Amy Lowell

Climbing

High up in the apple tree climbing I go, With the sky above me, the earth below. Each branch is the step of a wonderful stair Which leads to the town I see shining

A Blockhead

Before me lies a mass of shapeless days, Unseparated atoms, and I must Sort them apart and live them. Sifted dust Covers the formless heap. Reprieves, delays, There are none, ever. As a monk

The Hammers

I Frindsbury, Kent, 1786 Bang! Bang! Tap! Tap-a-tap! Rap! All through the lead and silver Winter days, All through the copper of Autumn hazes. Tap to the red rising sun, Tap to the purple

Thompson's Lunch Room Grand Central Station

Study in Whites Wax-white Floor, ceiling, walls. Ivory shadows Over the pavement Polished to cream surfaces By constant sweeping. The big room is coloured like the petals Of a great magnolia, And has a

Sunshine through a Cobwebbed Window

What charm is yours, you faded old-world tapestries, Of outworn, childish mysteries, Vague pageants woven on a web of dream! And we, pushing and fighting in the turbid stream Of modern life, find solace

Late September

Tang of fruitage in the air; Red boughs bursting everywhere; Shimmering of seeded grass; Hooded gentians all a’mass. Warmth of earth, and cloudless wind Tearing off the husky rind, Blowing feathered seeds to fall

The Last Quarter of the Moon

How long shall I tarnish the mirror of life, A spatter of rust on its polished steel! The seasons reel Like a goaded wheel. Half-numb, half-maddened, my days are strife. The night is sliding

Summer

Some men there are who find in nature all Their inspiration, hers the sympathy Which spurs them on to any great endeavor, To them the fields and woods are closest friends, And they hold

Petals

Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start. Freighted

A Petition

I pray to be the tool which to your hand Long use has shaped and moulded till it be Apt for your need, and, unconsideringly, You take it for its service. I demand To

Patience

Be patient with you? When the stooping sky Leans down upon the hills And tenderly, as one who soothing stills An anguish, gathers earth to lie Embraced and girdled. Do the sun-filled men Feel

A Coloured Print by Shokei

It winds along the face of a cliff This path which I long to explore, And over it dashes a waterfall, And the air is full of the roar And the thunderous voice of

Nightmare: A Tale for an Autumn Evening

After a Print by George Cruikshank It was a gusty night, With the wind booming, and swooping, Looping round corners, Sliding over the cobble-stones, Whipping and veering, And careering over the roofs Like a

The Red Lacquer Music-Stand

A music-stand of crimson lacquer, long since brought In some fast clipper-ship from China, quaintly wrought With bossed and carven flowers and fruits in blackening gold, The slender shaft all twined about and thickly

Afternoon Rain in State Street

Cross-hatchings of rain against grey walls, Slant lines of black rain In front of the up and down, wet stone sides of buildings. Below, Greasy, shiny, black, horizontal, The street. And over it, umbrellas,

Malmaison

I How the slates of the roof sparkle in the sun, Over there, over there, Beyond the high wall! How quietly the Seine runs in loops And windings, Over there, over there, sliding through

Wind

He shouts in the sails of the ships at sea, He steals the down from the honeybee, He makes the forest trees rustle and sing, He twirls my kite till it breaks its string.

The Precinct. Rochester

The tall yellow hollyhocks stand, Still and straight, With their round blossoms spread open, In the quiet sunshine. And still is the old Roman wall, Rough with jagged bits of flint, And jutting stones,

Azure and Gold

April had covered the hills With flickering yellows and reds, The sparkle and coolness of snow Was blown from the mountain beds. Across a deep-sunken stream The pink of blossoming trees, And from windless

The Captured Goddess

Over the housetops, Above the rotating chimney-pots, I have seen a shiver of amethyst, And blue and cinnamon have flickered A moment, At the far end of a dusty street. Through sheeted rain Has

The Road to Avignon

A Minstrel stands on a marble stair, Blown by the bright wind, debonair; Below lies the sea, a sapphire floor, Above on the terrace a turret door Frames a lady, listless and wan, But

