and Pastures New"
As for a moment he stands, in hardy masculine beauty, Poised on the fircrested rock, over the pool which below him Gleams in the wavering sunlight, waiting the shock of his plunging. So for
A Japanese Wood-Carving
High up above the open, welcoming door It hangs, a piece of wood with colours dim. Once, long ago, it was a waving tree And knew the sun and shadow through the leaves Of
Listening
‘T is you that are the music, not your song. The song is but a door which, opening wide, Lets forth the pent-up melody inside, Your spirit’s harmony, which clear and strong Sings but
The Shadow
Paul Jannes was working very late, For this watch must be done by eight To-morrow or the Cardinal Would certainly be vexed. Of all His customers the old prelate Was the most important, for
Epitaph in a Church-Yard in Charleston, South Carolina
GEORGE AUGUSTUS CLOUGH A NATIVE OF LIVERPOOL, DIED SUDDENLY OF “STRANGER’S FEVER” NOV’R 5th 1843 AGED 22 He died of “Stranger’s Fever” when his youth Had scarcely melted into manhood, so The chiselled legend
The Fruit Garden Path
The path runs straight between the flowering rows, A moonlit path, hemmed in by beds of bloom, Where phlox and marigolds dispute for room With tall, red dahlias and the briar rose. ‘T is
The Painter on Silk
There was a man Who made his living By painting roses Upon silk. He sat in an upper chamber And painted, And the noises of the street Meant nothing to him. When he heard
On Carpaccio's Picture: The Dream of St. Ursula
Swept, clean, and still, across the polished floor From some unshuttered casement, hid from sight, The level sunshine slants, its greater light Quenching the little lamp which pallid, poor, Flickering, unreplenished, at the door
A Little Song
When you, my Dear, are away, away, How wearily goes the creeping day. A year drags after morning, and night Starts another year of candle light. O Pausing Sun and Lingering Moon! Grant me,
Off the Turnpike
Good ev’nin’, Mis’ Priest. I jest stepped in to tell you Good-bye. Yes, it’s all over. All my things is packed An’ every last one o’ them boxes Is on Bradley’s team Bein’ hauled
Apology
Be not angry with me that I bear Your colours everywhere, All through each crowded street, And meet The wonder-light in every eye, As I go by. Each plodding wayfarer looks up to gaze,
The Book of Hours of Sister Clotilde
The Bell in the convent tower swung. High overhead the great sun hung, A navel for the curving sky. The air was a blue clarity. Swallows flew, And a cock crew. The iron clanging
Behind a Wall
I own a solace shut within my heart, A garden full of many a quaint delight And warm with drowsy, poppied sunshine; bright, Flaming with lilies out of whose cups dart Shining things With
The Cyclists
Spread on the roadway, With open-blown jackets, Like black, soaring pinions, They swoop down the hillside, The Cyclists. Seeming dark-plumaged Birds, after carrion, Careening and circling, Over the dying Of England. She lies with
A Tulip Garden
Guarded within the old red wall’s embrace, Marshalled like soldiers in gay company, The tulips stand arrayed. Here infantry Wheels out into the sunlight. What bold grace Sets off their tunics, white with crimson
Teatro Bambino. Dublin, N. H
How still it is! Sunshine itself here Falls In quiet shafts of light through the high trees Which, arching, make a roof above the walls Changing from sun to shadow as each breeze Lingers
The Fool Errant
The Fool Errant sat by the highway of life And his gaze wandered up and his gaze wandered down, A vigorous youth, but with no wish to walk, Yet his longing was great for
The Green Bowl
This little bowl is like a mossy pool In a Spring wood, where dogtooth violets grow Nodding in chequered sunshine of the trees; A quiet place, still, with the sound of birds, Where, though
Happiness
Happiness, to some, elation; Is, to others, mere stagnation. Days of passive somnolence, At its wildest, indolence. Hours of empty quietness, No delight, and no distress. Happiness to me is wine, Effervescent, superfine. Full
Stupidity
Dearest, forgive that with my clumsy touch I broke and bruised your rose. I hardly could suppose It were a thing so fragile that my clutch Could kill it, thus. It stood so proudly
Frankincense and Myrrh
My heart is tuned to sorrow, and the strings Vibrate most readily to minor chords, Searching and sad; my mind is stuffed with words Which voice the passion and the ache of things: Illusions
The Bombardment
Slowly, without force, the rain drops into the City. It stops a moment On the carved head of Saint John, then slides on again, slipping And trickling Over his stone cloak. It splashes from
A Roxbury Garden
I Hoops Blue and pink sashes, Criss-cross shoes, Minna and Stella run out into the garden To play at hoop. Up and down the garden-paths they race, In the yellow sunshine, Each with a
Patterns
I walk down the garden paths, And all the daffodils Are blowing, and the bright blue squills. I walk down the patterned garden-paths In my stiff, brocaded gown. With my powdered hair and jewelled
Irony
An arid daylight shines along the beach Dried to a grey monotony of tone, And stranded jelly-fish melt soft upon The sun-baked pebbles, far beyond their reach Sparkles a wet, reviving sea. Here bleach
An Aquarium
Streaks of green and yellow iridescence, Silver shiftings, Rings veering out of rings, Silver gold Grey-green opaqueness sliding down, With sharp white bubbles Shooting and dancing, Flinging quickly outward. Nosing the bubbles, Swallowing them,
Clear, with Light, Variable Winds
The fountain bent and straightened itself In the night wind, Blowing like a flower. It gleamed and glittered, A tall white lily, Under the eye of the golden moon. From a stone seat, Beneath
Crowned
You came to me bearing bright roses, Red like the wine of your heart; You twisted them into a garland To set me aside from the mart. Red roses to crown me your lover,
A London Thoroughfare. 2 A. M
They have watered the street, It shines in the glare of lamps, Cold, white lamps, And lies Like a slow-moving river, Barred with silver and black. Cabs go down it, One, And then another.