After Hearing a Waltz by Bartok

But why did I kill him? Why? Why? In the small, gilded room, near the stair? My ears rack and throb with his cry, And his eyes goggle under his hair, As my fingers

To a Friend

I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on,

"To-morrow to Fresh Woods and Pastures New&quot

As for a moment he stands, in hardy masculine beauty, Poised on the fircrested rock, over the pool which below him Gleams in the wavering sunlight, waiting the shock of his plunging. So for

A Japanese Wood-Carving

High up above the open, welcoming door It hangs, a piece of wood with colours dim. Once, long ago, it was a waving tree And knew the sun and shadow through the leaves Of

Listening

‘T is you that are the music, not your song. The song is but a door which, opening wide, Lets forth the pent-up melody inside, Your spirit’s harmony, which clear and strong Sings but

The Shadow

Paul Jannes was working very late, For this watch must be done by eight To-morrow or the Cardinal Would certainly be vexed. Of all His customers the old prelate Was the most important, for

Epitaph in a Church-Yard in Charleston, South Carolina

GEORGE AUGUSTUS CLOUGH A NATIVE OF LIVERPOOL, DIED SUDDENLY OF “STRANGER’S FEVER” NOV’R 5th 1843 AGED 22 He died of “Stranger’s Fever” when his youth Had scarcely melted into manhood, so The chiselled legend

The Fruit Garden Path

The path runs straight between the flowering rows, A moonlit path, hemmed in by beds of bloom, Where phlox and marigolds dispute for room With tall, red dahlias and the briar rose. ‘T is

The Painter on Silk

There was a man Who made his living By painting roses Upon silk. He sat in an upper chamber And painted, And the noises of the street Meant nothing to him. When he heard

On Carpaccio's Picture: The Dream of St. Ursula

Swept, clean, and still, across the polished floor From some unshuttered casement, hid from sight, The level sunshine slants, its greater light Quenching the little lamp which pallid, poor, Flickering, unreplenished, at the door

A Little Song

When you, my Dear, are away, away, How wearily goes the creeping day. A year drags after morning, and night Starts another year of candle light. O Pausing Sun and Lingering Moon! Grant me,

Off the Turnpike

Good ev’nin’, Mis’ Priest. I jest stepped in to tell you Good-bye. Yes, it’s all over. All my things is packed An’ every last one o’ them boxes Is on Bradley’s team Bein’ hauled

Apology

Be not angry with me that I bear Your colours everywhere, All through each crowded street, And meet The wonder-light in every eye, As I go by. Each plodding wayfarer looks up to gaze,

The Book of Hours of Sister Clotilde

The Bell in the convent tower swung. High overhead the great sun hung, A navel for the curving sky. The air was a blue clarity. Swallows flew, And a cock crew. The iron clanging

Behind a Wall

I own a solace shut within my heart, A garden full of many a quaint delight And warm with drowsy, poppied sunshine; bright, Flaming with lilies out of whose cups dart Shining things With

The Cyclists

Spread on the roadway, With open-blown jackets, Like black, soaring pinions, They swoop down the hillside, The Cyclists. Seeming dark-plumaged Birds, after carrion, Careening and circling, Over the dying Of England. She lies with

A Tulip Garden

Guarded within the old red wall’s embrace, Marshalled like soldiers in gay company, The tulips stand arrayed. Here infantry Wheels out into the sunlight. What bold grace Sets off their tunics, white with crimson

Teatro Bambino. Dublin, N. H

How still it is! Sunshine itself here Falls In quiet shafts of light through the high trees Which, arching, make a roof above the walls Changing from sun to shadow as each breeze Lingers

The Fool Errant

The Fool Errant sat by the highway of life And his gaze wandered up and his gaze wandered down, A vigorous youth, but with no wish to walk, Yet his longing was great for

The Green Bowl

This little bowl is like a mossy pool In a Spring wood, where dogtooth violets grow Nodding in chequered sunshine of the trees; A quiet place, still, with the sound of birds, Where, though

Happiness

Happiness, to some, elation; Is, to others, mere stagnation. Days of passive somnolence, At its wildest, indolence. Hours of empty quietness, No delight, and no distress. Happiness to me is wine, Effervescent, superfine. Full

Stupidity

Dearest, forgive that with my clumsy touch I broke and bruised your rose. I hardly could suppose It were a thing so fragile that my clutch Could kill it, thus. It stood so proudly

Frankincense and Myrrh

My heart is tuned to sorrow, and the strings Vibrate most readily to minor chords, Searching and sad; my mind is stuffed with words Which voice the passion and the ache of things: Illusions

The Bombardment

Slowly, without force, the rain drops into the City. It stops a moment On the carved head of Saint John, then slides on again, slipping And trickling Over his stone cloak. It splashes from

A Roxbury Garden

I Hoops Blue and pink sashes, Criss-cross shoes, Minna and Stella run out into the garden To play at hoop. Up and down the garden-paths they race, In the yellow sunshine, Each with a

Patterns

I walk down the garden paths, And all the daffodils Are blowing, and the bright blue squills. I walk down the patterned garden-paths In my stiff, brocaded gown. With my powdered hair and jewelled

Irony

An arid daylight shines along the beach Dried to a grey monotony of tone, And stranded jelly-fish melt soft upon The sun-baked pebbles, far beyond their reach Sparkles a wet, reviving sea. Here bleach

An Aquarium

Streaks of green and yellow iridescence, Silver shiftings, Rings veering out of rings, Silver gold Grey-green opaqueness sliding down, With sharp white bubbles Shooting and dancing, Flinging quickly outward. Nosing the bubbles, Swallowing them,

Clear, with Light, Variable Winds

The fountain bent and straightened itself In the night wind, Blowing like a flower. It gleamed and glittered, A tall white lily, Under the eye of the golden moon. From a stone seat, Beneath

Crowned

You came to me bearing bright roses, Red like the wine of your heart; You twisted them into a garland To set me aside from the mart. Red roses to crown me your lover,

A London Thoroughfare. 2 A. M

They have watered the street, It shines in the glare of lamps, Cold, white lamps, And lies Like a slow-moving river, Barred with silver and black. Cabs go down it, One, And then another.

Anticipation

I have been temperate always, But I am like to be very drunk With your coming. There have been times I feared to walk down the street Lest I should reel with the wine

Two Travellers in the Place Vendome

Reign of Louis Philippe A great tall column spearing at the sky With a little man on top. Goodness! Tell me Why? He looks a silly thing enough to stand up there so high.

The Way

At first a mere thread of a footpath half blotted Out by the grasses Sweeping triumphant across it, it wound between hedges of roses Whose blossoms were poised above leaves as pond lilies float

Convalescence

From out the dragging vastness of the sea, Wave-fettered, bound in sinuous, seaweed strands, He toils toward the rounding beach, and stands One moment, white and dripping, silently, Cut like a cameo in lazuli,

Fringed Gentians

Near where I live there is a lake As blue as blue can be, winds make It dance as they go blowing by. I think it curtseys to the sky. It’s just a lake

The Crescent Moon

Slipping softly through the sky Little horned, happy moon, Can you hear me up so high? Will you come down soon? On my nursery window-sill Will you stay your steady flight? And then float

Apples of Hesperides

Glinting golden through the trees, Apples of Hesperides! Through the moon-pierced warp of night Shoot pale shafts of yellow light, Swaying to the kissing breeze Swings the treasure, golden-gleaming, Apples of Hesperides! Far and

Hero-Worship

A face seen passing in a crowded street, A voice heard singing music, large and free; And from that moment life is changed, and we Become of more heroic temper, meet To freely ask

To John Keats

Great master! Boyish, sympathetic man! Whose orbed and ripened genius lightly hung From life’s slim, twisted tendril and there swung In crimson-sphered completeness; guardian Of crystal portals through whose openings fan The spiced winds

A Ballad of Footmen

Now what in the name of the sun and the stars Is the meaning of this most unholy of wars? Do men find life so full of humour and joy That for want of

The Cremona Violin

Part First Frau Concert-Meister Altgelt shut the door. A storm was rising, heavy gusts of wind Swirled through the trees, and scattered leaves before Her on the clean, flagged path. The sky behind The