Anticipation
I have been temperate always, But I am like to be very drunk With your coming. There have been times I feared to walk down the street Lest I should reel with the wine
Two Travellers in the Place Vendome
Reign of Louis Philippe A great tall column spearing at the sky With a little man on top. Goodness! Tell me Why? He looks a silly thing enough to stand up there so high.
The Way
At first a mere thread of a footpath half blotted Out by the grasses Sweeping triumphant across it, it wound between hedges of roses Whose blossoms were poised above leaves as pond lilies float
Convalescence
From out the dragging vastness of the sea, Wave-fettered, bound in sinuous, seaweed strands, He toils toward the rounding beach, and stands One moment, white and dripping, silently, Cut like a cameo in lazuli,
Fringed Gentians
Near where I live there is a lake As blue as blue can be, winds make It dance as they go blowing by. I think it curtseys to the sky. It’s just a lake
The Crescent Moon
Slipping softly through the sky Little horned, happy moon, Can you hear me up so high? Will you come down soon? On my nursery window-sill Will you stay your steady flight? And then float
Apples of Hesperides
Glinting golden through the trees, Apples of Hesperides! Through the moon-pierced warp of night Shoot pale shafts of yellow light, Swaying to the kissing breeze Swings the treasure, golden-gleaming, Apples of Hesperides! Far and
Hero-Worship
A face seen passing in a crowded street, A voice heard singing music, large and free; And from that moment life is changed, and we Become of more heroic temper, meet To freely ask
To John Keats
Great master! Boyish, sympathetic man! Whose orbed and ripened genius lightly hung From life’s slim, twisted tendril and there swung In crimson-sphered completeness; guardian Of crystal portals through whose openings fan The spiced winds
A Ballad of Footmen
Now what in the name of the sun and the stars Is the meaning of this most unholy of wars? Do men find life so full of humour and joy That for want of
The Cremona Violin
Part First Frau Concert-Meister Altgelt shut the door. A storm was rising, heavy gusts of wind Swirled through the trees, and scattered leaves before Her on the clean, flagged path. The sky behind The
The Dinner-Party
Fish “So. . .” they said, With their wine-glasses delicately poised, Mocking at the thing they cannot understand. “So. . .” they said again, Amused and insolent. The silver on the table glittered, And
The Boston Athenaeum
Thou dear and well-loved haunt of happy hours, How often in some distant gallery, Gained by a little painful spiral stair, Far from the halls and corridors where throng The crowd of casual readers,
Diya {original title is Greek, Delta-iota-psi-alpha}
Look, Dear, how bright the moonlight is to-night! See where it casts the shadow of that tree Far out upon the grass. And every gust Of light night wind comes laden with the scent
To Elizabeth Ward Perkins
Dear Bessie, would my tired rhyme Had force to rise from apathy, And shaking off its lethargy Ring word-tones like a Christmas chime. But in my soul’s high belfry, chill The bitter wind of
Sancta Maria, Succurre Miseris
Dear Virgin Mary, far away, Look down from Heaven while I pray. Open your golden casement high, And lean way out beyond the sky. I am so little, it may be A task for
Number 3 on the Docket
The lawyer, are you? Well! I ain’t got nothin’ to say. Nothin’! I told the perlice I hadn’t nothin’. They know’d real well ’twas me. Ther warn’t no supposin’, Ketchin’ me in the woods
The Bungler
You glow in my heart Like the flames of uncounted candles. But when I go to warm my hands, My clumsiness overturns the light, And then I stumble Against the tables and chairs.