The Dinner-Party

Fish “So. . .” they said, With their wine-glasses delicately poised, Mocking at the thing they cannot understand. “So. . .” they said again, Amused and insolent. The silver on the table glittered, And

The Boston Athenaeum

Thou dear and well-loved haunt of happy hours, How often in some distant gallery, Gained by a little painful spiral stair, Far from the halls and corridors where throng The crowd of casual readers,

Diya {original title is Greek, Delta-iota-psi-alpha}

Look, Dear, how bright the moonlight is to-night! See where it casts the shadow of that tree Far out upon the grass. And every gust Of light night wind comes laden with the scent

To Elizabeth Ward Perkins

Dear Bessie, would my tired rhyme Had force to rise from apathy, And shaking off its lethargy Ring word-tones like a Christmas chime. But in my soul’s high belfry, chill The bitter wind of

Sancta Maria, Succurre Miseris

Dear Virgin Mary, far away, Look down from Heaven while I pray. Open your golden casement high, And lean way out beyond the sky. I am so little, it may be A task for

Number 3 on the Docket

The lawyer, are you? Well! I ain’t got nothin’ to say. Nothin’! I told the perlice I hadn’t nothin’. They know’d real well ’twas me. Ther warn’t no supposin’, Ketchin’ me in the woods

The Bungler

You glow in my heart Like the flames of uncounted candles. But when I go to warm my hands, My clumsiness overturns the light, And then I stumble Against the tables and chairs.

Sword Blades and Poppy Seed

A drifting, April, twilight sky, A wind which blew the puddles dry, And slapped the river into waves That ran and hid among the staves Of an old wharf. A watery light Touched bleak

Sea Shell

Sea Shell, Sea Shell, Sing me a song, O Please! A song of ships, and sailor men, And parrots, and tropical trees, Of islands lost in the Spanish Main Which no man ever may

From One Who Stays

How empty seems the town now you are gone! A wilderness of sad streets, where gaunt walls Hide nothing to desire; sunshine falls Eery, distorted, as it long had shone On white, dead faces

Suggested by the Cover of a Volume of Keats's Poems

Wild little bird, who chose thee for a sign To put upon the cover of this book? Who heard thee singing in the distance dim, The vague, far greenness of the enshrouding wood, When

Hora Stellatrix

The stars hang thick in the apple tree, The south wind smells of the pungent sea, Gold tulip cups are heavy with dew. The night’s for you, Sweetheart, for you! Starfire rains from the

The Lamp of Life

Always we are following a light, Always the light recedes; with groping hands We stretch toward this glory, while the lands We journey through are hidden from our sight Dim and mysterious, folded deep

The Blue Scarf

Pale, with the blue of high zeniths, shimmered Over with silver, brocaded In smooth, running patterns, a soft stuff, with dark knotted fringes, It lies there, Warm from a woman’s soft shoulders, and my

The Cross-Roads

A bullet through his heart at dawn. On The table a letter signed With a woman’s name. A wind that goes howling round the House, And weeping as in shame. Cold November dawn peeping

The Matrix

Goaded and harassed in the factory That tears our life up into bits of days Ticked off upon a clock which never stays, Shredding our portion of Eternity, We break away at last, and

Before Dawn

Life! Austere arbiter of each man’s fate, By whom he learns that Nature’s steadfast laws Are as decrees immutable; O pause Your even forward march! Not yet too late Teach me the needed lesson,

The End

Throughout the echoing chambers of my brain I hear your words in mournful cadence toll Like some slow passing-bell which warns the soul Of sundering darkness. Unrelenting, fain To batter down resistance, fall again

Stravinsky's Three Pieces

First Movement Thin-voiced, nasal pipes Drawing sound out and out Until it is a screeching thread, Sharp and cutting, sharp and cutting, It hurts. Whee-e-e! Bump! Bump! Tong-ti-bump! There are drums here, Banging, And

The Taxi

When I go away from you The world beats dead Like a slackened drum. I call out for you against the jutted stars And shout into the ridges of the wind. Streets coming fast,

The Fruit Shop

Cross-ribboned shoes; a muslin gown, High-waisted, girdled with bright blue; A straw poke bonnet which hid the frown She pluckered her little brows into As she picked her dainty passage through The dusty street.

The Basket

I The inkstand is full of ink, and the paper lies White and unspotted, In the round of light thrown by a candle. Puffs of darkness Sweep into The corners, and keep rolling through

Spring Day

Bath The day is fresh-washed and fair, and there is A smell of tulips and narcissus In the air. The sunshine pours in at the bath-room window and Bores through the water In the

Francis II, King of Naples

Written after reading Trevelyan’s “Garibaldi And the making of Italy” Poor foolish monarch, vacillating, vain, Decaying victim of a race of kings, Swift Destiny shook out her purple wings And caught him in their

Vintage

I will mix me a drink of stars, Large stars with polychrome needles, Small stars jetting maroon and crimson, Cool, quiet, green stars. I will tear them out of the sky, And squeeze them

Storm-Racked

How should I sing when buffeting salt waves And stung with bitter surges, in whose might I toss, a cockleshell? The dreadful night Marshals its undefeated dark and raves In brutal madness, reeling over

An Opera House

Within the gold square of the proscenium arch, A curtain of orange velvet hangs in stiff folds, Its tassels jarring slightly when someone crosses the stage behind. Gold carving edges the balconies, Rims the

The Pleiades

By day you cannot see the sky For it is up so very high. You look and look, but it’s so blue That you can never see right through. But when night comes it

A Fixed Idea

What torture lurks within a single thought When grown too constant, and however kind, However welcome still, the weary mind Aches with its presence. Dull remembrance taught Remembers on unceasingly; unsought The old delight

The Little Garden

A little garden on a bleak hillside Where deep the heavy, dazzling mountain snow Lies far into the spring. The sun’s pale glow Is scarcely able to melt patches wide About the single rose

The Trout

Naughty little speckled trout, Can’t I coax you to come out? Is it such great fun to play In the water every day? Do you pull the Naiads’ hair Hiding in the lilies there?

The Giver of Stars

Hold your soul open for my welcoming. Let the quiet of your spirit bathe me With its clear and rippled coolness, That, loose-limbed and weary, I find rest, Outstretched upon your peace, as on

New York at Night

A near horizon whose sharp jags Cut brutally into a sky Of leaden heaviness, and crags Of houses lift their masonry Ugly and foul, and chimneys lie And snort, outlined against the gray Of

A Lady

You are beautiful and faded Like an old opera tune Played upon a harpsichord; Or like the sun-flooded silks Of an eighteenth-century boudoir. In your eyes Smoulder the fallen roses of out-lived minutes, And

Lead Soldiers

The nursery fire burns brightly, crackling in cheerful Little explosions And trails of sparks up the back of the chimney. Miniature Rockets Peppering the black bricks with golden stars, as though a gala Flamed

In Darkness

Must all of worth be travailled for, and those Life’s brightest stars rise from a troubled sea? Must years go by in sad uncertainty Leaving us doubting whose the conquering blows, Are we or

Aftermath

I learnt to write to you in happier days, And every letter was a piece I chipped From off my heart, a fragment newly clipped From the mosaic of life; its blues and grays,

Song

Oh! To be a flower Nodding in the sun, Bending, then upspringing As the breezes run; Holding up A scent-brimmed cup, Full of summer’s fragrance to the summer sun. Oh! To be a butterfly

Crepuscule du Matin

All night I wrestled with a memory Which knocked insurgent at the gates of thought. The crumbled wreck of years behind has wrought Its disillusion; now I only cry For peace, for power to

A Fairy Tale

On winter nights beside the nursery fire We read the fairy tale, while glowing coals Builded its pictures. There before our eyes We saw the vaulted hall of traceried stone Uprear itself, the distant

Obligation

Hold your apron wide That I may pour my gifts into it, So that scarcely shall your two arms hinder them From falling to the ground. I would pour them upon you And cover

A Winter Ride

Who shall declare the joy of the running! Who shall tell of the pleasures of flight! Springing and spurning the tufts of wild heather, Sweeping, wide-winged, through the blue dome of light. Everything mortal