Sword Blades and Poppy Seed
A drifting, April, twilight sky, A wind which blew the puddles dry, And slapped the river into waves That ran and hid among the staves Of an old wharf. A watery light Touched bleak
Sea Shell
Sea Shell, Sea Shell, Sing me a song, O Please! A song of ships, and sailor men, And parrots, and tropical trees, Of islands lost in the Spanish Main Which no man ever may
From One Who Stays
How empty seems the town now you are gone! A wilderness of sad streets, where gaunt walls Hide nothing to desire; sunshine falls Eery, distorted, as it long had shone On white, dead faces
Suggested by the Cover of a Volume of Keats's Poems
Wild little bird, who chose thee for a sign To put upon the cover of this book? Who heard thee singing in the distance dim, The vague, far greenness of the enshrouding wood, When
Hora Stellatrix
The stars hang thick in the apple tree, The south wind smells of the pungent sea, Gold tulip cups are heavy with dew. The night’s for you, Sweetheart, for you! Starfire rains from the
The Lamp of Life
Always we are following a light, Always the light recedes; with groping hands We stretch toward this glory, while the lands We journey through are hidden from our sight Dim and mysterious, folded deep
The Blue Scarf
Pale, with the blue of high zeniths, shimmered Over with silver, brocaded In smooth, running patterns, a soft stuff, with dark knotted fringes, It lies there, Warm from a woman’s soft shoulders, and my
The Cross-Roads
A bullet through his heart at dawn. On The table a letter signed With a woman’s name. A wind that goes howling round the House, And weeping as in shame. Cold November dawn peeping
The Matrix
Goaded and harassed in the factory That tears our life up into bits of days Ticked off upon a clock which never stays, Shredding our portion of Eternity, We break away at last, and
Before Dawn
Life! Austere arbiter of each man’s fate, By whom he learns that Nature’s steadfast laws Are as decrees immutable; O pause Your even forward march! Not yet too late Teach me the needed lesson,
The End
Throughout the echoing chambers of my brain I hear your words in mournful cadence toll Like some slow passing-bell which warns the soul Of sundering darkness. Unrelenting, fain To batter down resistance, fall again
Stravinsky's Three Pieces
First Movement Thin-voiced, nasal pipes Drawing sound out and out Until it is a screeching thread, Sharp and cutting, sharp and cutting, It hurts. Whee-e-e! Bump! Bump! Tong-ti-bump! There are drums here, Banging, And
The Taxi
When I go away from you The world beats dead Like a slackened drum. I call out for you against the jutted stars And shout into the ridges of the wind. Streets coming fast,
The Fruit Shop
Cross-ribboned shoes; a muslin gown, High-waisted, girdled with bright blue; A straw poke bonnet which hid the frown She pluckered her little brows into As she picked her dainty passage through The dusty street.
The Basket
I The inkstand is full of ink, and the paper lies White and unspotted, In the round of light thrown by a candle. Puffs of darkness Sweep into The corners, and keep rolling through
Spring Day
Bath The day is fresh-washed and fair, and there is A smell of tulips and narcissus In the air. The sunshine pours in at the bath-room window and Bores through the water In the
Francis II, King of Naples
Written after reading Trevelyan’s “Garibaldi And the making of Italy” Poor foolish monarch, vacillating, vain, Decaying victim of a race of kings, Swift Destiny shook out her purple wings And caught him in their
Vintage
I will mix me a drink of stars, Large stars with polychrome needles, Small stars jetting maroon and crimson, Cool, quiet, green stars. I will tear them out of the sky, And squeeze them
Storm-Racked
How should I sing when buffeting salt waves And stung with bitter surges, in whose might I toss, a cockleshell? The dreadful night Marshals its undefeated dark and raves In brutal madness, reeling over
An Opera House
Within the gold square of the proscenium arch, A curtain of orange velvet hangs in stiff folds, Its tassels jarring slightly when someone crosses the stage behind. Gold carving edges the balconies, Rims the
The Pleiades
By day you cannot see the sky For it is up so very high. You look and look, but it’s so blue That you can never see right through. But when night comes it
A Fixed Idea
What torture lurks within a single thought When grown too constant, and however kind, However welcome still, the weary mind Aches with its presence. Dull remembrance taught Remembers on unceasingly; unsought The old delight
The Little Garden
A little garden on a bleak hillside Where deep the heavy, dazzling mountain snow Lies far into the spring. The sun’s pale glow Is scarcely able to melt patches wide About the single rose
The Trout
Naughty little speckled trout, Can’t I coax you to come out? Is it such great fun to play In the water every day? Do you pull the Naiads’ hair Hiding in the lilies there?
The Giver of Stars
Hold your soul open for my welcoming. Let the quiet of your spirit bathe me With its clear and rippled coolness, That, loose-limbed and weary, I find rest, Outstretched upon your peace, as on
New York at Night
A near horizon whose sharp jags Cut brutally into a sky Of leaden heaviness, and crags Of houses lift their masonry Ugly and foul, and chimneys lie And snort, outlined against the gray Of
A Lady
You are beautiful and faded Like an old opera tune Played upon a harpsichord; Or like the sun-flooded silks Of an eighteenth-century boudoir. In your eyes Smoulder the fallen roses of out-lived minutes, And
Lead Soldiers
The nursery fire burns brightly, crackling in cheerful Little explosions And trails of sparks up the back of the chimney. Miniature Rockets Peppering the black bricks with golden stars, as though a gala Flamed
In Darkness
Must all of worth be travailled for, and those Life’s brightest stars rise from a troubled sea? Must years go by in sad uncertainty Leaving us doubting whose the conquering blows, Are we or
Aftermath
I learnt to write to you in happier days, And every letter was a piece I chipped From off my heart, a fragment newly clipped From the mosaic of life; its blues and grays,