The Promise of the Morning Star

Thou father of the children of my brain By thee engendered in my willing heart, How can I thank thee for this gift of art Poured out so lavishly, and not in vain. What

At Night

The wind is singing through the trees to-night, A deep-voiced song of rushing cadences And crashing intervals. No summer breeze Is this, though hot July is at its height, Gone is her gentler music;

The Forsaken

Holy Mother of God, Merciful Mary. Hear Me! I am very weary. I have come From a village miles away, all day I have been coming, and I ache For such Far roaming. I

The Great Adventure of Max Breuck

1 A yellow band of light upon the street Pours from an open door, and makes a wide Pathway of bright gold across a sheet Of calm and liquid moonshine. From inside Come shouts

Loon Point

Softly the water ripples Against the canoe’s curving side, Softly the birch trees rustle Flinging over us branches wide. Softly the moon glints and glistens As the water takes and leaves, Like golden ears

The Temple

Between us leapt a gold and scarlet flame. Into the hollow of the cupped, arched blue Of Heaven it rose. Its flickering tongues up-drew And vanished in the sunshine. How it came We guessed

In a Castle

I Over the yawning chimney hangs the fog. Drip hiss drip hiss Fall the raindrops on the oaken log which burns, and steams, And smokes the ceiling beams. Drip hiss the rain Never stops.

Miscast I

I have whetted my brain until it is like a Damascus Blade, So keen that it nicks off the floating fringes of passers-by, So sharp that the air would turn its edge Were it

A Gift

See! I give myself to you, Beloved! My words are little jars For you to take and put upon a shelf. Their shapes are quaint and beautiful, And they have many pleasant colours and

1777

I The Trumpet-Vine Arbour The throats of the little red trumpet-flowers are Wide open, And the clangour of brass beats against the hot sunlight. They bray and blare at the burning sky. Red! Red!

White and Green

Hey! My daffodil-crowned, Slim and without sandals! As the sudden spurt of flame upon darkness So my eyeballs are startled with you, Supple-limbed youth among the fruit-trees, Light runner through tasselled orchards. You are

In a Garden

Gushing from the mouths of stone men To spread at ease under the sky In granite-lipped basins, Where iris dabble their feet And rustle to a passing wind, The water fills the garden with

The Painted Ceiling

My Grandpapa lives in a wonderful house With a great many windows and doors, There are stairs that go up, and stairs that go down, And such beautiful, slippery floors. But of all of

Leisure

Leisure, thou goddess of a bygone age, When hours were long and days sufficed to hold Wide-eyed delights and pleasures uncontrolled By shortening moments, when no gaunt presage Of undone duties, modern heritage, Haunted

Absence

My cup is empty to-night, Cold and dry are its sides, Chilled by the wind from the open window. Empty and void, it sparkles white in the moonlight. The room is filled with the

Mirage

How is it that, being gone, you fill my days, And all the long nights are made glad by thee? No loneliness is this, nor misery, But great content that these should be the

The Allies

August 14th, 1914 Into the brazen, burnished sky, the cry hurls itself. The Zigzagging cry Of hoarse throats, it floats against the hard winds, and binds the Head Of the serpent to its tail,

In Answer to a Request

You ask me for a sonnet. Ah, my Dear, Can clocks tick back to yesterday at noon? Can cracked and fallen leaves recall last June And leap up on the boughs, now stiff and

Roads

I know a country laced with roads, They join the hills and they span the brooks, They weave like a shuttle between broad fields, And slide discreetly through hidden nooks. They are canopied like

The Tree of Scarlet Berries

The rain gullies the garden paths And tinkles on the broad sides of grass blades. A tree, at the end of my arm, is hazy with mist. Even so, I can see that it

Music

The neighbour sits in his window and plays the flute. From my bed I can hear him, And the round notes flutter and tap about the room, And hit against each other, Blurring to

The Exeter Road

Panels of claret and blue which shine Under the moon like lees of wine. A coronet done in a golden scroll, And wheels which blunder and creak as they roll Through the muddy ruts

J K. Huysmans

A flickering glimmer through a window-pane, A dim red glare through mud bespattered glass, Cleaving a path between blown walls of sleet Across uneven pavements sunk in slime To scatter and then quench itself

Fool's Money Bags

Outside the long window, With his head on the stone sill, The dog is lying, Gazing at his Beloved. His eyes are wet and urgent, And his body is taut and shaking. It is

The Poet

What instinct forces man to journey on, Urged by a longing blind but dominant! Nothing he sees can hold him, nothing daunt His never failing eagerness. The sun Setting in splendour every night has

Before the Altar

Before the Altar, bowed, he stands With empty hands; Upon it perfumed offerings burn Wreathing with smoke the sacrificial urn. Not one of all these has he given, No flame of his has leapt

The Foreigner

Have at you, you Devils! My back’s to this tree, For you’re nothing so nice That the hind-side of me Would escape your assault. Come on now, all three! Here’s a dandified gentleman, Rapier

Aubade

As I would free the white almond from the green husk So would I strip your trappings off, Beloved. And fingering the smooth and polished kernel I should see that in my hands glittered

Fragment

What is poetry? Is it a mosaic Of coloured stones which curiously are wrought Into a pattern? Rather glass that’s taught By patient labor any hue to take And glowing with a sumptuous splendor,

The Coal Picker

He perches in the slime, inert, Bedaubed with iridescent dirt. The oil upon the puddles dries To colours like a peacock’s eyes, And half-submerged tomato-cans Shine scaly, as leviathans Oozily crawling through the mud.

March Evening

Blue through the window burns the twilight; Heavy, through trees, blows the warm south wind. Glistening, against the chill, gray sky light, Wet, black branches are barred and entwined. Sodden and spongy, the scarce-green

Venetian Glass

As one who sails upon a wide, blue sea Far out of sight of land, his mind intent Upon the sailing of his little boat, On tightening ropes and shaping fair his course, Hears

Pickthorn Manor

I How fresh the Dartle’s little waves that day! A Steely silver, underlined with blue, And flashing where the round clouds, blown away, Let drop the Yellow sunshine to gleam through And tip the

To an Early Daffodil

Thou yellow trumpeter of laggard Spring! Thou herald of rich Summer’s myriad flowers! The climbing sun with new recovered powers Does warm thee into being, through the ring Of rich, brown earth he woos

Monadnock in Early Spring

Cloud-topped and splendid, dominating all The little lesser hills which compass thee, Thou standest, bright with April’s buoyancy, Yet holding Winter in some shaded wall Of stern, steep rock; and startled by the call

The Starling

“‘I can’t get Out’, said the starling.” Sterne’s ‘Sentimental Journey’. Forever the impenetrable wall Of self confines my poor rebellious soul, I never see the towering white clouds roll Before a sturdy wind, save

The Paper Windmill

The little boy pressed his face against the window-pane And looked out At the bright sunshiny morning. The cobble-stones of The square Glistened like mica. In the trees, a breeze danced and Pranced, And

A Tale of Starvation

There once was a man whom the gods didn’t love, And a disagreeable man was he. He loathed his neighbours, and his neighbours hated him, And he cursed eternally. He damned the sun, and

Dreams

I do not care to talk to you although Your speech evokes a thousand sympathies, And all my being’s silent harmonies Wake trembling into music. When you go It is as if some sudden,

Miscast II

My heart is like a cleft pomegranate Bleeding crimson seeds And dripping them on the ground. My heart gapes because it is ripe and over-full, And its seeds are bursting from it. But how

Reaping

You want to know what’s the matter with me, do yer? My! ain’t men blinder’n moles? It ain’t nothin’ new, be sure o’ that. Why, ef you’d had eyes you’d ha’ seed Me changin’

The Pike

In the brown water, Thick and silver-sheened in the sunshine, Liquid and cool in the shade of the reeds, A pike dozed. Lost among the shadows of stems He lay unnoticed. Suddenly he flicked

The Grocery

“Hullo, Alice!” “Hullo, Leon!” “Say, Alice, gi’ me a couple O’ them two for five cigars, Will yer?” “Where’s your nickel?” “My! Ain’t you close! Can’t trust a feller, can yer.” “Trust you! Why